entire state west bengal experiencing euphoria change landscape bengali theatre changed forever badal sircar maverick indian theatre passed unnoticed write obituary badal sircar write biography share experiences theater personality work personal interactions experience badal sircar child campus grew kharagpur campus faculty staff students staged plays boro pishima experienced theatre changed life ways forever solution mother participated lead characters years high school student's production technology dramatic society shaken core michhil performed experience expected time realized theater require stage require expensive sets lights sophisticated sounds performers audience cases barrier performer audience faded theatrical entity learned term theatre apparent simplicity production made theatre easy friends started produce badal sircar michhil bhoma started performing regular proscenium kind plays theatre form joined student involvement strong badal sircar rage days groups performing badal sircar spartacus bhoma sukhopathya bharoter itihas hatta malar opare mention proscenium plays jodi baar baaki itihas pagla ghora ballabhpurer rupkatha ebong indrajit badal sircar seniors regular performer badal sircar's group satabdi bring fresh plays campus badal-da campus group satabdi perform conduct workshops students remember experience watching spartacus performed satabdi basketball court realized productions true potential joined badal-da's workshop conducted open theatre stage realized wrong thinking productions easy perform train train mind body perform integral part theater working trust games workshop mentioned aspect theatre complete trust co-performer greatest risk physical emotional fully trusting co-performers support develop relationship team mates give theatre lesson stuck realized true theater aspect life family work society workshop exercises taught aspects space dynamic compositions creating stage pictures breaking instantly recreating organically taught versatile instrument acting body create human characters physical objects properties infuse life body mind desk chair created human bodies longer exists mere objects space carries deeper meaning human moved badal-da's form theatre reasons fact feel justice performing theatre proscenium environment theatre succeed stage walls audience sitting fifty meters fourth wall cheating defeating badal-da's primary reason developing form theater stick conventional style maverick's rare society traverse trailblazing path people badal sircar tread lessons learned great master show path difficult times theater life saturday june memorial service badal sircar organized protege subhashis woodbridge library george frederick plaza woodbridge unfortunate won't make rehearsal commitments hope badal-da pardon absence sake theatre 