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--
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-- --------------------------------------------------------

--
-- Table structure for table `wp_py_jobs_data`
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--
-- Dumping data for table `wp_py_jobs_data`
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-- --------------------------------------------------------

--
-- Table structure for table `wp_referrer_detector`
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--
-- Dumping data for table `wp_referrer_detector`
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(12, '9rules', '9rules.com', 'http://ethnomediallc.com/wpress/wp-content/plugins/referrer-detector/images/icons/9rules.png', 'Hello fellow <strong>9rules</strong> reader! If you find this page useful, you might want to <a href="http://nynjbengali.com/feed" rel="nofollow">subscribe to the RSS feed</a> for updates on this topic.', 1),
(13, 'Gizmodo', 'gizmodo.com', '', 'Hello fellow <strong>Gizmodo</strong> reader! If you find this page useful, you might want to <a href="http://nynjbengali.com/feed" rel="nofollow">subscribe to the RSS feed</a> for updates on this topic.', 1),
(14, 'TechRadar', 'techradar.com', '', 'Hello fellow <strong>TechRadar</strong> reader! If you find this page useful, you might want to <a href="http://nynjbengali.com/feed" rel="nofollow">subscribe to the RSS feed</a> for updates on this topic.', 1),
(15, 'Reddit', 'reddit.com', 'http://ethnomediallc.com/wpress/wp-content/plugins/referrer-detector/images/icons/reddit.png', 'Hello fellow <strong>Reddit</strong> user! If you find this story useful, please <a href="http://www.reddit.com/submit?url={url}">vote it up</a>!', 1);

-- --------------------------------------------------------

--
-- Table structure for table `wp_referrer_detector_stats`
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--
-- Dumping data for table `wp_referrer_detector_stats`
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(3, 'google.com', '2009-04-29 12:47:25'),
(4, 'google.com', '2009-04-29 12:47:51'),
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-- --------------------------------------------------------

--
-- Table structure for table `wp_search`
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--
-- Dumping data for table `wp_search`
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(286, 934, 'sudipta The book is published by A DASGUPTA-ALLIANCE PUBLICATION Order your copy in the U.S. from: GLOBAL BOOKS: http://www.globalbooksus.com For price discount on five 5 or more copies please write to: globalbooksusa@gmail.com . http://nynjbengali.ethnomediallc.com http://www.globalbooksus.com mailto:globalbooksusa@gmail.com', NULL),
(286, 937, 'Pramit Good work', NULL),
(219, 936, 'Athu I Love to eat Indian Food', NULL),
(352, 0, 'RAAG-RANG PRESENTS : MUSIC OF INDIA Cine- music Ghazals Bhajans Taranas Tillanas Folk Thumris Dhrupad Khayal Kirtans and more. Our journey will take us across India ’s landscape stopping at points of interest from the Himalayan Highlands to the backwaters of Kerala from the havelis of Rajasthan to the flowing waters of Bengal as distinguished artists perform the music of their heritage. Mohan Deshpande Mitali Banerjee-Bhawmik Astha Shukla Kamala Ramamurthy Arun Ramamurthy Trupti Parikh Bhupendra Gadhavi Kedar Naphade Pratik Devasthale Amod Dandawate Introducing young artiste Rahul Palnitkar Arsha Bodha Center 84 Cortelyous Lane Somerset NJ 08873 287 Exit 10 Rt. On Cedar Grove Lt. on Amwell Rt. On South Middlebush 2.5 mi Lt. on Cortelyous 1mi on left Tel: 908 429-1120 609 890-4890 201 447-6936 973 539-5534 bhawmikm@gmail.com mayuresh.khare@gmail.com Donations : Adult: 15 non-members / 10 members Under 12 : 7 non-members / 5 members Limited seating RSVP. 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(353, 0, 'I am watching the devastation caused by hurricane Aila on ETV Bangla news. It looks really bad. Although the local adminstration has ramped up the rescue operation quite efficiently the wide spread destruction is very difficult to handle. The recent election seems to have been responsible for this quick response from the Left Front State Govt who wants to prove that they have not lost contact with the people. The Trinamool leaders on the other hand is using this disaster to prove themselves as the viable alternative in the state.  The White House Chief of Staff Rahm Emanuel had once said “… a crisis like this cannot go to waste.”  The West Bengal politicians do not want this opportunity thrown to them by Aila to be wasted either. This is an excellent opportunity to prove themselves. Whatever may be the reason if  the state politicians for a change work in favor of the people it would serve them as well as the people. 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(57, 1761, 'Percocet aspirin. Percocet 93-490 10 mg…. Percocet…. http://www.kaboodle.com/percocet1k', NULL),
(354, 0, 'The classical Indian dance form Kathak is now quite well known amongst the dance connoisseurs of America.  Americans who have some familiarity with classical music and dance of India know about Kathak - a dance form that truly blends together the various components of Indian music - melody rhythm and the beauty of the physical form.  It is true that many stalwarts of the Kathak dance form like Pandit Birju Maharaj and others have graced the American stage with their amazing performances but the primary reason for its popularity and sustenance in this country is due to the tremendous efforts put in by several Kathak dance schools and academies run by the immigrant dancers from India who wanted to spread their passion for this art form amongst the next generation. Once such school is Kalamandir of New Jersey led by its director Malabika Guha. For the last twenty three years Malabika Guha and the students of Kalamandir have been working relentlessly to nurture and promote this traditional dance form of north India in USA. Malabika herself received training from illustrious gurus like Bela Arnab Guru Bipin Singh Amala Shankar and many others. She felt that it would be a crime to keep this art form within herself or to let it die like many other dreams once we land into this country.  The passion for dance that her gurus have imbibed in her found its release through her students and the journey that started twenty three years ago still continues. Kalamandir and Malabika has performed more than two hundred shows all across America Europe and India. She has proven to the world that classical Indian music and dance not only transcends time but also space - it can shatter all barriers -  social geographical political “Art for art’s sake” - that’s what my teachers taught me says Malabika. But Malabika’s greatest success story is her daughter - Brinda. Like many other second generation Indian American girls she started taking lessons in Kathak from her mother - but then she fell passionately in love with dance - with rhythm. Now she is one of the prime drivers of Kalamandir taking up the mantle from her mother and promising to take Kalamandir and Kathak to new heights. Always eager to explore eager to push the boundary Brinda blends Kathak with Flameco Ballet and other modern dance forms to create new compositions that are classical and modern at the same time.  She is what every dance and music teacher dream about for their students - someone who can carry on their legacy - a legacy that has been handed over to us through the generations. Organizations like Kalamandir and people like Malabika and Brinda are what makes us feel proud of our heritage today. We should all come forward and support them in whatever way we can to make their mission a grand success. 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(356, 0, 'A Taiwanese Idol contestant is singing a Hindi film song. It is amazing to see how Indian films are being accepted all across the world. Globalization is great Jay Ho Share this article Close   Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML:  input readonly  readonly onclick  this.select  type  text value  Taiwanese Idol Contestant Sings Bollywood Song  size  84 title  Copy this HTML to create a link to this page /   If you like this then please subscribe to the RSS Feed . 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(516, 0, 'Garden State Cultural Association invites you your family and friends to join in the celebration of DURGA PUJA at Plainfield High School 950 Park Avenue Plainfield NJ 07060 on Saturday October 16 Sunday October 17 2010 Program Details Saturday October 16 2010 Puja Arati 11:00 am to 2:00 pm Pushpanjali 2:00 pm to 3:00 pm Prasad 2:30 pm to 4:00 pm Chandipath 3:00 pm to 3:30 pm Dhunuchi Dance 3:30 pm to 4:00 pm Dinner 4:00 pm to 6:00 pm Sandhi Puja 4:30 pm to 5:00 pm Magic Show 5:00 pm to 6:00 pm Cultural Program 6:00 pm to 11:00 pm Cultural Program Line-up Time Chairman’s Speech and Introduction to Board Members 6:00 PM Opening Songs by Gayatree Sharma 6:15 PM HEAT A Fusion Ensemble Dance Presentation by Kalamandir NJ 6:30 PM Celebration of Tagore’s 150th. Birth Anniversary – Recitations by Partha Ghosh Gouri Ghosh and Songs by Sounak Chattopadhyay of Kolkata. 7:00 PM Jhinook Mukherjee of Kolkata - Classical Dance Recital 8:30 PM Chandreyee Bombay and Team of Musicians - Ghazals Bengali and Hindi Songs 9:00 PM ……………………………………………………………………………………………. Sunday October 17 2010 Puja Arati 11:00 am to 2:00 pm Pushpanjali 2:00 pm to 3:00 pm Chandipath 3:00 pm to 3:30 pm Prasad 2:30 pm to 3:30 pm Arts Crafts Competition 3:00 pm Sharp Dinner 4:00 pm to 6:00 pm Baran / Bisarjan 4:00 pm to 5:00 pm Arts Craft Competition Awards 5:30 pm to 6:00 pm Cultural Program 6:00 pm to 10:00 pm Cultural Program Line-up Time Soumyen Adhikari of Kolkata - nostalgic Bengali and Hindi songs of Hemanta Mukhopadhyay 6:00 PM Amra Sabai Raja - A GSCA Production 7:00 PM Suchismita Das Bombay and Team of Musicians - Hindi and Bengali songs. 7:30 PM Drama - “Ajo Kahini” - A Hilarious Play by Sudipta Bhawmik Ethnomedia Group NJ Directed by Pinaki Datta. 9 PM Share this article Close   Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML:  input readonly  readonly onclick  this.select  type  text value  Garden State Cultural Association Durga Puja 2010 size  84 title  Copy this HTML to create a link to this page /   If you like this then please subscribe to the RSS Feed . 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(358, 0, 'I’d like to express my sincere thanks to all those of you who came to watch our play “Banaprastha” The Retirement .  We had full houses on all the four days and it was a testament to the fact that New Jersey Bengalis like to watch quality theatre if we can offer them. However it was not only Jerseyans who came to our show people came from Pennsylvania Delaware New York city and even Buffalo New York. The overall feedback has been extremely positive   and people are asking for more shows.  Such encouragement is what makes all this hard work worth it and drives us to our next venture. We hope that with your good wishes we’ll be able to keep up with your expectations and put New Jersey on the map of serious and quality Bengali theatre for time to come. Thank you once again for supporting us. 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(360, 0, 'New Jersey Independent South Asian Cine Fest GALA OPENING NIGHT CELEBRATION at the Westin Princeton at Forrestal Village 201 Village Boulevard Princeton NJ Friday October 9 | 6:30 pm to 12:00 am 50.00 ALL ADMISSIONS includes Red Carpet film screening cocktail and dinner http://njisacf.com/09/ Share this article Close   Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML:  input readonly  readonly onclick  this.select  type  text value  NJISACF 2009: Opening Night size  84 title  Copy this HTML to create a link to this page /   If you like this then please subscribe to the RSS Feed . 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(361, 0, 'Tauryatrika 2009 Annual Cultural Event of Bharatiya Kala Kendra New Jersey with Bappi Lahiri on June 27th 2009 At : North Brunswick High School 98 Raider Road North Brunswick NJ - 08902   For detail information – check  www.bharatiyakalakendra.com Share this article Close   Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML:  input readonly  readonly onclick  this.select  type  text value  Tauryatrika 2009 size  84 title  Copy this HTML to create a link to this page /   If you like this then please subscribe to the RSS Feed . 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(362, 0, 'Very few theatre personalities in India have become legends in their life time. Habib Tanvir was one of them. Born as Habib Ahmed Khan on September 1 1923 in Raipur Chattisgarh Habib Tanvir has reinvented Indian folk theater and brought it out on the world stage in its full glory.  I still remember the evening in Calcutta when I watched his brilliant creation “Charandas Chor”.  The presentation of the play in a traditional folk form looked so modern so fresh that I couldn’t think of anything comparable in contemporary theatre. Habib  through is work has left a legacy that is difficult to carry on - because it demands a level of dedication that many of our modern theatre workers will fail to match. The sensitivity with which he nurtured the folk forms experimented with content and presented them with such grace and simplicity - only a true genius can achieve such excellence.  Habib Tanvir passed away on June 8th 2009 but the lengend he became still lives on and inspires theatre workers all around the globe. 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On&amp;uri=http://nynjbengali.com/archives/362&amp;loc=en_US http://nynjbengali.com/archives/362#bookmarkify Habib Tanvir [Ask] [blinklist] [Bloglines] [BlogMarks] [Blogsvine] [del.icio.us] [Digg] [Facebook] [Google] [LinkedIn] [Mister Wong] [Mixx] [Reddit] [StumbleUpon] [Technorati] [Twitter] [Windows Live] [Yahoo!] [Email] habib-tanvir Use these links to share this page with others Save to Ask Save to backflip Save to blinklist Save to BlogBookmark Save to Bloglines Save to BlogMarks Save to Blogsvine BuddyMark It Save to BUMPzee! Save to CiteULike Save to co.mments.com Save to Connotea Save to del.icio.us Digg It! Save to diigo Save to DotNetKicks Save to DropJack Save to dzone Save to Facebook FarkIt! Save to Faves Save to Feed Me Links Save to Friendsite Save to folkd.com Save to Furl Save to Google Bookmarks Save to Hugg Spot It! Save to Jeqq Save to Kaboodle Save to kirtsy Save to linkaGoGo Share on LinkedIn Save to LinksMarker Save to Ma.gnolia Save to Mister Wong Save to Mixx Save to MySpace Save to My Web Save to Netvouz Seed Newsvine Save to oneview Save to OnlyWire Promote on PlugIM Submit to Propeller Reddit Save to Rojo Save to Segnalo Shout It! Save to Simpy Slashdot It! Sphere It Sphinn Save to Spurl Save to Squidoo Stumble It! Add to my Technorati Favorites Save to ThisNext Save to Twitter Discuss on Webride Save to Windows Live Save to Worlds Movies Save to Yahoo! Bookmarks Copy this HTML to create a link to this page Save to Ask Save to blinklist Save to Bloglines Save to BlogMarks Save to Blogsvine Save to del.icio.us Digg It! Save to Facebook Save to Google Bookmarks Share on LinkedIn Save to Mister Wong Save to Mixx Reddit Stumble It! Add to my Technorati Favorites Save to Twitter Save to Windows Live Save to Yahoo! Bookmarks Email this to a friend See more bookmark and sharing options...', 'Habib Tanvir : The Legend Lives On Arts-Culture http://nynjbengali.com/archives/category/arts-culture View all posts in Arts-Culture'),
(186, 2278, 'Rohon Forgot to mention one more site SRISTISukh http://www.sristisukh.com . You may find this interesting. http://www.rohonkuddus.com', NULL),
(186, 2277, 'Rohon There is a webmag SRISTI http://www.sristi.co.in . And you can find some other under the tab ‘Onyora’ of that webmag. You may find some mag to worth mentioning in your esteemed blog. http://www.rohonkuddus.com', NULL);
INSERT INTO `wp_search` (`post_id`, `comment_id`, `content`, `priority`) VALUES
(364, 0, 'A Review by Amitava Sen As I entered the theatre the house was full and audibly expectant as the play ended crowd was visibly appreciative and a few even ecstatic which was quite an achievement and cause for satisfaction for the group of people who presented Banaprastha at Edison Valley Playhouse on May 31 2009. The play was generally well produced. A full house helps to create an environment of connectivity between the performers and audience. Perception of a full house and ambience that it helps create encourage the players to be their best. Selection of this adequately equipped arena small in size reflects producers’ sensibility about the importance of interaction between the players and the viewers and economic prudence at the same time. The play was about a returning Bengali doctor with the expectation that he would spend his retirement amongst his own people. Instead he found himself in an unlikely family situation and in a native city which was different than what he left behind decades ago. But in these days of cheap airlines tickets and cheaper communication cost can anyone be so unaware and acting so taken aback of the changes going on particularly for a person having purchased a place of residence there during the intervening years Where has he been The play apparently and seemingly has a statement to make with a hint of somewhat half-understood intellectualism that Bengalis so proudly flaunt and which sometimes veers towards sentimentalism. The play whether intended or not attempts to convey a message. Message is not clear though at times it looks like telling us that it is all right even laudable to acquire HIV virus provided the cause is right. But unfortunately there is no saintly or romantic way to get afflicted with HIV virus. That brings us to another question. Was the character Suranjana necessary at all She appeared in two scenes. A quasi-erotic introduction a hint at potential virus transmission and one in the middle of the play the intent of which was unclear except that it stemmed the flow towards building up the narrative. The time setting of the story was not clear. The doctor expert on AIDS treatment uttered not so much of a word about anti-retroviral drug. What did he want to fight was not clear was it the disease or the societal stigma that went with it So is it pre-David Ho inventor of cocktail regimen and pre-Bill Gates initiative That was a long time ago the ignorance of HIV virus was universal at that time. Even now the ignorance about and apathy towards HIV virus is not typical of Calcutta or India it is still a fact of life in more advanced societies as well. On this subject at least India is not far out of step with the rest of the world and this is a wrong issue to depict the primitiveness and heartlessness of our people which appears to be the subtext of the story. That is not to say in any way that India is not far behind in treating the disease and in the area of accessibility to the treatment. In the role of the father/ brother Sudipta Bhawmik as always was superb though at times he might have been a little overwhelming but that proved quite effective in a stage setting. As his wife Keka Sirkar was natural as a mother swept away by the turn of events. Her mature but fragile demeanor brought out the pathos that the story was about. But her high-heeled shoes in all circumstance were somewhat incongruous and distracting. Gargi Mukherjee the actor getting the top billing with lengthiest resume in the role of Suranjana did not quite get it. A woman afflicted with HIV did not need to be speaking under her breath sometimes out of breath but always shrill. Her interpretation of the character was undefined. Lily Majumdar Nabanita did not come out quite as urbane as a do-gooder NGO person. She appeared uncomfortable in that character flubbing her lines a few times confusing between counseling and counciling sic . It is not all her faults her dialogue gets unwieldy and haranguing making it difficult to deliver on stage. Shubhodev as the older brother was impressive especially in the first part of the play. Stagecraft lighting and sound were professional under the circumstances. Stage discipline followed by the players was excellent. The credit is due the director Indranil Mukherjee who is also a fine stage actor in the role of Alakendu. His attention to small details was noticeable. But his handling of the denouement that is the final resolution of the intricacies of the plot was rushed and uncharacteristically melodramatic for the ethos of the story. In the end add I must the play was thoroughly engrossing and enjoyable. Amitava Sen The views expressed in this article are solely those of its author. Share this article Close   Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML:  input readonly  readonly onclick  this.select  type  text value  Banaprastha - Only if the message could be clearer size  84 title  Copy this HTML to create a link to this page /   If you like this then please subscribe to the RSS Feed . 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Only if the message could be clearer http://www.mixx.com/submit?page_url=http://nynjbengali.com/archives/364 http://reddit.com/submit?url=http://nynjbengali.com/archives/364&amp;title=Banaprastha - Only if the message could be clearer http://www.stumbleupon.com/submit?url=http://nynjbengali.com/archives/364&amp;title=Banaprastha - Only if the message could be clearer http://technorati.com/faves?add=http://nynjbengali.com/archives/364 http://twitter.com/home/?status=Banaprastha - Only if the message could be clearer+http://nynjbengali.com/archives/364 https://favorites.live.com/quickadd.aspx?mkt=en-us&amp;url=http://nynjbengali.com/archives/364&amp;title=Banaprastha - Only if the message could be clearer http://bookmarks.yahoo.com/toolbar/savebm?opener=tb&amp;u=http://nynjbengali.com/archives/364&amp;t=Banaprastha - Only if the message could be clearer http://www.feedburner.com/fb/a/emailFlare?itemTitle=Banaprastha - Only if the message could be clearer&amp;uri=http://nynjbengali.com/archives/364&amp;loc=en_US http://nynjbengali.com/archives/364#bookmarkify Banaprastha: Biswajit Kaberi and Parikhit [Ask] [blinklist] [Bloglines] [BlogMarks] [Blogsvine] [del.icio.us] [Digg] [Facebook] [Google] [LinkedIn] [Mister Wong] [Mixx] [Reddit] [StumbleUpon] [Technorati] [Twitter] [Windows Live] [Yahoo!] [Email] banaprastha-biswajit-web Use these links to share this page with others Save to Ask Save to backflip Save to blinklist Save to BlogBookmark Save to Bloglines Save to BlogMarks Save to Blogsvine BuddyMark It Save to BUMPzee! Save to CiteULike Save to co.mments.com Save to Connotea Save to del.icio.us Digg It! Save to diigo Save to DotNetKicks Save to DropJack Save to dzone Save to Facebook FarkIt! Save to Faves Save to Feed Me Links Save to Friendsite Save to folkd.com Save to Furl Save to Google Bookmarks Save to Hugg Spot It! Save to Jeqq Save to Kaboodle Save to kirtsy Save to linkaGoGo Share on LinkedIn Save to LinksMarker Save to Ma.gnolia Save to Mister Wong Save to Mixx Save to MySpace Save to My Web Save to Netvouz Seed Newsvine Save to oneview Save to OnlyWire Promote on PlugIM Submit to Propeller Reddit Save to Rojo Save to Segnalo Shout It! Save to Simpy Slashdot It! Sphere It Sphinn Save to Spurl Save to Squidoo Stumble It! Add to my Technorati Favorites Save to ThisNext Save to Twitter Discuss on Webride Save to Windows Live Save to Worlds Movies Save to Yahoo! 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(364, 2279, 'sudipta Amitava-da Thank you for the review. You have said whatever you felt after the watching the play and I appreciate it. However I feel that I need to respond to some of your comments not as a member of the production team but as a playwright. 1. You commented - “But in these days of cheap airlines tickets and cheaper communication cost can anyone be so unaware and acting so taken aback of the changes going on particularly for a person having purchased a place of residence there during the intervening years Where has he been ” Do you think all of us visit our home in India every year Here is an email comment from one of our audience: “….I appreciated it more because I went to India in May after 11 years.” Parijat went back home after 8 years. But even when I visit India every year or every other year the social changes keeps on amazing me. Yes we are aware of the changes but when it starts affecting you personally it hits home. I am sure you feel it too. If not I’d say that you are in denial. Some of us do try to pretend that they are abreast of what’s going on back home they even appear to appreciate some of the social changes to prove their liberal mindset - but deep within it hurts them too - it hurts when you find your home is no more. One of our western audience member told me his mother used to say - “there is no home ” I was almost in tears. 2. “Message is not clear though at times it looks like telling us that it is all right even laudable to acquire HIV virus provided the cause is right.” How could you get this distorted message that the play is trying to say that it is “laudable to acquire HIV” The only message if any one could conclude is that HIV can attack us from any front - one need not visit brothels or use infected needles or get transfused with contaminated blood. Just to let you know that the Suranjana character is not entirely fictitious. It is based on real life character. Careless saintly behavior like some health care workers or unprotected romance can cause this virus to infect - because the virus does not care whether the body they are attacking is that of a saint or a romantic lover or a criminal rapist. But each such case can be a story - a story in its own right. Suranjana and Pallab’s story is also a story - please don’t humiliate it by saying that it seemed it is laudable to acquire HIV for the right cause. I felt that without the presence of the character Suranjana Pallab’s story would have been incomplete and it would have been unfair to Pallab and many other young men and women. Pallab never tried to give any excuse for his predicament but that should not be misinterpreted in anyway. The story may draw some sympathy for Pallab and Suranjana - but I don’t know how it can be interpreted as being an effort to glorify the acquisition of this deadly disease 3. “The doctor expert on AIDS treatment uttered not so much of a word about anti-retroviral drug. ” Dr. Parijat Sen did mention - “HIV is no longer a death sentence” and also mentioned several times that drugs are now available that can hold of HIV for long periods. Although he did not mention David Ho or Bill Gates or go into the details of anti-retroviral cocktail or HAART therapy - it was not the treatment of HIV/AIDS the issue here - at least to him or his brothers family. It was well established in the play that access to treatment is not the key problem in India or Calcutta - although not all hospitals would admit an HIV patient even today. As per the recent reports many HIV patients do not seek medical treatment because they are afraid that doing so would expose their HIV status and they would be social outcasts. Also you must be aware that anti-retrovirals are not cures - they just happen to hold it off for some time and the time varies from person to person and the quality of care he/she is receiving. One of the key problems in India is that the patients do not continue their treatment and thus develop resistance to the medications. 4. “On this subject at least India is not far out of step with the rest of the world and this is a wrong issue to depict the primitiveness and heartlessness of our people which appears to be the subtext of the story. ” Although HIV is still considered a stigma in some western countries but it is not the same as it was during the seventies or the eighties. The HIV stigma in the west is associated with homosexuality I’d recommend Tony Kushner’s “Angels in America” and the west’s homophobia. With the wider acceptance of homosexuals in this country the stigma associated with HIV has lost its sting in many ways. However in India the HIV stigma is associated more with sexual morality - besides the undue fear of infection. Before writing this play and even before staging this play I have read countless episodes of social cruelty in India towards HIV patients. Even a current running serial novel in “Desh” patrika was writing about this issue. After watching the play another audience member pointed me to this article - http://timesofindia.indiatimes.com/Cities/Kolkata-/Neighbours-thrash-HIV-patient/articleshow/4626142.cms A recent August 2008 report said that a bill of rights for HIV patients that was presented to the govt in August 2006 is yet to reach the parliament. Amitava-da denial is not going to help us. Yes “the apathy towards HIV is not typical of Calcutta or India” - but I am an Indian and that is what I can write about. I cannot write about what happens in Indonesia. We had several non-Indian audience and they did extract the universality of the issue. I am sorry that you felt that I was unfairly critical of India. I just wanted to tell a story through this play - a large part of which are based on facts and my own feelings. http://nynjbengali.com http://timesofindia.indiatimes.com/Cities/Kolkata-/Neighbours-thrash-HIV-patient/articleshow/4626142.cms', NULL),
(351, 0, 'ECTA’s latest production “Banaprastha” premiered at the Edison Valley Playhouse on May 16th in front of a full house. The play was very well received by the audience as you can see in the accompanying video.  The second show was held on May 17th. Besides the video comments here are some of the comments sent over the email. “ We thoroughly enjoyed Banaprasta. This is a very timely production. I wish this drama can be viewed by millions Indians in India in view of the fact that India is crazy about Bollywood. Once again congratulations for presenting a great drama. ” - Aurobindo Mukherjee “ I saw your play yesterday and I must say it was outstanding. The theme was very contemporary and acting was great  Looking forward to many more ” - Gargi Gupta “ I want to encourage everyone to see the play Banaprastha. Mary and I saw it yesterday and we both loved it. The play entitled “Banaprastha ” is about an Indian-born physician who spends is professional career in Manhattan and retires to his childhood home in India. It is performed in Bengali and English with English subtitles. The acting and story was superb and the cast comprised several actor’s from the Jumpha Lahiri movie “The Namesake.” If you go I’m sure that you’ll enjoy it as much as we did. ” - Jason Paul DeMont “ I especially liked the topic that was addressed. I am one of those that believe if your spouse at old age is no longer by your side for whatever reason one should find another companion. Perhaps my work leads me to believe that I work with the Geriatric society in this country. Of course the crazy lifestyle which is imitated not really realized by Indians in India will cause a generation to suffer enormously. Globilization is fantastic but it does have its repercussion to the ones that are not mature. ” - Sashwati Chatterjee Bengali Webzine Urhalpool Released After the smashing success of the first edition the 2 nd edition of online bilingual Bengali English magazine  URHALPOOL www.urhalpool.com is out. The 2 nd edition is even bigger better and has contents covering more variety. Following are the highlights – - Urhalpool Reader Ruchira Mondal’s short story Indranil Bakshi’s poem - Series novel from  Sunil Gangopadhyay - Series poetry-novel from  Tasleema Nasreen - Collection of short stories including a translated one from 2008 Pulitzer Prize winner  Juno Diaz - Interview from India’s most successful cricket captain  Sourav “dada”  Ganguly - Special section on  Feluda with interviews from  Sandip Ray   Soumitra Chatterjee Sabyasachi Chakroborty and a f ull script of unpublished one-act play on Felu-da - Interviews from film-star Prosenjit and multi-percussionist  Bickram Ghosh member of the Grammy award winning team for the album “Full Circle” - Special write-up from  Nabaneeta Deb Sen   Sarat Kumar Mukhopadhyay   Sunil Gangopadhyay - Poetry from Nobel Laureate  Roald Hoffman - Remaining part of the interview of  Prof. Noam Chomsky - Poetry from Carolyn Forché   Yousef Komunyakaa - Goutam Ghoshe’s multimedia interview introducing his latest movie “KaalBela” ..and many more Also for the literary minded in Kolkata and vicinity URHALPOOL printed version is available in circulation printed and marketed by “Punoscho Prokashoni” Kolkata Share this article Close   Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML:  input readonly  readonly onclick  this.select  type  text value  Community News Bites: Banaprastha and Urhalpool size  84 title  Copy this HTML to create a link to this page /   If you like this then please subscribe to the RSS Feed . 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(349, 0, 'The reality TV show “American Idol” has triggered a new trend - Idol search TV channels all over the world are searching for idols - or talents. This search is not only limited to the television screen but it has also proliferated onto the stage in various forms. Although the primary objective of this kind of shows is to screen for talent  in reality excuse the pun it is nothing but an entertainment show. The excitement the drama and the occasional emotional outbursts are all part of the show. Undoubtedly such shows do bring many talented men women and children to the limelight but is this the right way to do explore talent  In many cases the exploration turns to exploitation - especially for the young participants. They have to go through a grueling screening process sustain a tremendous pressure to perform and then handle a barrage of criticism from the celebrity judges.  I know in one dance show a young girl couldn’t take the judges criticism anymore and had a nervous breakdown resulting in a paralytic fit. In several instances the young competitors sacrifice their education to continue the show. But the tragedy is in most cases the winner is not judged by the celebrity panel whose criticism these young participants have to encounter but rather by the audience through cell/mobile phone text messages SMS . And in this process the wireless carrier mints money. I am sure the show also gets their share of this income too. I remember in one such show on ETV Bangla one of the judge a famous musician was so frustrated with this gaming system that he almost stormed out of the show. His argument was that these shows undermine the hard work and perseverance most musicians and performing artists have to go through in order to make it in this difficult world. He pointed out that these shows are unfairly biased to popular cheap performances because that’s what the masses like rather than music that requires years of professional training and practice. Well he may have a point but he should have known that before agreeing to become a judge. Lately these shows are also held on live stage. Recently CAB Cultural Association of Bengal has announced NABC Idol a show to select musical talent from this region to perform at the final to be held in San Jose in July.  Arranging such a show is not trivial and I hope this show will be successful in finding the real talent. The advertisement says that the judges will be all from overseas. I don’t know if this show will use SMS to collect audience voting to select the winners - that will be a major logistic and technical challenge. However if this turns out to be the typical music competition that we used to have back home it will undoubtedly lose some of its entertainment punch.  I am not sure if the intention of the organizers is to make it a true talent search or a mere entertainment show but I hope we’ll know that soon.  Share this article Close   Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML:  input readonly  readonly onclick  this.select  type  text value  Search for Idols size  84 title  Copy this HTML to create a link to this page /   If you like this then please subscribe to the RSS Feed . 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(25, 2, 'sudipta Sudipta Fantastic I think you wanted us to comment on the RSS but I had problems in registering so I am leaving my comments here with trepidation that I’ll bore some of you. I have used the two tips - 1 Jim Beaver’s suggestion of memorize a para memorize next para connect add a para connect - thats my primary method often used. There are two major pitfalls - 1 sometimes in our zeal to get the lines absolutely correct we spend too much time perfecting and can’t get very far. This is specially hazardous for large sections or poetry or monologues. My suggetsion is to yank yourself out of repeating the same para when you have got 80 done. Since during the connect phase you are going to repeat the paras anyway the remaining 20 get done automatically. 2 In monolgues read Eersha some paras are disjointed. They dont flow one to other and is hard to connect. In those places it helps to think where did the character wanted to from here what did he/she felt at this point and so on. Write a little note like sigh with remembrance disdain for walking out on me etc. . Then an amazing thing happens. I am blessed with many of you are probably are more gifted a bit of visual memory. When I recite I could visualize the script roughly where this part is and what my note was for and that jots the memory for the next para even if disconnected. Generally I stop there but if things are not going well the next thing I do is checking my memorization similar to what Ven Hawkins said about using a cassette recorder taping the whole play and repeating my lines. At this point one can actually add body movements pauses vocal/emotional crutches we use to time them. Its the “Sing with Bernie” part. One thing I did not see in the blogs. That is any good scriptwriter will write connected thoughts and lines or phrases I call them triggers . If one can find these it makes it easier to memorize the next line. This is a must for action and conversation-oriented dramas where each actor needs to react with visual and vocal clues and triggers from others as well as his/her own. It could be as simple as “Kothai boshi” “eikhane Boshun” or connected triggers in a monologue that are 4 lines apart. K. P. Basu Das', NULL),
(34, 3, 'sudipta NABC 2005 organizers: I hope we all learn from Chitra Divakaruni’s letter how wrong and demeaning it is for an organization like NABC when they start differentiating among artists on whatever basis. I am not denouncing every single organizer here as I am sure that many of you are conscientious and worked long and hard to make this Bango Sammelan a success but I deeply resonate with Ms. Divakaruni’s hurt feelings and as an organization you made some really unjust decisions. The meal area on the 7th floor of Manhattan center had big warnings posted something like - only for non-US artists. So for a cup of tea one of our Kolkata-based artists sneaked in 6 cups of tea in styrofoam cups for us the US-based members participating in the same drama The Kolkata artists felt bad to drink tea without us and we felt cheap. I tried to make it light saying “it’s the reverse NRI effect. We are making special arrangements for non-locals.” In reality I am disgusted to receive or to provide class-based priviledges. At the registration area special arrangements were made for non-US artists. In dollars and cents did it make any difference Surely such treatments made a big dent to NABC’s prestige. NABC should do a post-mortem assessment of what they did well and what they did wrong by some unbiased people and asking for comments from people who attended. We should not let cheap stupid and ugly decisions of a few however bigwigs mar the long arduous and sincere efforts of many dedicated ones who gave their time voluntarily days in and out nights in and out taking time from their work and family. From another person who was made to feel like a “bhikhiri in a biyebari” quoting from Chitra Divakaruni Bashu Das Ph: 732-949-9175 office 732-735-1748 Mobile kdas@lucent.com mailto:kdas@lucent.com', NULL),
(39, 5, 'sudipta I had a sneak peek and the webzine looks great It is about time we had a forum where creative artists and authors from all across the globe can share their thoughts and ideas freely without any prejudice or incombrance of any kind. Wish you all the best. Sudipta Bhawmik', NULL),
(45, 6, 'sudipta From Dipak Chaudhuri: My association with Durga puja is from the first puja at Columbia university 1970.The donation expected at that time 5.Some people were reluctant to pay 5 at that time.Now suggested donation is 75 to 100.Some people still feel the pinched to pay that amount for family of two three four etc.With inflation cost of every thing is now ten fold and bringing professional artists from India it is competition now for entertainment cost has increased 100 since old days we did not pay our local artists. My suggestion will be as we pay for every good and service in our real life we should pay similarly during puja.The suggested price tag shall be for basic puja.Rest shall be for what you cosume.For dinner entertainment charge seperately.This is what is done during Banga Sanmillan.Puja committee can make some money from the vendors and use that for renting halls and cleanup operation. Dipak Choudhuri', NULL),
(45, 7, 'baskarm This is an issue which has been much debated in the past. There will always be people who would like to piggy back on the honest payer of the Chandaa and also boast about it later. I have a suggestion to make going forward. There should be some discount for the Kallol Members. This year the Chandaa was 50.00 per person. I suggest next year let us have 40.00 per person for Members and 60.00 per person for non-members. This will either get everyone to become members or give the commitee enough funds from non members to meet the expenses. Members should be given ID along with their annual subscription. Baskar Menon', NULL),
(45, 8, 'amitavasen What is astronomical In the realm of prices and inflation everything is out of reach today by yesterday’s standard. Look at the bright side today’s astronomical cost will be rock-bottom tomorrow. Like the cost of any other goods and services there is no comfortable level for “chandaa”. Market forces will decide it rule of supply and demand. The commodity was scarce and the demand was so high that a large number of subscribers willing to pay high prices had to be turned back at a local Puja. In order to bring “Chandaa’ down increase the supply have more Pujas more the merrier and cheaper. Competition will improve the quality one hopes. Officials will not take the market for granted and will build a better outdoor tent making it unnecessary for us to wade through the mud for three days of deluge will find local artists who can sing in tune get Calcutta artists who can cater to the majority of the attendees. But for now don’t blame the provider of the service they are selling at a price what the market bears and we are buying ungrudgingly from all evidence gladly. After all by today’s standard 100 or 200 dollars for three days of food adda Calcutta artists and above all an opportunty to show off wardrobe of new sarees is not a bad deal. It is definitely a better bargain than spending 25 to 50.00 and sitting through two to three torturous hours of inane and poorly produced dramas post post modern poetry reading by not so gifted poets or the absurdity of listening to the English translation of Sukumar Ray poems in front of 100 Bengalee speaking audience . To their credit the Puja organizers do not force it down our throat as the local retail performers do. The cost of Goat meat or Calcutta artists are not the only culprits. The organizers have aged. In spite of all the clamor about younger people to take charge the bulk of the heavy lifting behind the scene is still done by one or two older persons and the need to subcontract the work almost all physical work except singing and dancing on the stage is understandable. Sub-contracting raises cost. The much heralded second generation has never arrived. The Pujas are still an affair of Indian born Bengalees young and old with the rare and pleasant exception of White American “Jamaais”. Amitava Sen', NULL),
(45, 9, 'tathagataghosh Let me be one of the protesting voices. I also made my concerns known to the Kallol Puja Committee. I was in this email discussion with Amitabha-da Bagchi where we were wondering as to the cost of the Puja from which we can argue whether the price was too high or adequate. I would start from an argument that because this is a non-profit organization the price should not/need not be what the market will bear. The price of attending Kallol Durga Puja should not be like the price of oil- ie it should not be market driven it should be cost-based . What does everybody else feel Let me lay down a very simplistic calculation and then have people tell me that I am completely wrong. Let me estimate that Kallol plans a 50000 puja and raises about 10000 through vendors and the souvenir ads. That means 40000 needs to be funded through chaanda. If we have 400 paying families paying 100 each then we are covered. Let say we have only 300 paying families then cut out the ‘pork’ and try to save a 10000 there. We obviously do not need to be having ‘goat curry’ if it inflates the price. This line of logic can be continued by somebody who has the real numbers but I will not go further than this. If market forces do come into the picture then it is obvious there is a market/need for a less high-priced Puja within this area. Tathagata', NULL),
(46, 10, 'sudipta Dear Amitava-da I failed to comprehend the point of your article. Pardon my naivete’ but I did not understand what it is that you really like as entertainment. It seems you neither like classical music nor pop/modern music like the type presented by Raghab . You surely do not like local artistes neither you are sure that you like the Kolkata artistes like Raghab or Jojo . You kind of indicated that the people who paid most did not get what they wanted implying that the “relatively young” crowd who danced to the beats of Raghab although I did see few not-too-young folks stomping their feet and swaying their … did not pay enough and hence do not deserve to be entertained. I don’t know if Kallol collects any statistics regarding age and contribution amount but don’t you think that you are a bit presumptuous on this issue You mentioned that the younger generation has taken over the control of the backstage. But isn’t this what the “elders” of Kallol has been asking for. all along If you want the younger population to participate actively you need to give them the some authority and independence too. They should have some say in what needs to be done. They should be allowed to express their cultural views too. You ofcourse have your rights to express your opinion but so does the younger crowd. I agree that we need to express to the organizers what we want. But first of all we need to decide what character should our Kallol Pujo be Should we mold our Pujo as a homely “Gharoa” kind or make it a money making commercial venture. If we’d like it to be the “Gharoa” kind I think we need to be more tolerant and encouaging to our local artistes. Yes their presentations may not be of professional quality but they may be our memories for life. Those videos that we record of our kids reciting Sukumar Roy in English or one of our friends singing Hindi Rabindrasangeet in off tune may help us spend few lonely evenings in our later days with few laughs. But if we like the Pujo to be a commercial venture so be it. Bring on Bollywood and Tollywood. Let’s dance to the tunes of Miss Jojo or Alka Yagnik. Make it a gala extravaganza. Find a bigger place charge big bucks make it a great show. But then I do have a choice as to whether I want to buy the product or not. I for sure will try to seek out a more warm and homely Pujo where I can share my heart with my friends and with Maa Durga. With best wishes of Subho Bijoya Sudipta', NULL),
(45, 11, 'Purna Bhattacharya Puja Contribution First I want to congratulate Sudipta for providing us with a very useful public forum to discuss our community affairs. As past Chairman of Durga Puja committee and president of Kallol I must emphasize the Durga Puja expenses are ever increasing and becoming very difficult to budget in accordance with the expected attendance. The variable expenses such as facility rent tent rental and goat meet dinner is getting difficult to estimate because of either increasing cost or unforeseen township enforcement for fire code and or other code requirements. I am not going to pass any judgment on what our patron should pay to enjoy the three- day festival in terms of their donation. The spirit of Durga Puja should not be compared with service provided to our community but the cost of the puja should be met with appropriate revenue collection and managing controllable expenses. Letâ€™s us see the Puja cost vs. revenue: Revenue Letâ€™s say the average 500 families attend Kallol Durga Puja celebration. If we estimate 2.5 persons per family then the total attendance are 1250 people. If we appeal 75 donation per family we raise 37 500 as gate collection. Please note beginning 2002 the committee was successful in collecting brochure advertisement in excess of 17 000 and average 5 500 from vendors. This gives us a total collection of approximately 60 000. Expenses Hall rental for 3 days with tent 22 000 variable Food for 500 family 15 000 variable Entertainment 10 000 controllable Printing and mailing 2 000 controllable Stage light 3000 controllable Puja exp 3 000 variable Contingent 5 000 Total 60 000 Above calculation are based on past experience. Please note if the gate collection fall or advertisement revenue does not meet projected amount Kallol has to sustained losses. This is why pressure always mounts on the executive committee. There are no specific solutions but effort should be made to raise sufficient revenue so that Kallol does not sustained any losses. In my opinion 75 donation per family is fair and reasonable. http://ethnomediallc.com/wpress/?pp_album=1&#038;pp_image=creditchaanda_wt_web.jpg creditchaanda wt web creditchaanda wt web', NULL),
(46, 12, 'Alok NJ I found the blogs from Amitava and Sudipta quite interesting. I preferred to skip Raghab’s show @ Kallol over Chandrabindoo but heard him singing the following weekend @ NY.He performed very well inspite of the poor sound system. He sang a wide variety of songs from bengali folk films recent hindi hits etc By and large the audience enjoyed his show. . I have more questions and few answers when talking about our Bengali entertainment scene in NJ. Some of my thoughts: Catering to and satisfying a wide cross section of public is not an easy task. We need tolerance and acceptance of programs designed for a section of the populace different from which we may belong. Maybe Raghab could have entertained the Kallol audience better if he had known about the type of songs we would like. This applies to any performer for any show. We need ideas from all to enrich our entertainment scene and that includes our nextGen. One of the reasons we could not get the Bengali-NextGen BNG participate more wholeheartedly in our cultural events is because we are not receptive enough to listen to them. Have we tried enough to encourage them on topics of their interest Why not provide them with a program slot to present their ideas For the past many years we have taken pride in always ‘importing’ cultural icons from Desh and presenting them …its high time that we start presenting our home grown talent. This year’s natak @ kallol Puja was a great example of how given an opportunity and guidance the BNG can entertain us with quality presentations. Kudos to Sudipta and his team for leading the way. I believe we will be better off having a policy of inclusion over exclusion. Some appreciation tolerance and patience is called for from the audience. Culture is not about ‘commodotizing’ a product. There cannot be a perfect ‘cultural product’ to sell in a market. Culture is a way of life a perception that has to be felt and experienced by those who are inclined towards that experience. I think the ‘value’ factor for entertainment cannot be weighed in terms of ‘ ’ terms only.', NULL),
(45, 13, 'Alok NJ If organizers really want to democratize the celebration and cater to the majority then along with the brochures it may be a good idea to publish the projected expenses and a poll form to solicit feedback from participants on issues that are important to them. Some poll questions could be: Are you OK with buying food rather than having it served free if that curtails the puja budget and chandaa by 25 If goat curry eats up more than 50 of the food budget should we persist with it What type of entertainment do you prefer: Rank 1-5 in order of preference Local artistes/ Imported icons/ Classical music/Dance/etc/ ..etc. Otherwise it does not matter what the public says you have a group that celebrates Puja either join them and play by their rules or stay away. The organizers work very hard towards making the Puja a success and I am afraid that critical comments on chandaa might undermine their efforts and motivation. From Purnadaâ€™s budget it seems that 75 is the threshold for break-even. Being a non-profit organization the general public should understand that Kallol contributes towards many of our cultural activities outside the realm of Durga Puja. like Ananda Mandir etc . The surplus chandaa should be invested towards promoting other cultural activities like drama ldevelopment of local talent Bengali movies language development etc which happen throughout the year. With knowledge of such utilization of funds I believe the paying public would refrain from being skeptical about the 100 chandaa. Without a proper understanding of all the activities and the budget many are inclined to think that 100 as chandaa for Puja is debatable. However the organizers should be cognizant of the fact that Durga Puja is meant to bring the community together for celebration on a common platform. You do not want to exclude the average family from enjoying the Puja ambience due to the price tag of the celebration. Can an average family be part of the Puja ambience dhak adda chaa etc .. without participating in the inflationary items like goat meat and other non-essential items that come as accessories with the Pujas Should some gatekeepers be vested the authority of control of â€˜ Pratima Darshanâ€™ I believe that â€˜Pratima Darshanâ€™ is a birthright of every Bengali and it is unfair to link it to a statutory contribution. We have to find a means to ensure that that there is a way to participate in the religious side of the Pujas without having to participate in the accessories. http://ethnomediallc.com/wpress/?pp_album=1&#038;pp_image=baarite_chaanda_web.jpg baarite chaanda web baarite chaanda web', NULL),
(45, 14, 'Aditi Sen As an attendee to the Pujo I have always felt the entire Puja operation highlights the lack of proper organization at all levels If an event costs me about 100 to attend with my family it better be good. I mean ‘good’. You cannot expect that people will pay that money when all the ‘Pujo’ organizers have to show is complete chaos at the dinner place entertainment with poor acoustics and noisy audience. For one thing the ‘pujo’ itself doesn’t feel like ‘pujo’ at all. The atmosphere is completely chaotic. From the suggestion box: One needs to distinguish between different kind of attendees. Not everybody wants to see the entertainment show. Give them a viable option to opt out. For those who want to see the entertainment give them the best experience their money can buy under similar ticket prices. Here you are catering to essetially a savvy consumer only on the basis of ‘ back-home sentiment’ That cannot work in the long run. Here is my suggestion. 1. For basic pujo attendance charge as little as you can: about 5 per person . That should cover pujo and prosad not dinner with goat meat . For that money you owe the attendees a good decoration of the Pujo pandel pujo anjali dhunuchi naach aarati shindoor khela — every thing that is associated with proper event of Durga puja. This way you attract and satisfy those people who are trying to enjoy ‘puja’ only. 2. For the nightly entertainments and dinner along with basic pujo package: charge whatever you desire because they are the commited lot. This way you can attract and retain those who are interested in the complete pujo package: entertainment and all. Have an entirely separate ticketing system. And “inform’ the people of their choices before the event. Categorizing your target market/customers in a clear and concise way will stop ‘piggy back rides’ and yet bring more donations in the long run. To achieve this goal I would create two entirely separate sub committees to oversee the functions. The pujo sub committee should be responsible for making “the core pujo experience the best ever”. While the entertainment subcommitee should be responsible for the entertainment and dinner only. But whatever you do please do it well Compare your organizational performance with other American events and don’t give that ‘better than other Indian’ analogy. You are in America', NULL),
(55, 15, 'sudipta Amitava-da Thank you for your well thought article on Bengali Blog. Your points are well taken. The primary reason why I opened up this site for any of our community members to contribute is because I think that this can serve as a vehicle to express our opinions on our society as well as share any ideas or information that can be used to enrich our lives. We the Bengalees of this area do not have a common platform to express ourselves. There has been some attempt to publish some newsletters and newspapers in print but they have several limits incuding the high cost of producing them. This blog site is not a literary venture you do not have to be an excellent writer to publish your thoughts and opinions. All you need is an opinion. As Charles McAbe once said “Any clod can have the facts but having opinions is an Art.” And I am sure you will agree that Bengalees are never short of opinions. We tend to complain a lot at weekend parties or some social gatherings about how things are not going right how things should be done etc. etc. Why not share them with a broader audience Maybe someone will care and can initiate a chain reaction of changes. Yes we know that we are here to make a living. But I’d like to broaden the scope of the term “living”. Living is not only making money. Living is a process that is much more than making money. The hunter gatherers too drew pictures in the dark cave walls. They wanted to express too express their living experiences. So why not us The internet and the web is our cave walls. Let’s light up the torches of our minds and draw those lines of our lives. Sudipta', NULL),
(64, 16, 'sunno.theke.suru I did not spend much time with him but that much to justify a salute from a like-minded worker. Wherever you are may you cherish the life of lives as always with burnt lips barraging with humors uncanny t-shirts proclaiming yourself deep voice backed with deeper thoughts and floating eyes sailing in heritage. Salute.', NULL),
(65, 17, 'nandita sen Sudipto You’ve echoed the thoughts of so many of us ‘baby boomers’. My husband Santanu and I recently returned from a trip to Kolkata where we spent a hectic but wonderful holiday with frineds and family. Kolkata has certainly changed with the looming malls and the looping flyovers but so have the people we left behind many years ago. Our jethus kakas mamas still welcome us with the warmth we cherished but their greying heads and wrinkles foretell of an uncertain future the next time we visit. Like the earlier generation of Bengalis who regularly follow the migratory pattern of winters in India we too would love to someday enjoy the luxury of over four weeks of stay in Kolkata without having to worry about jobs or the responsibility of young children awaiting us when we return. But beyond it all we need to develop a passion or a zest for living in our ‘golden years’. The magazine sounds like a wonderful idea to pen ones thoughts and experiences. Perhaps these articles and anecdotes will also serve as a bridge between our generation and the next. Anandamandir has already earned a place in the hearts of Bangalis as a cultural and social center. I am sure with some ’serious thought’ we can all work together securing long term and stimulating goals towards our futures. Nandita Sen', NULL),
(71, 18, 'sudipta Amitava-da You have asked some fundamental questions in your article. First of all why do we still want to go back to Kolkata even when we do not have a place to stay there Secondly why do we seek recognition from the people whom we have deserted in search of a better life And finally what is happiness. I’ll try to share my thoughts on these issues and maybe we can attempt to search for a common answer. Roots have an uncanny power to attract. We may try hard to uproot ourselves from our land people traditions culture but it still keeps on pulling us back. West Bengal and Kolkata is our roots this is where our social and cultural being took its form. We will cease to exist as we are if Kolkata and Bengal leaves us. We need to go back again and again to replenish ourselves to justify and vindicate our existence. And that is why we search for recognition from our roots - maybe just to check are we still Bengali enough Is our cultural being still intact and hasn’t lost its purity and integrity It is their approval which matters to us the most it is their recognition which makes us feel that we have not lost everything. Hence it is not the ticket sales in USA that we look forward to when we have those press conferences and shows. It is our attempt to cry out and plead “Brothers please do not forget us. We still exist and we keep on our stuggle to exist as a Bengali in different parts of the World.” As for your question on happiness it is a question of perspective. Yudhisthir one of the most unhappy man of Mahabharata had his point of view. So did Duryodhan “Sukh chaai naai Maharaaj Joy Joy cheyechhinu - Joyee aami aaj”. We in this country follow the Charbaak doctrine “Rinan Kritwa Ghritang Pibet” or something like that . Drinking ghee may have its ill effects but who cares as long as you keep on enjoying', NULL),
(74, 105, 'titosarkar This movie was set in 1930’s and it just seemed odd that there was just one mention of the Widow Remarriage Act passed in 1857 . There was a lot of emphasis on Gandhiji’s opinion on this issue even though Gandhiji mentioned this issuse very rarely. The complete absence of Ishawarchandra Vidyasagar’s mention in the entire movie was also pretty shocking.', NULL),
(72, 106, 'titosarkar Also telecommuting helps.', NULL),
(71, 107, 'titosarkar The falling US Dollar and rising inflation in India may change this dynamics. On another note the discussion on the exotic saree was interesting. I just cannot understand the tremendous urge to acquire something that has no practical usage in the US for work or casual wear except for once every 10 years in some occasion where everyone is busy admiring their own costumes and with practically no salvage value as a collectable loses 99 of the value after single usage . I don’t know of any legal poduct that can be compared to this.', NULL),
(110, 388, 'amitavasen I got a little confused about what in the Kallol Pujo cultural program exactly met writer’s expectation. Did he know something which we didn’t to set his expectations on lowest common denominator Admittedly he argued Friday was disappointing Saturday was a disaster and Sunday had to be awkwardly stagemanged by a child it still surpassed or met his expectations. Interesting observation. Even discounting the sound malfunction the play production was nothing to write home about. The selection of the play was ill-considered for the occasion. Moreover the director the actors and stagehands all seemed to have seen their prime. As a rule in this country the singers in their concerts perform only their published and already popular numbers and sometimes cover songs. The reason is obvious live perfomance lets the audience participate and be involved. Selecting only her own songs might have given Suvomita a distinction and a point to make as she expressedly did in fact. Some of her song numbers may have been heard before by a handful of recent H1B’s but not by the the vast majority of the audience here. She overlooked that she was not performing on a Calcutta podium. Her performance was technically superb but dull and lifeless. Not tuning to the audience is a failing on the part of the performer greatest she may have been. The ultimate responsibility for the lapse of judgment of course rests on the shoulders of the program organizers. http://', NULL),
(110, 390, 'sudipta Well I did mention the events that were disappointing but the others were quite good. The good ones were good enough to make me enjoy the overall celebrations. After all I do not expect to see best-in-class performances on a Puja stage where the performers have to accept to umpteen compromises. We need to realize that one cannot produce quality shows in a godown like hall with the worst acoustics and technical support. A Durga Puja cultural event is almost like a background entertainment that helps us to participate in our “adda” sessions as loud as possible. To watch and enjoy quality theater or music I would go to the proper venues. It is unfortunate that you found Subhomita’s music lifeless and dull. She obviously did not sing the golden oldies and that may have been the reason why she failed to connect to many. When we hear something new it deserves some extra attention which again is not possible in a Durga Puja environment and at a venue where nothing can be heard after the fourth row. I still applaud the organizers for having the courage to bring in the new generation of musicians and making us aware of the kind of music being created now in India and Bengal. http://', NULL),
(121, 398, 'sujoy There is always 2 sides to a story. Mr. Moore in his effort to sensationalize his movie after all is said and done he is but an entertainer and a good business person has left out the other side or has presented a biased version of the other side. Please be careful not to fall prey to such propaganda. As far as the candidates are concerned they will say anything to get your votes. The only thing that I will ask is - when has ANYHTING run by the govt. been successful .Sujoy http://', NULL),
(121, 399, 'sudipta I agree that Mr. Moore did not get the providers side of the story. However it should be noted that this documentary is not against the doctors or hospitals it is against the way health care is managed in this country by insurance companies and HMOs. These organizations do things in the name of the doctors that the doctor’s themselves deny remember the scene where the doctor admits that he has not even seen those denials which bore his signature stamps . Secondly a universal or national health care system does not have to be managed by the govt. it can still be managed by a non-profit single payer organization like Medicare. Medicare is quite successful as far as providing care to the patients. Finally if you check out the “Physicians for National Health Plan” website you’ll find that the reason more than 14 000 physicians like this plan is because a plan like HR 676 can save tons of money wasted due to paperwork required by multiple insurance companies. It is quite easy to brand Moore’s documentary as a propaganda but nobody has been able to counter the facts presented in the film. Even the famed Dr. Sanjay Gupta had to retract his statements against the documentary. We have fallen prey to the propaganda’s of the health management industry. Why not try out the Moore way and HR 676 I am sure it cannot be worse. Rather it can help reduce the burden on the US companies and help improve the overall economy of the country besides providing everybody the care they need. http://', NULL),
(121, 402, 'sujoy I am no Dr. Sanjay Gupta ….’YET’ but I would like to point out 3 things. I have gone over the “Physicians for National Health Plan” site and their actual manifesto document. It does ask for a SINGLE payer system. There absolutely CANNOT be a system to take this on besides the govt. The Medicare system is a govt.-sponsored system that is on the brink of failure and there are no assurances that when I retire I will get the same benefits as do retirees currently. Also there are more that 600k physicians in the country hence a fringe of 14k physicians do not voice the opinions of doctors by any means. P.S. In my opinion trying the “Moore way” can only be worse. I might obviously be entirely wrong. Why don’t we organize a discussion forum so that we see what the community thinks. Sujoy http://', NULL);
INSERT INTO `wp_search` (`post_id`, `comment_id`, `content`, `priority`) VALUES
(121, 403, 'sudipta I am not sure where did you read that the PNHP does not call for a single payer system. The opening page of of their website talks about it. Also here is an excerpt from the Physicians proposal intro: “The Physicians’ Proposal for National Health Insurance establishes the vision and principles of a single-payer health system for the United States. The document was composed by a distinguished group of physician leaders* and secured the endorsement of 8 000 physicians by the time of its publication in the August 13 2003 JAMA.” http://www.pnhp.org/single payer resources/physicians proposal intro.php This may not constitute the majority of the physicians of this country but at least a large chunk that feels something needs to be done and possibly single payer system is the best way. Till date I have not met a single doctor who is happy with the insurance companies and HMOs. They have to accept whatever negotiated rates these companies set with them. Then why not have a single such company and cut all the other red tape Medicare being an offshoot of the social security system is under a huge financial burden and we all know about it. Social Security needs to be fixed anyway but Medicare as a health care management system has been largely successful in providing care to its target group so far. I agree that when we retire things may be even worse - no Medicare and no health insurance company or HMO willing to provide us with the insurance we would need. Hence the system needs to be fixed and the solution does not likely to be the current way of profit motivated HMO type system. Health care should be a right. It cannot be subjected to the capitalist market system - since when a patient needs care - he just needs it. He has no other option. Health care is not a consumer commodity that one can possibly live without. But that’s what the current system is making us do - to choose between a index finger or a ring finger as the film shows or to make a trip to India or Cuba for “Medical Tourism”. I would very much like our community’s feedback on this issue and welcome your suggestion to have an open discussion forum. http://', NULL),
(121, 404, 'sujoy Not sure what you mean by ‘PNHP does not call for a single payer system.’ when you quote “The Physicians’ Proposal for National Health Insurance establishes the vision and principles of a single-payer health system for the United States.”. I am sure I am missing smthing. Besides this I guess I have fundamental difference in opinion with you I do NOT think healthcare -as we know it here in the US- is a right it most cetainly is a priviledge. Yes emergent and life saving care is most obviously a right as will be deemed in any civilized society. this is true in this country as well. Getting 4 MRIs for a tennis injury that has left a nagging pain in smones’ elbow is not a right by any stretch. I too have not met any doctor who likes that insurance companies rather high school trained telephone operatorsmanage claim requests . I fully agree with you on that and the fact that the current payment sytstem is just plain bad. I am just not with you in that a SOCIALIZED sytem is better. What next then free food for all work for all equality in society……etc etc etc….does sound familiar though. More on this. Why not get together in book store Borders or B N or even the EB library on a week end. Sujoy http://', NULL),
(121, 405, 'sudipta I was only quoting your comment when I mentioned that “PNHP does not call….”. That intrigued me since clearly their web site indicates to the contrary. I agree that getting four MRIs for a tennis injury cannot be a right. But having a doctor check it out do the minimum diagnostics required and provide the appropriate medications and care - is it unjustified and too much to ask for An ER visit for such an injury will result in a bill of few thousand dollars and can cause serious financial burden on anybody without adequate health insurance. When I say “health care should be a right” it implies care needed for a non emergency illness should be a right. If a patient has cancer or any other disease respiratory heart disease kidney disorder or any other he/she should be treated when it is most appropriate - and not wait for the condition to get worse to be rushed into ER for care just to be stabilized temporarily . I do not understand why do people get paranoid when they hear the term “socialized” service. All I am trying to imply is that certain services cannot and should not be a privilege for the rich only. Can you think of police service or defense services to be completely privatized Only the rich who can afford private security agencies will be protected and not others You mention “free food for all” - but interestingly US and state govt do have some program to provide food food stamps for the needy. They have made shelters for the homeless they try to provide “equal opportunity” for all in the workplace. But it is only in the case of healthcare no tangible attempt has been made to make it accessible to the people who need them most. There has to be a balance struck somewhere. Most countries of the developed world has successfully but not without flaws implemented universal health care in some form. It is a tragedy that the richest country in the world cannot provide health care to its own citizens. I am willing to get together at any suitable place. Let me know how you’d like to organize this. http://', NULL),
(121, 406, 'sujoy I don’t think that you read what I wrote and that’s why I stood a bit confused. Just for the record I said and I quote “It does ask for a SINGLE payer system.” I never said anything to the contrary. Your comment ” If a patient has cancer or any other disease respiratory heart disease ….- and not wait for the condition to get worse to be rushed into ER for care just to be stabilized temporarily ” stands as the underlying principle of Medicine and is what is practiced today. It is really not true that healthcare in the US is for the rich only. In fact the poor and the homeless have access to the best surgeons at Harvard so much so that you and I will have to go through a lot of hoops to get that kind of care. To add to this almost every large academic healthcare inst. where you get the best care has a free clinics in every department starting from general medicine to orthopedics. So this would be your food stamp equivalent. This is of course apart from the Medicaid system. See the bottom line is the US has the best healthcare in the world available to the majority of its citizens. The number that I have heard thrown around ranges form 20 - 50 million people who are not insured. Take into account the fact that there are about 25 million people are also illegals in this country who are being supported on a daily basis by our healthcare system . Hence if you talk about citizens as you did we have a lot of them covered. That is not the problem. The problem is underinsurance and not non-insurance. It is when you need a particular procedure and is denied by some high school dropout on the other end of the phone. Also when you say that the other developed countries have it all figured out I don’t agree. Take it with a grain of salt when Sweden or Cuba says that their infant mortality rate is the lowest in the world. The fact is a large majority of the complicated cases come to this country CHOP Boston childrens etc handle by far the MOST complicated cases in the WORLD and by the hundreds. This brings me to my point that I am trying to make. Please understand that the US subsidizes the entire world as far as innovations in healthcare are concerned. Pharmaceuticals instrumentation surgeries technologies techniques and much more. This all has a cost. Now you can argue that maybe we should scale back on the research and development to save money. I am not sure that is the solution. I will end by saying fundamentally you might be correct in your sentiment that healthcare should be accessed at all times free top quality and for all. Please believe me in that doctors in this country and others I am sure all strive for that inspite of the hurdles put forward to them by insurance companies. http://', NULL),
(135, 418, 'Parvati Mookherjee Congratulations to Pronoy-kaku on the new novel. My blessings to you.', NULL),
(173, 539, 'sudipta Watch Natyamela photos at http://www.chhandosik.com/NatyaMela/image-gallery/index.php page list-image album 4 http:// http://www.chhandosik.com/NatyaMela/image-gallery/index.php?page=list-image&#038;album=4', NULL),
(207, 569, 'pranojit This is not fair for everyone. Why couldn’t kallol and GSCA organize pujo in different weekends. They should think about other who would like to have a extended pujo atomosphere. One weekend is a very short time to enjoy. http://', NULL),
(229, 570, 'Arunansu Dasgupta May I take this opportunity to thank you for the illuminating article. No organizer would like to tell their patrons” Please do not come to our event S ”. Under the circumstances of different place different country and different rules of the land GSCA Kallol Dallas and many other place s are compelled to restrict the number attendee. It is very unfortunate but until we can find a better solution organizations will have no other choice. Hopefully with the time angry arguments will be replaced by logical thinking and constructive proposal .', NULL),
(229, 571, 'Sushmita Dutta In this chaos of disappointments and angry outbursts I am getting a tremendous sense of solidarity realizing the fact that the Bengali community in New Jersey has really grown into a voluminous and economically strong body. It’s a great feeling. Let’s live it up guys May be we can now think of some exclusively Bengali outfits like “Oh Calcutta” and “Ganguram” or “Banchharam”. Yes it’s time for Kallol to look for a bigger place. The Ukranion church has been the venue for Kallol’s Durga Puja for past several years and even after realizing the accommodation problem faced last year it was unresolved this year. http://www.novel-ebiz.com', NULL),
(229, 572, 'Amal Paul One correction: We had warning posted on Kallol.com two days ahead of closing that said “registration will be closed soon”.', NULL),
(229, 573, 'pranojit This is a very unfortunate thing as many people were looking forward to celebrate the durga puja through Kallol or GSCA. It would have been nice if they thought about it before considering similar things happened last year. http://', NULL),
(207, 574, 'sonai chatterjee This is ludicrous… even to see Durga Maa once a year organizations such as these have made it impossible for people to visit. What is exactly the underlying purpose of all you people', NULL),
(230, 576, 'Abhishek Is this the pujo at Plainfield Ave location', NULL),
(230, 577, 'sudipta The address is: Plainfield High School 950 Park Avenue Plainfield NJ 07060 http://', NULL),
(229, 578, 'Surajit Mitra Sudiptoda Thanks for the article …puja registration being closed . I am associated with the GSPC Jersey City Durga Puja - we’re expecting a large crowd too this year. We may have to turn back people because our infrastructure hall/parking would not support more than 550 people. We’re getting a lot of calls too. You might remember me - I am from IIT KGP 1983 ECE batch - Bhusi’s class. You had directed our fresher’s natok - but I’m not a natok person. But I was involved in TMS - represented IIT many times Regards Surajit http://www.gardenstatepuja.org', NULL),
(229, 579, 'Subhasis Das Thanks for sharing the information. its really sad for all Bengali’s who will miss the Durga Puja including me - specially the Adda — Just a thought …. kollol is a big organization with the strength of organizing big event - is it possible to find another place near by where all the “dukhi bengali” can meet and refresh themselves with adda and Kollol can project the live event happening at main place on some “Big screen”. may be its too late .. but “Jago bangali” .. do something we cannot miss adda food with a cultural boost up. regards Subhasis', NULL),
(229, 581, 'Subal Sarkar Beacuse of a large number of telephone requests Durga Puja pre-registration was extended till midnight today Oct 1 2008 at http://www.gsca.us . As all of you know after 9/11 all facilities are under very strict supervision and surveillance. We must adhere to fire life and safety regulations and therefore cannot admit more than the allowable capacity of our facility. We have a larger facility and will allow on site registration until the capacity is reached. Last year this happened around late afternoon and we had to disappoint many who came from far away places. We directed them to Ananda Mandir and Bharat Sevashram. However this year their Puja will not start until Monday the eve of Saptami. We therefore strongly urge all to pre-register. http://www.gsca.us', NULL),
(229, 582, 'RD Instead of complaining and throwing blames at each other what is needed is smart planning. I think what is needed is to decouple the Puja/anjali/bhog activities from cultural function. The limit is basically set by the auditorium capacity which gets crowded and becomes a safety issue during evening cultural functions. Just like the food which is now provided in a huge tent outside I think Puja/anjali could be arranged in another big tent outside. The tickets should be sold for either just Puja/anjali/bhog ~ 35 or for combined Puja/anjali/bhog/function ~ 65 . This way a lot of bengalis can participate in Puja and may not mind terribly if they miss the cultural function one year. RD', NULL),
(207, 583, 'Jayanta why is puja organized on 3-4th when the actual puja date starts from 6th today to 9th', NULL),
(229, 590, 'sarah fay Catch 22 :- Bengalis are famous of buying “air time” without having any concrete solutions. It is needless to say that space is a problem to accomodate all the bong’s to enjoy durga puja. So what can be done Kallol like other organisation has tried to put some discipline and to stop people so called sophisticated Bengalis who likes to enjoy three days puja nice entertainment and food without spending dime. As we all know economic situtation in the country is very day prices have gone up significantly and that requires increase in Budget even to do the same puja for three days with decent entertainment and food at the same place. It is very easy to say that kallol needs a bigger place which may be true but who is going to pay for it Where is the money going to come to rent bigger place which will cost more money and that requires increase in subscription. I even heard some people saying that Kallol should bear the cost of renting bigger place. My question to them is who is Kallol All the 9 donkey’s executive committee or you me all the kallol members It seems like “Catch 22″ situation.', NULL),
(243, 613, 'subhashis ghosh “Pooja related Cartoons are really funny enjoyable and exposes fact N.J.Kallol Pooja report are quite descriptive and informative particularly qurious MainLand India people like us.But one thing I failed to understand the absence of any Pooja celebration Photographs without that I presume a report or documentation is incomplete in todays standard Congratulation and thanx to N.J.Kalol Pooja comitee for another successful Durgotsav.All the best. s.ghosh. Kolkata', NULL),
(249, 704, 'Indranil Mukherjee This is so true … Amitava Da pinned us really … time is even getting bore on this cross-cultural dogmas. Do we have to really show-off our culture and care for one’s to get in habbit with We need to ask ourselves do we get into cultural dialogues everytime there is a new entity around us Is our culture so vulnerable to another culture Or is it the question that we are used to live in a way and cannot get out of it', NULL),
(249, 734, 'Biman Bhatta So are we to suppose to presume that we all Indians especially the first generation of immigrants abhor our own dark skin color and are ready to do anything to become white Well I have a solution for that: Just follow what Michael Jackson did – bleach your skin and then learn to speak English as the Americans do. This isn’t about Barak Obama it is about our craze to become a white Anglo Saxon. The parents who are obsessed about their children marrying a darker color mate would show their condemnation no matter wherever they would be India or Overseas. And the only reason for it is that they want their grandchildren to be whiter than what they or their children are. Anyway this behavior is part of our inheritance. Indian have lived a long time under white people’s rule and started learning to worship the whites as if they were Angels. But this Presidential Election is not about color of skin. It is also not about expecting that Obama with a magic wand would dispel overnight all the desolation that Bush Administration has bestowed on this land. It is about Obama showing us the ray of hope that might be waiting at the end of this dark tunnel. Go ask the young people. Obama is the leader they want because to them he carries the vision of better future world. http://ethhnomediallc.com/wpress', NULL),
(181, 746, 'Sujoy “Barack Obama laid out his foreign policy strategy in very clear and specific terms.” No he did not He just repeated a bunch of played out terms. But I am sure my definition of spesific is not just platitudes. Although I am not sure it matters a cause we are in for a typical “big goverment can solve everything” and “I am entitiled to everything without any accountability” policies for at least the next 4 years. I just wonder where will the money come from for all the freebies….oh wait there are always the biggest suckers…..tax payers….us.', NULL),
(249, 747, 'Sujoy thats interesting I do NOT think so at all…and I think I am still young…', NULL),
(345, 1624, 'sudipta That is strange indeed. Alexa is a highly reputed site. Go to Alexa.com and try to download the tool bar for there directly. Else maybe your ISP has been compromised. http://', NULL),
(347, 0, 'Do you write in Bengali or any other Indian languages Try quillpad Its a great new online wordprocessor for Indian languages. The cool thing about this tool is its flexibility in transliteration. One does not need to follow any specific set of rules. The tool automatically tries to guess the word that you want to type in and also offers multiple alternatives.  This is an excellent feature because it can take care of  several Bangla spelling issues.  The documentation says that it works better on Internet Explorer however I tried it on Firefox and Chrome and it works fine.  One issue I encountered was the limitation of Bangla font availablility. Currently the font used is “Vrinda” and it’s not the best Bangla font available. The other issue is that this tool seems to have limited formatting capability.  I am concerned about how effectively can this tool be used to write Bengali documents besides emails and small messages. I plan to check this tool out in more details and write a regular article some time later. Share this article Close   Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML:  input readonly  readonly onclick  this.select  type  text value  Quillpad.in: A New Tool to Write in Bengali size  84 title  Copy this HTML to create a link to this page /   If you like this then please subscribe to the RSS Feed . 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(341, 1615, 'sudipta Following is the response from ETV. Dear Customer We regret for the inconvenience caused to you. Right now we are facing some issues with time delay. The process is in and it’ll take a day or two to set the things right back. Please bear with us. Thank you for your cooperation and we look forward to serve you better. Regards ETV Team http://', NULL),
(345, 0, 'Alexa ranking is now the defacto standard for determining web popularity - the less the rank number the higher is your popularity. For example Google has the highest rank - 1. Most online advertisers use Alexa rank as the key metric to decide whether to spend their precious advertising dollars on a site. However the way Alexa computes a sites rank is  by measring how many visitors are viewing your site using a browser that has an Alexa tool bar installed. In other words if a visitor do not have the Alexa tool bar installed that visit does not count at all. Well apparently there are are other variables used in computing the rank but most webmasters and SEO pundits agree that the Alexa tool bar is the key instrumentation used in computing this elusive number. One of the best ways of improving a web sites Alexa rank is to convince your visitors to download and install the Alexa tool bar quite an unobtrusive element though on their browser.  So if you are reading this now download and install the toolbar and help improve my rank. However if you are using one of the less popular web browsers like Google Chrome then you and me are out of luck. The other less effective ways are things like installing Alexa widgets on your site increasing the number of incoming links use techniques like posting on Asian forums apparently Alexa is more popular in Asia etc. Google the term “how to improve Alexa rank” and you’ll find tons of advice. But I think the only way to make it work for you is to get tons of traffic to your site. 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(133, 887, 'sudipta Sorry - it should have been millions. I stand corrected. http://', NULL),
(273, 908, 'sudipta Slumdog wins 5 Critcs Choice Awards: Winners at Thursday’s 14th annual Critics’ Choice Awards: • Picture: “Slumdog Millionaire” • Director: Danny Boyle “Slumdog Millionaire” • Writer: Simon Beaufoy “Slumdog Millionaire” . Young actor/actress: Dev Patel “Slumdog Millionaire” • Composer: A.R. Rahman “Slumdog Millionaire” http://', NULL),
(273, 911, 'sudipta Slumdog won 4 Golden Globes: Best Picture Best Director Best Screenplay and Best Original score. http://', NULL),
(273, 925, 'sudipta Now 10 Oscar nominations Go for it http://', NULL);
INSERT INTO `wp_search` (`post_id`, `comment_id`, `content`, `priority`) VALUES
(343, 0, 'After a long preparation phase the end is now in sight. In two weeks time ECTA will be launching their latest production “Banaprastha” or “The Retirement”. ECTA’s play have always generated interest amongst the theater lover audience of this area and “Banaprastha” is no exception. People are eagerly waiting for the new play with lot of expectation. We hope this play will live up to that. “Banaprastha” will feature some of the regular performers of ECTA along with few new faces. Shamyo Goswami a newcomer to New Jersey will be appearing for the first time on NJ stage. Although Shamyo’s primary interest is in film direction he has directed and produced a Banga Tele-serial featuring some of the top actors of Bengali screen he is also an excellent actor. Subhodev Das after a long hiatus will be performing the role of the protagonist character - Dr. Parijat Sen.  Another newcomer is Pradeep Ramdas. Although not a native Bengali speaker his love for Bengali theater is no less than any Bengali. In India Pradeep was involved with the street theater movement. Pradeep plays the role of Ashok Diwan a young business man of Kolkata.  Kaninika Dutta’s debut in New Jersey theater was with Pratham Alo where she acted in the key role of Bhumisuta. Kaninika after a long break returns to the stage as Sudeshna. Gargi Mukherjee the well known actress you cannot miss her in Mira Nair’s film - The Namesake also returns to an ECTA production after a long time. She performed in ECTA’s first production “Phera” The Return in 2004 as a guest artist. In Banaprastha she performs in the role of Suranjana - a character that will touch the hearts of many. Kaushik Dutta who won the hearts of many with his role of Nando in “Ron” will also feature in an important character role. The play also features the veteran performers like Lilabati Majumdar Keka Sirkar Indranil Mukherjee. I’ll also join the team on stage as Parikhit Sen. This will be the third directorial venture of Indranil Mukherjee with ECTA. Alibaba and Satyameva were his first two ventures for which he has earned accolades from the audience. The music is composed by Partha Sarathi Mukherjee. Many of ECTA’s past actors like Pinaki Dutta Nandita Ghosh Tapas Ghosh Aparajita Das and others will be performing behind the stage. ECTA believes that theater does not only belong to the actors and the director - but it also belongs to the entire crew who works hard to make the production a success. I hope you will all join us on May 16 17 30 31st to celebrate this momentous event. Share this article Close   Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML:  input readonly  readonly onclick  this.select  type  text value  Banaprastha Rehearsals in Final Phase size  84 title  Copy this HTML to create a link to this page /   If you like this then please subscribe to the RSS Feed . 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Save to CiteULike Save to co.mments.com Save to Connotea Save to del.icio.us Digg It! Save to diigo Save to DotNetKicks Save to DropJack Save to dzone Save to Facebook FarkIt! Save to Faves Save to Feed Me Links Save to Friendsite Save to folkd.com Save to Furl Save to Google Bookmarks Save to Hugg Spot It! Save to Jeqq Save to Kaboodle Save to kirtsy Save to linkaGoGo Share on LinkedIn Save to LinksMarker Save to Ma.gnolia Save to Mister Wong Save to Mixx Save to MySpace Save to My Web Save to Netvouz Seed Newsvine Save to oneview Save to OnlyWire Promote on PlugIM Submit to Propeller Reddit Save to Rojo Save to Segnalo Shout It! Save to Simpy Slashdot It! Sphere It Sphinn Save to Spurl Save to Squidoo Stumble It! Add to my Technorati Favorites Save to ThisNext Save to Twitter Discuss on Webride Save to Windows Live Save to Worlds Movies Save to Yahoo! 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(273, 931, 'sudipta 8 Oscars - Including best picture best director best screenplay and best original score Way to go Rahman http://', NULL),
(342, 0, 'Want to search the web in Bengali for websites in Bengali Visit google.co.in and select the language Bengali from the menu below the search window.  Now type in your search keyword using your keyboard. Google uses a transliteration scheme to form the word in Bangla. It will also offer multiple options as you type in. Select your option and voila’ - several Bangla websites will splash on your screen. Give it a shot right away - if you haven’t done so. Share this article Close   Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML:  input readonly  readonly onclick  this.select  type  text value  Use Google to Search in Bengali size  84 title  Copy this HTML to create a link to this page /   If you like this then please subscribe to the RSS Feed . 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(271, 987, 'sudipta Abhrajit Chakraborty is performing as Parashar Pathak. His acting skills need to improve considerably before one can think him as Feluda. http://', NULL),
(326, 0, 'Rush Limbaugh once again pushed the limit of political correctness - this time referring to workers handling outsourced jobs in India as “slumdogs”. Responding to a listener’s call about flight of jobs Limbaugh referred to President Obama’s statement that the jobs aren’t coming back to US. He said “They’re outsourced for a reason an economic reason and they’re not coming back. If you’re sitting out waiting for a job that’s now being done by a slumdog in India and you’re waiting for that job to be cancelled for the slumdog to be thrown out of work and you to get the job it ain’t going to happen.” The news has been widely published by the Indian media and has raised a storm of protests. Limbaugh is not new to controversy. He has mocked Obama on his program including playing a parody song titled ‘Barack the Magic Negro’. This is a free country and Rush has the right to say whatever he wants. But we the listeners are also free to tune off from Limbuagh’s show boycott the merchants who advertise on his show as well as raise our voice. 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(335, 0, 'I think it was in 2004 when I met Pranay Dutta an AIDS activist from Calcutta who was on a world tour attending several AIDS conferences in Europe Asia and America. Pranay Dutta was then and I understand he still is the secretary of Sonata Foundation an NGO in Calcutta who was trying to spread AIDS awareness in West Bengal and India through music documentaries and performing arts. His theory was that HIV/AIDS awareness through print media was bound to be a failure in India where the majority of the affected people are illiterate. He thought that if this message can be spread out using music and performing arts then it could have the greatest impact. During my discussions with Pranay he told me numerous incidents of how HIV and AIDS are affecting the poor Indian population. But what struck me most was the fact that how this disease was surreptitiously spreading amongst the educated urban middle class. He told me several incidents of well-to-do middle class families affected with HIV and their attempts to hush it up just like the way people used to do in the early half of the twentieth century when people got infected with TB or Leprosy or something similar. The fear of social back lash was more than the disease itself. Anybody infected with HIV is immediately branded as an immoral social outcast - some one who does not have the right to exist amongst the social elite. Most middle class family consider themselves immune to HIV and think that this is only a poor man’s disease. As Pranay says in one of his interviews with Voice of America people in our society doesn’t care about HIV until someone in their family is infected. It is difficult to make someone aware when he or she doesn’t want to be. When Pranay learned that I write plays he requested me to write a play on this issue. I thought about it for a while started delving into some research and even contacted couple of medical practitioners who deal with HIV/AIDS. However I had no intention of writing a play that only deals with the issue of HIV/AIDS. I wanted a bigger canvas a canvas where our lives as immigrants in the country are intertwined with those of our friends and family in India. If we look back to the history of HIV/AIDS in USA the story was not any different from what it is in India now. Films like “Philadelphia” and plays like “Angels in America” depict the social apathy during the 80’s and 90’s towards HIV and AIDS victims quite vividly. Hence for a person who has encountered that situation in USA from close proximity - another encounter at a different time and space would be quite painful to say the least. And from this evolved the play Banaprastha The Retirement . The play Banaprastha tells the story of a senior virologist Dr. Parijat Sen who returns to India after retiring from his medical practice of 35 years to find peace tranquility and solace amongst his family and old friends. But soon he discovers that his nemesis has followed him and he has nowhere to hide. The play on multiple levels depicts the rapid change in the economic social and cultural life that is happening in India today due to the effects of globalization. The changes are too drastic for a person like Parijat Sen whose perception of his native land is nearly unchanged from the time he left for the U.S. But when he arrives in the city of his youth he finds that there is hardly any difference between the middle-class life in New York and that in Kolkata. And in the process of his rude awakening he encounters his old nemesis - the Human Immunodeficiency Virus or HIV. He finds that the virus has climbed its way through the social ranks and is now infiltrating the middle class. Dreadfully he also finds that this so-called educated and enlightened society is in a state of denial and refuses to deal with the disease - just the way he saw it happen during the early days of his career in the States. The play was first written during the 2004-2005 time frame. It was again thoroughly revised during 2008 and 2009 when it reached its current form. The rapid changes in dealing with this disease in India were one of the main reasons for the revision. In 2004/2005 Bula-di was an unknown entity in Calcutta. Now Buladi the cute little doll is everywhere spreading AIDS awareness in the most gentle way possible. AIDS awareness has gone a long way in these 4/5 years but lot more needs to be done to make a lasting impact. Please join me along with the cast and crew of “Banaprastha” on May 16/17 and 30/31st at the Edison Valley Playhouse Edison NJ to show our solidarity with the people around the globe who are fighting this epidemic of our times. 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(304, 1578, 'Reaction to swine flu vaccine. 1976 swine flu…. Swine flu. 1976 swine flu. 1976 swine flu scare…. http://www.spike.com/blog/swine-flu-compare/77525', NULL),
(340, 1563, 'Raja How does one register for the summer camp Will the concert be open to the public or does one need to pre-register Thanks so much. Raja', NULL),
(175, 0, 'Last week I wrote about our new radio play “Baad Protibad” that was broadcast on EBC Radio 1170AM during the Sunday morning Bengali program “Probaho” conducted by Abhijit Sanyal. The play received quite a bit of positive feedback and I thought that for the benefit of the people who could not listen to the radio that morning I’d upload this play as a podcast. You can listen to this play by clicking the player above or download it into your iPod or similar digital players. The credits are given below. “Baad Protibad” A Hilarious Play in Bengali by Sudipta Bhawmik Produced by ECTA Inc. Directed by Indranil Mukherjee Cast: Subhodev Das as Ashok Aparajita Das as Kakoli Indranil Mukherjee as Soumen Anisha Das as Jhimli Recorded and mixed at the Bharatiya Kala Kendra NJ Studio by Partha Sarathi Mukherjee Edited by Partha Sarathi Mukherjee and Indranil Mukherjee Music and effects by Partha Sarathi Mukherjee. Song “Need some cash to fill up my gas” by Vikram Kumar Please let me know how you liked the play. We may do more plays like this in the future. 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(340, 1599, 'sudipta Check the following link for more info: http://www.masongross.rutgers.edu/extension/summer.html http:// http://www.masongross.rutgers.edu/extension/summer.html', NULL),
(341, 0, 'ETV Bangla has changed its broadcast schedule in USA. They claim that the schedule is now follows the current Kolkata broadcast schedule only with the time shifted. In other words a show at 8.00pm in Kolkata will be broadcast at 8.00pm Eastern in USA. Although now we have the privilge of watching the current shows instead of  a huge lag the popular serials have now fast forwarded quite a bit with lot of story being lost in the process. The scheduling also doesn’t seem to be stabilzed - we often have to experience erratic programming. The second issue is that the advertisements seem to have increased quite a bit. A short segment of broadcast is followed by a prolonged advertisement most of which are irrelevant for US market I don’t think we are interested in Baygon Spray or Glucon-D . The third issue is that ETV does not bother to update their listings with Direct-TV database and hence it makes DVR aka Tivo PVR recording a major problem. I had once sent an email to ETV and they did update it once. But that’s it. Let’s hope ETV gets their act together soon and make our subscription worth it. 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(340, 0, 'The Mason Gross School of Arts at the Rutgers University in New Jersey is opening up a whole new department of Indian Dance and Music.  The program is being introduced with a concert of Indian music and dance on Sunday June 28th from 2 to 3.45 p.m. at Nicolas Center Cook Douglass Campus Rutgers University NJ featuring most of the faculty. The concert will be followed by a summer camp from Monday June 29th through Friday July 3rd with a daily schedule covering 9 a.m. to 5 p.m.    The program is headed by Samir Chatterjee. The faculty includes: Faculty: Archana Joglekar Muley Kathak Arun Ramamurthy Violin Bani Roy Odissi Dibyarka Chatterjee Percussion Hidayat Khan Sitar Kalyani Ramani Carnatic vocal Kedar Naphade Harmonium Mitali Banerjee Bhawmik Hindustani vocal Samir Chatterjee Tabla Sanghamitra Chatterjee Popular vocal Steve Gorn Bansuri Sudha Devulapalli Bharatanatyam Suresh Ramachandram Mridangam Samir Chatterjee will teach rhythm and yoga in addition to leading the audio-visual and discussion sessions. Share this article Close   Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML:  input readonly  readonly onclick  this.select  type  text value  Rutgers University Offers Training in Indian Music and Dance size  84 title  Copy this HTML to create a link to this page /   If you like this then please subscribe to the RSS Feed . 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(339, 0, 'On Thursday April 30th   Jhumpa Lahiri   the  internationally renowned writer  will  have a book  signing ceremony  at the  Barnes Nobles book store  at  Menlo Park New Jersey  at 7 P.M. Sushmita Dutta a co-editor of our Ananda Sangbad will be covering a special report of this event with a possible interview. Tickets for Banaprastha ECTA’s new play are now available on-line at http://ectainc.org Urhalpool the online Bengali webzine’s second edition is delayed due to some technical difficulties. It will be published soon. Raj Basu’s film “Piyalir Password” had a successful premiere in New Jersey. The producers of the film are looking for more screening opportunities in New York and New Jersey. ECTA is staging a “members only” event - “Putuler Chithi” a one woman show by Abanti Chakraborty from Kolkata. The script is by Bibhas Chakraborty and is based on Nora of Ibsen’s Doll’s House. The play will be staged on May 3rd. NJISACF had a successful Spring Film Festival. The hightlight of the festival was the screening of “Kaalbela” a film by Gautam Ghosh based on the novel by Samaresh Majumdar. The director was present to answer questions from a full house. Subhashis Das and Tandra Das will perform Badal Sircar’s “Bhool Rasta” on May 2nd at the South Brunswick Senior center.  They are also looking to perform this theatrical storytelling show at different venues and festivals. All proceeds will go to the benefit of Badal Sircar and his group Satabdi.  Share this article Close   Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML:  input readonly  readonly onclick  this.select  type  text value  Community News Bites : Jhumpa Lahiri Urhalpool and Bhool Rasta size  84 title  Copy this HTML to create a link to this page /   If you like this then please subscribe to the RSS Feed . 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(93, 0, 'Kallol of NJ will be celebrating Durga Puja at the Ukranian Community Center off Davidson Avenue in Somerset NJ. A broad range of cultural programs have been arranged. The key programs include: Friday 19th Oct 2007 Mahashashti and Maha Saptami Puja : 3.00pm Anjali 6.00pm Dinner: 6.30pm Cultural Program: 8.30pm Opening Piano - Nayan Basu Song - Ruma Palit Bangla Band KAYA from Kolkata Saturday 20th Oct 2007 Mahashtami and Sandhi Puja: 11.00am Anjali 2.00pm Dinner 5.00pm Cultural Program: 6.00pm Dance - Nritya Creations Academy of Dance Jatra - “Shahjahan” Kallol of NJ - directed by Arunansu Dasgupta Dance - Pia Bhattacharya Modern Song - Subhomita Banerjee - the celebrity singer from Kolkata Sunday 21st Oct 2007 Mahanabami and Mahadashami Puja: 11.00am Anjali: 2.00pm Dinner: 5.00pm Cultural Program 6.30pm “Emperors New Groove” - a play by Kallol Children Dnace - Rythms of Dance and Music Recitation - Satinath Mukhopadhyay from Kolkata Tejendra Naryan Majumdar - Sarod with Samir Chatterjee on Table and many others', 'Kallol Durga Puja 2007 sudipta Events http://nynjbengali.com/archives/category/events View all posts in Events'),
(94, 0, 'Dear ICC Members It’s our most favorite time of the year again………… Ladies get your ” Tussars Balucharis Jamdanis Bomkais” and Gentlemen be ready with your ”Kurtas Dhotis Sherwanis” for the 2007 Durga Puja. We are happy to let you know that ICC will be celebrating this year’s Durga Puja on Oct 12 th 7pm-10pm Oct 13th 11am – 10pm Oct 14th 11am -10pm at EISENHOWER MIDDLE SCHOOL 47 Eyland Avenue Succasunna NJ 07876 973 584 – 2973 EC members have put together a very entertaining cultural program for this year’s puja…. Saturday’s “Prime Time Attraction” includes: Tanushree Shankar’s Dance Troupe Antara Chowdhury daughter of Salil Chowdhury Please invite your friends and family to make this year’s puja a memorable experience. More details to follow…. On behalf of EC Prithwiraj Maitra 908-421-3418 For more information: http://www.icc-gs.org', 'ICC Durga Puja 2007 sudipta Events http://nynjbengali.com/archives/category/events View all posts in Events'),
(95, 0, 'Due to the unreliability and restrictions imposed by my web hosting service I am using a new email newsletter service provider FeedBlitz . You will now receive an email every week with the list of recent postings on the blog site. If you were in my earlier email list you do not need to do anything. If you would like to contribute your articles comments and thoughts you need to register click the register link on the right column . As always spread the word and let us all share our thoughts and experiences through this new medium. http://feedblitz.com', 'New Email Service sudipta Generic http://nynjbengali.com/archives/category/generic View all posts in Generic'),
(96, 0, 'ANANDA MANDIR will present its annual marquee program “LIVE” MAHALAYA on October 14th at 5 AM at Ananda Mandir. This event is so close to every one’s heart who celebrates Durga Puja or Dashera. Well known local artists such as Mitali Bhawmik Parthasarathi Mukhopadhya Zafar Billa and many more will participate in this event. Space is limited. Please come early. For more info call Arun Bhowmik @ 908-672-1452.', 'MAHALAYA - LIVE sudipta Events http://nynjbengali.com/archives/category/events View all posts in Events'),
(97, 0, 'After a long time the Indian Cricket team has done something wonderful. They brought home the ICC 20/20 World Cup. Kudos to Dhoni and his team. Many people including former Pakistan captain Rashid Latif have attributed this success to the recent film “ Chak De India “. I have not seen the film yet but the media has made me aware of the story line. Shah-Rukh Khan plays the coach of the Indian womens hockey team and leads them to World Cup victory. It is a story of courage perseverance and overall team spirit. We see several sports films coming out of the Hollywood film factory but this genre is quite rare in Bollywood. “Chak De” is a welcome change. And if one film can motivate our cricket “Team India” to win the 20/20 World Cup I hope films like this can influence and improve the overall sports scenario in our country. “Chak De” reminds me of a long lost film that came out of Tollywood - “Koni”. Based on a wonderful novel by Mati Nandi who also wrote some exceptional sports novels like Striker and Stopper and directed by Saroj De “Koni” is a heart warming film about the struggles of a swimming coach “Khidda” played by Soumitra Chatterjee and his trainee Koni played by Sriparna Banerjee . Khidda for Khitish -da picked up Koni from the slums of Calcutta and groomed her to be a team member of the Bengal swim team at the national swimming championship. Extreme poverty social stigma petty sports politics - nothing could beat the indomitable spirit of “Khidda” and her protege Koni. Kihidda’s encouraging words “Fight Koni Fight ” still ring in my ears. May be it is time for the big budget film makers of Bollywood to think about remaking “Koni” with the technical finesse that todays films are built with. With advanced sports photography techniques like underwater shots smart editing and a stellar cast Koni is a sure winner. I am sure that under the right hands “Koni” will become another great motivational movie that can snap out our sports authorities from their deep slumber and lead our athletes to some medals at the Olympics and other international events. I was lucky to find the entire Koni film on Youtube in 13 parts and I have enclosed the playlist with this post. Watch this film and say out loud “Chak de Koni”. http://www.yashrajfilms.com/microsites/cdi/cdi.html', '“Chak De” and Koni sudipta Arts-Culture Generic Social http://nynjbengali.com/archives/category/arts-culture http://nynjbengali.com/archives/category/generic http://nynjbengali.com/archives/category/social View all posts in Arts-Culture View all posts in Generic View all posts in Social'),
(99, 0, 'Ganakrishti a leading theater group of Kolkata has just completed twenty-five years of its journey that began in 1981 by a handful of theater enthusiasts. Over these years the group has grown both in size and stature to one of those very few organizations that can help guide the group theater movement in Kolkata through the troubled socio-economic waters. It was one of those groups who did not feel that producing plays is the only activity they should concentrate on. Ganakrishti wanted to be inclusive wanted to do theater with everybody. They were not one of those elitist groups that bask on the glory of a limited few “stars”. They started to build ground up bringing together all the like minded people train the young through workshops and through stage productions where everybody can be a part of on-stage or off-stage. I have been fortunate enough to see three productions of Ganakrishti. “Sateroi July” July the 17th a play written and directed by Bratya Basu was an intensely gripping drama with a huge cast. “Megh Manabi” a musical developed though the workshop process of Ganakrishti directed by Jahar Das is a kind of production that is very difficult to find in any Kolkata stage. The play involved the youngest of the group members who have been groomed through the annual workshop process conducted by the senior performers. “Tashkar Brittanto” one of the recent productions is a hilarious satirical drama directed by Amitava Dutta and wonderfully acted by the more experienced members of the group. Ganakrishti’s latest production “Jhora Somoyer Kabya” Verse of Whithering Time is winning great critical acclaim as well as audience appreciation. The play chronicles the life of Mirza Asad-ul-llah khan Ghalib who was not only a poet and musician but also a great philosopher. The play depicts through the eyes of Ghalib a changing time of Indian history when the people started to feel the growing power of the British empire gradually spreading its wings of oppression across India. This is a must see play in Kolkata at this moment. So next time you are in Kolkata do not miss this play. Ganakrishti’s annual theater festival is another unique event that demonstrates their inclusiveness their eagerness to do theater with everybody who loves to do theater. It was an honor for us to be a part of Ganakrishti’s annual theater festival in 2006 with our play “ Ron “. The festival did not have the pomp and grandeur of some of the other famous festivals and fairs of Kolkata but it had that magic that creates a bond of friendship and camaraderie that is the key objective of any festival of this nature. The festival invites theater groups from all over India and abroad. One of the key features of this festival is a special segment of children’s plays. Besides plays the festival also features exhibitions seminars as well as felicitation of artists writers and performers. A festival of this magnitude demands lot of dedication hard work and funds. Government grants alone cannot bear the expenses. Private and corporate contributions constitute a significant portion of the budget. I hope that the patrons and donors of this wonderful festival continue to sponsor this event in the coming years too and make it a major monsoon festival of Kolkata. I’d also like to request my expatriate Bengali friends who visit Kolkata during the summer moths July/August to make it a point to attend this festival and be a part of this wonderful cultural experience. http://ethnomediallc.com/wpress/wp-content/uploads/2007/10/jhorasomoy.jpg http://ganakrishti.org http://www.ethnomediallc.com Jhara Samayer Kavya Jhara Samayer Kavya', 'Ganakrishti: A Beacon for the Group Theater Movement in Kolkata sudipta Arts-Culture Generic http://nynjbengali.com/archives/category/arts-culture http://nynjbengali.com/archives/category/generic View all posts in Arts-Culture View all posts in Generic'),
(100, 0, 'ETHNOMEDIA MUSIC STUDIO Presents An Evening of Hindustani Classical and Semi-Classical Music SATURDAY NOVEMBER 3RD AT 6.30 P.M. Indrani Chakrabarty Vocal Kedar Naphade Harmonium Solo Accompanied by Amod Dandawate Tabla Mitali Banerjee Bhawmik Vocal Accompanied by Samir Chatterjee Tabla Kedar Naphade Harmonium Special Event Debut CD Album Release of Kedar Naphade Exhibition in Water Colors by Poorva Pant Venue FAH THEATER Unitarian Universalist Congregation of Princeton 50 Cherry Hill Rd Princeton NJ 0854 www.uuprinceton.org Admission: 15.00 Contact: 908 429-1120 Visit http://www.mitali.org http://ethnomediallc.com/music studio', 'Hindustani Classical Vocal Concert sudipta Events http://nynjbengali.com/archives/category/events View all posts in Events'),
(84, 0, 'Finally our team Ethnomedia concluded their four day run of “Satyameva” at the Sujata Sadan hall in Kolkata. It was an emotional roller coaster ride for me but for Indranil and Sankar Ghoshal it was both emotional as well as physical. The city weather was brutal this time. Rains floods and sweltering heat sapped off all energy and enthusiasm that they had carried on with themselves. The weather not only was unfavorable to the actors but also to the audience who wanted to come to the show. Still the show had quite a few of the top theater personalities and media critics on their seats. The celebrities included people like Madhavi Mukherjee Bibhas Chakraborty Ashok Mukherjee Chandan Sen Ishita Mukherjee and few others. And it seems they liked the play as did the other audience members. Bibhas-da in his email said “Ek kothay Bhalo Legechhe”. Ashok Mukherjee commented “Hats off to you A wonderful play executed wonderfully”. Anandalal wrote in a short review in “The Telegraph” The Bengali-American group Ethnomedia from New Jersey which stunned Calcutta last year with Ron returned for the world premiere of dramatist-director Sudipta Bhawmik’s Satyameva. A senior executive body-shopping software engineers fires his incompetent new recruit who pleads that he should not be sent back to India. By a remarkable plot of twists and turns perhaps too many of them Bhawmik conveys older Bengalis’ nostalgia for their birthplace and younger Bengalis’ desire to emigrate to America. Sankar Ghoshal and Indranil Mukherjee respectively give realistic portrayals of these parts but the playwright’s craftsmanship tends to get the better of heartfelt emotions which we had found in Ron. Also you’ll find attached a review from “Sangbad Pratidin”. Overall the show was quite successful. Thanks to the wonderful support by Ganakrishti who presented our show in Kolkata members. Without them it was quite impossible for us to stage the show. Now we need to plan for a local staging here in New Jersey. Stay tuned. http://ethnomediallc.com/wpress/wp-content/uploads/2007/08/img_6449.JPG http://ethnomediallc.com/wpress/wp-content/uploads/2007/10/pratidin_stayameva_review_bw.jpg Satyameva Scene Pratidin Review Satyameva Scene Pratidin Review', 'Satyameva in Kolkata sudipta Arts-Culture Generic http://nynjbengali.com/archives/category/arts-culture http://nynjbengali.com/archives/category/generic View all posts in Arts-Culture View all posts in Generic'),
(85, 0, 'BHARATIYA KALA KENDRA An institution of authentic Indian Music and Dance presents “Tauryatrika” September 23rd 2007 Sunday 4:00 - 7:00 PM Rap Around Ragas An unforgettable blending of musical fragrances. Essence of Indian Classical Music with vibes of Rap music. Bharatiya Kala Kendra Members join hands with Rap singer Anee accompanied by Dibyarka on Tabla Krikeya on Drums. Melody Mando The one and only Snehashis Mozumder on Mandolin with his electrifying talent and stunning knowledge. Accompanied by Dibyarka Chatterjee on Table. Allusion Sukalyan Bhattacharya on contemporary dance with his inimitable creativity. Parthasarathi Muykhopadhyay with his composition on songs of Kabeer. Insight A message of eternity flowing from the holy verses of Shwetashwatah Upnishad - with a humble offering of our own self to the eternity through song of Rabindranath Tagore. A presentation by members of BKK family. Rhythm and Theme A variety entertainment event with a thoughtful collection of songs and dances presented by members of Bharatiya Kala Kendra family. Endless Streaming melody of Indian Classical Music with the divine posture of Indian Dance. An endless musical journey - with members of Bharatiya Kala Kendra. George Street Playhouse 9 Livingstone Ave New Brunswick', 'BHARATIYA KALA KENDRA presents “Tauryatrika” sudipta Events http://nynjbengali.com/archives/category/events View all posts in Events'),
(86, 0, 'SATURDAY SEPTEMBER 22 7 PM DISCOVER ARTISTIC INDIA program AT NJ State Theatre Featuring Legends of Indian Classical Music and Dance Location: State Theatre 15 Livingston Avenue New Brunswick New Jersey Tickets: P 48.00 A 33.00 B 23.00 C 23.00 Presented by New Jersey State Theatre in association with Indo American Cultural Religious Foundation IACRF and One World Entertainment. Jugalbandi between Carnatic and Hindustani music maestros– Dr. Bala Murali Krishna and Pandit Ajoy Chakrabarty. This is the first time ever that music aficionados of New Jersey will be treated to a concert featuring these two stalwarts performing on the same stage. Also: stunning performances in Indian classical dance by a group of visually challenged dancers from India. 13 Tickets for Seniors Students * Valid ID required maximum 1 ticket per ID . Discounts valid for the last 2 rows of A1 and all of B C seating box office window orders only. Discounts are not retroactive and cannot be combined. Subject to availability. Ticket Fees There will be a 2 per ticket facility fee applied to each ticket. Additional fees apply. Tickets on sale Friday August 3 at 10am to the GENERAL PUBLIC. To become a STATE THEATRE MEMBER and get the BEST SEATS call 732-247-7200 ext. 512. STATE THEATRE MEMBER presale is limited to 4 tickets per order. Phone 732-246-SHOW and window orders only.', 'DISCOVER ARTISTIC INDIA program at NJ State Theatre sudipta Events http://nynjbengali.com/archives/category/events View all posts in Events'),
(88, 0, 'A magazine devoted to poetry only is not what you can find on regular news stands or magazine stalls. The limited readership scares away the publishers from venturing into such an enterprise. They’d rather get into a safer business of publishing prose with some esoteric ones plugging in few poems in between. But Krittibas is an exception. A 100 poetry magazine published by poets for the poetry lovers of Bengal. Such magazines typically branded as “Little magazines” have a limited life span. They die as soon as their founders either go broke trying to fund the magazine or find something better to do with their time. However that was not the case with Krittibas . The founders of the magazine which included Sunil Ganguly and some of his friends made it possible to keep the magazine going for more than fifty years now with Sunil still at its helm although being an extremely busy celebrity writer himself. Kriitibas had some ups and downs during this long period but it kept on reviving and surviving. The poetry loving Bengalis all over the world kept it going for their own cultural survival. Thanks to Gautam Dutta Krittibas is now available in USA allowing us not only to enjoy the finest of Bengali poetry but also to contribute towards the continued survival of this prized Bengali cultural icon. To subscribe to Krittibas 25/annum for four issues mailed to you contact Gautam Dutta at bpstinc@aol.com . In the following podcast I read two poems from the latest issue of Krittibas. One by Gautam Dutta and the other by late Tarapada Ray. Read more about Krittibas from its website http://krittibas.com . A magazine devoted to poetry only is not what you can find on regular news stands or magazine stalls. The limited readership scares away the publishers from venturing into such an enterprise. They’d rather get into a safer business of publishing prose with some esoteric ones plugging in few poems in between. But Krittibas is an exception. http://krittibas.com', 'Krittibas: A Poetry Magazine That Created History sudipta Arts-Culture Generic http://nynjbengali.com/archives/category/arts-culture http://nynjbengali.com/archives/category/generic View all posts in Arts-Culture View all posts in Generic');
