bratya basu brightest young playwright director bengali stage kolkata rehearsing preparing latest directorial venture covering post independence modern bengali theatre play staged north america bengali conference july hammerstein ballroom manhattan york asked questions conceived project challenges faced directing show sudipta nabc celebrating years bengali theatre plays covering period written script directing segments part vast canvas covering segment bratya cover post independence modern bengali theatre play presents snippets plays covering period including play bangladesh plays raktakarabi raja oedipous tiner talowar sarater megh chak bhanga modhu ebong indrajit winkle twinkle eersha sudipta criteria selecting play segments bratya primarily criteria select play segments plays important contemporary theatre time significant literary relevant society fundamental message sudipta thought process developing segment bratya challenging figure method develop entire play entity segments stand individual theatrical unit plays director working actors india special care ensure exists proper synergy balance segments acted groups actors develop relationship team work team familiarized acting style patterns build mutual trust absolutely essential producting theatre actors working play stage show proper balance maintained glad achieve sudipta audience expect segment bratya primarily expect audience experience development evolution modern bengali theatre exprience modern theatrical approach acting style rooted bengal international sense sudipta visit north america bengali conference expectation bratya nabc expectation true cultural relationship cultural exchange happen conference conference bring life true international spirit bengali culture glory 