ashok mukhopadhyay eminent theatre personality kolkata visiting united states direct play north america bengali conference held york july asked questions askok-da fondly call approached developing play sudipta nabc celebrating years bengali theatre plays covering period written script directing segments part vast canvas covering segment ashok written script part production selected scenes great plays written time-span link song-and-dance sequences produce theatrical collage covering period sudipta criteria selecting play segments ashok selected scenes major plays major playwrights time wanted appeal approach ranging high satire buro saliker ghare modhusudan solemnly tragic note balidan girishchandra comedic romanticism chirakumar sabha rabindranath musical rhythm alibaba khirodeprasad historicity chandragupta dwijendralal garbed mythology karagar manmotho finally reaching agony protest nabanna sudipta thought process developing segment ashok basic thought grinding selection plays concerns belief theater finest documentation time flow theater intrinsically projects truth social transition placing human beings values correct perspective hope production play-pieces provide commentary theater time social milieu producing theater sudipta visit north america bengali conference expectation ashok visit north america bengali conference forward great week-end bengali culture shine proudly america projecting multi-dimensional character dear glorious tradition 