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(91, 0, 'What do Robert Duvall John Voight Sydney Pollack Tony Randall Gregory Peck Jeff Goldblum James Caan and Tom Cruise have in common They all trained under the master acting coach Sanford Meisner. Famous playwrights like Arthur Miller and David Mamet were also his students. His teaching technique known as the Meisner Technique is regarded as one of the most effective tool to master the art of acting. The goal of the Meisner technique has often been described as getting actors to “live truthfully under imaginary circumstances.” The technique emphasizes carrying out an action truthfully on stage and letting emotion and subtext build based on the truth of the action and on the other characters around them rather than simply playing an action or emotion. In 1931 a fervent group of young actors including Meisner Stella Adler Lee Strasberg and Harold Clurman among others joined together in New York to establish the Group Theatre. It was the first permanent theatre company that brought “Method” acting rooted in the methods of Konstantin Stanislavsky to practice and prominence in America. In 1933 Meisner became disenchanted with pure “Method” acting. He wrote “Actors are not guinea pigs to be manipulated dissected let alone in a purely negative way. Our approach was not organic that is to say not healthy.” Meisner had ongoing discussions about technique with Adler who worked with Stanislavsky in Paris and Clurman who took a deep interest in the American character. Eventually Meisner realized that if American actors were ever going to achieve the goal of “living truthfully under imaginary circumstances ” an American approach was needed. The Neighborhood Playhouse provided him with a venue to develop that approach on his own. Meisner has been regarded as one of the most important acting theorists of the 20th Century. Arthur Miller once said of Meisner “He has been the most principled teacher of acting in this country for decades now and every time I am reading actors I can pretty well tell which ones have studied with Meisner. It is because they are honest and simple and don’t lay on complications that aren’t necessary.” The attached seven part Video A PBS production now available on YouTube gives us a glimpse of his genius. Some of his students have also recorded his acting classes that is now available as an eight hour DVD pack Sanford Meisner Master Class and is regarded as a must have for any aspiring actor. Several books on his acting technique are also available. They include Sanford Meisner on Acting The Sanford Meisner Approach: An Actors Workbook A Career Development Book The Sanford Meisner Approach: Workbook IV Playing the Part The Sanford Meisner Approach and others. The Sanford Meisner center in Los Angeles is the only acting school founded 1995 by the master himself that specializes in his technique. http://en.wikipedia.org/wiki/Meisner_technique http://www.amazon.com/gp/product/B000LCF4OY?ie=UTF8&#038;tag=nnb-20&#038;linkCode=as2&#038;camp=1789&#038;creative=9325&#038;creativeASIN=B000LCF4OY http://www.amazon.com/gp/product/0394750594?ie=UTF8&#038;tag=nnb-20&#038;linkCode=as2&#038;camp=1789&#038;creative=9325&#038;creativeASIN=0394750594 http://www.amazon.com/gp/product/1880399776?ie=UTF8&#038;tag=nnb-20&#038;linkCode=as2&#038;camp=1789&#038;creative=9325&#038;creativeASIN=1880399776 http://www.amazon.com/gp/product/1575252120?ie=UTF8&#038;tag=nnb-20&#038;linkCode=as2&#038;camp=1789&#038;creative=9325&#038;creativeASIN=1575252120 http://www.themeisnercenter.com/', 'Sanford Meisner: The Guru of Acting sudipta Arts-Culture Generic http://nynjbengali.com/archives/category/arts-culture http://nynjbengali.com/archives/category/generic View all posts in Arts-Culture View all posts in Generic'),
(74, 0, 'Recently I had the opportunity to watch Deepa Mehtaâ€™s film â€œWaterâ€on DVD . Most of you may have already seen this movie as well as its predecessors â€œFireâ€ and â€œEarthâ€. â€œWaterâ€ is the third segment of Deepaâ€™s elemental trilogy. I am not a film critic by any measure. However the reason for me to write about this film is because it deals with an issue which has always been a controversial and sensitive one in our culture and religion. For the benefit of those of you who have not seen the film â€œWaterâ€ deals about the plight of the Hindu widows during 1930s who were banished from the society to live a secluded life in the â€œBidhava Ashramsâ€ or Widow Homes of Varanasi. These widows ranging from eight years to eighty years of age live a life deprived of all pleasures and wait earnestly to die in the sacred ghats of Kashi an extremely fortunate fate that guarantees a spot in the heaven. Although some of them like Shakuntala Seema Biswas earn not for the heavens but rather to be born again as a man. Some like Kalyani Lisa Ray do not even wait rather they sacrifice themselves to the holy waters of to escape from their exile. Many will argue that this story is not relevant anymore. Hindu widows these days do not have to lead such a deprived life. They no longer have to wear whites shave their heads and eat vegetarian and fast on every eleventh lunar day. But is it true Granted that in the urban middle class and upper middle class families widows have a relatively better life now. But the huge majority still has to succumb to the societal pressures and pick up the white garb. Widow homes or Bidhava Ashrams still exist in and the lives of their residents are not that different from those shown in the film. Even the widows of the urban elites have to tolerate the â€œdifferentâ€ attitude thrown towards them by the more fortunate members of their â€œHinduâ€ society. The film asks some pertinent questions that are relevant even today. These days a young widow may not have to live her life as an ascetic in an Ashram but she is no longer welcome in a manâ€™s life either as his lawful wedded wife. She still has to tolerate the greedy eyes of men who consider them as easily available. And if any one tries to raise her voice in protest she has to face the wrath of the Hindu fundamentalists as did Deepa Mehta herself. The story of the film happens in the background of the holy city of Benaras a city that has appeared several times in films of stalwarts like Satyajit Ray Raghu Rai and others. Unfortunately Deepa Mehta did not have the luxury of capturing this picturesque city on her film. Rather she had to be content with a poor imitation constructed in Sri Lanka. Deepa Mehta was not allowed to shoot her film in the holy city. The right wing Hindu extremists destroyed her sets and threatened her and her crew. She was forced to stop filming and return to her home in Canada. But I guess this incident only strengthened her resolve. After two years she went back to the sub-continent to Sri Lanka to make her film with an entirely new cast. Itâ€™s not that the film is perfect and free of all short comings. The script lacked the depth that a film dealing with such an issue deserves. Lisa Ray was miscast in the role of Kalyani. Despite her best efforts she could not free herself of her western accent and sophistication. But most of the other cast members did proper justice to their roles. Special mention needs to be made for Sarala who performed the role of the child widow Chhuiya and of course Seema Biswas who carried the film to a great extent. John Abrahamâ€™s character Narayan felt a little under developed â€“ so were most of the male characters in a primarily female dominated movie. Raghuvir Yadav as the eunuch Gulabi did an excellent job as usual. The most exquisite feature of this film is its cinematography Giles Nuttgens . The framing color schemes and compositions were breath taking at times. I wonder what impact the film would have made if it could have been shot at its original locale The film has surfaced once again a shame of our society and religion a shame that had tormented people like Raja Rammohan Roy and Iswar Chandra Vidyasagar but it still manages to sink and hide itself in the depths of our conscience. Deepa Mehta has made another attempt to bring it up and challenged us to deal with it. I deeply thank her for her heroic efforts. Recently I had the opportunity to watch Deepa Mehtaâ€™s film â€œWaterâ€on DVD . Most of you may have already seen this movie as well as its predecessors â€œFireâ€ and â€œEarthâ€. â€œWaterâ€ is the third segment of Deepaâ€™s elemental trilogy.', 'Water: A Film That Surfaces our Shame sudipta Arts-Culture Generic http://nynjbengali.com/archives/category/arts-culture http://nynjbengali.com/archives/category/generic View all posts in Arts-Culture View all posts in Generic'),
(75, 0, '“Satyameva Jayate” - a phrase from the Mundaka Upanishad is the national motto of India and all Indians. Literally it means “truth alone prevails” - implying that truth is all that we should strive for since truth only can lead us to success and happiness. But this hypothesis has been proven wrong time and again. Through bitter life experiences we all discover that “truth” hardly leads us anywhere - it is the “untruth” the “false” and “deceit” that we need to master in order to attain our goals and objectives. Or is it that our goals and objectives need to be re-examined Are we chasing the right goals Goals for which we do not have to rely on the “false” - goals that can truly be achieved by truth alone “Satyameva” a play written by Sudipta Bhawmik tries to explore this age old question in a setting in North America where the immigrant Indian population tries to deal with this issue in their everyday lives. Sanjoy a young software professional has arrived in the “land of opportunity” for just over six months and works for a software body shopping company “InterSoft” owned and operated by Bill a Bengali American living in the States for over thirty years. On the day of the play Bill fires Sanjoy and asks him to go back to India. Sanjoy however is not happy with this decision and refuses to oblige. He informs Bill that he is not going to return to India under any circumstances. He states that returning to India is synonymous to signing a death warrant. He cannot subject himself to such a grave risk. And to justify himself and to win his ultimate motive he has to make a choice between truth or deceit. Cast: Bill : Sankar Ghoshal Sanjoy : Indranil Mukherjee Written and Directed by Sudipta Bhawmik Produced by Ethnomedia Center for Theater Arts ECTA Presented by Ganakrishti Kolkata 6.00pm August 20 21 22 23 2007 Sujata Sadan 7 Hazra Road Kolkata - 700 026. Phone- 2476-6131 Please inform your friends and family in India to come and watch this play that tells our story. http://picasaweb.google.com/indymukh/Satyameba http://ethnomediallc.com/wpress/wp-content/uploads/2007/08/img_6449.JPG Satyameva Scene Satyameva Scene', 'Satyameva: A New Play to Premiere in Kolkata sudipta Arts-Culture Events Generic http://nynjbengali.com/archives/category/arts-culture http://nynjbengali.com/archives/category/events http://nynjbengali.com/archives/category/generic View all posts in Arts-Culture View all posts in Events View all posts in Generic'),
(77, 0, 'Please fill this form to subscribe to this blog. You will receive emails about recent posts and events on a weekly basis. Thanks. Enter your Email Preview | Powered by FeedBlitz If you’d like to receive an email notification whenever an article is posted one email per day then fill up the following form to Subscribe through Feedburner : Enter your email address: Delivered by FeedBurner http://www.feedblitz.com/f?previewfeed=260124 http://www.feedblitz.com http://feedburner.google.com', 'Subscribe sudipta Generic http://nynjbengali.com/archives/category/generic View all posts in Generic'),
(81, 0, 'Sudipta Bhawmik Previously published in Anandasangbad On 7th of March 2007 I had the opportunity of watching Mira Nair’s latest film The Namesake” . The film had officially premiered the earlier evening which unfortunately I was not able to attend. However the producers of the film were kind enough to arrange couple of seats for me for the special screening for the Museum of Moving Images which included a Q A session with the director Mira Nair and surprise guests Tabu and Irfan Khan . Being a participant in the filming process in a very limited way in the role of Subroto Mesho I was especially curious to see the final result – the big picture as you may call it. At the end of the screening when Mira asked me how I liked the film I was sort of speechless. I did answer something like “great” or “wonderful” but that was only a gut reaction – I was still trying to figure out my feelings towards the film. I was not able to give Mira the right answer. I figured maybe if I try to jot down my thoughts I’ll be able to come up with a better answer. So how did I feel watching the film Have you ever in a lonely rainy afternoon sat down and leafed through the pages of your family photo album An album that spans three generations your parents yourselves and your children captured in those 4×6 frames With each turn of page you see the glimpses of your life that went past you see how your image changed over the years. Fleeting memories hit you like a hail storm and you feel lost – for few moments. That’s exactly how I had felt watching “The Namesake” . The film is a family album a photo album of the Ganguli’s but you feel as if it is your own. The only difference is that the subjects in those photos are not still they become alive they talk they move they laugh they cry – and you join them. And when you are done watching it you just want to sit silently hugging the album close to your heart with your eyes closed. You try to remember those pictures that were not captured by any camera on any film. Just as Ashoke tells his son Gogol when he realizes that he has forgotten his camera to shoot the end of his journey “We will just have to remember this…… all our life” - Mira’s film inspires us to remember our journey and “follow our bliss”. Mira herself admitted that the style of this film was inspired by still photographs by masters like Raghu Rai Raghubir Singh Mich Epstein Dayanita Singh and it showed. I guess to capture a period spanning three generations this was the best form available to her. We jump from period to period from city to city with extreme ease just like turning a page of our album. We see the characters change but not always how they change. But we have no trouble in filling the gaps because it is our story. There are no surprises no suspense no thrill no profound philosophy – only the solitude and quietness of a deeply felt sorrow and ….bliss. The film starts as Ashoke’s story then switches to become Ashima’s story and then again transforms to become Gogol’s story with no jitters as if it is the natural progression. Not too many Hollywood filmmakers would dare to undertake such an unconventional screenplay structure. But Mira herself is unconventional. She pays homage to Satyajit Ray and Ritwick Ghatak through this film. She imbibed in this film the lyricism of Ray and the visual exuberance of Ghatak that is rare in this part of the world. Some of the scenes strongly remind you of Ray’s works like “Apur Sansar” or Ritwick’s “Meghe Dhaka Tara”. She even cast Supriya Choudhuri the unforgettable Nita of “Meghe Dhaka Tara” in a special role and made her utter the unforgettable line “Embrace the new but do not forget your past”. She shoots the two great cities of the world Kolkata and New York with the same sensitivity and care as did Ray in “Mahanagar” or “Jana Aranya” kudos to Fred Elmes. The film is not free from imperfections but let that not distract you in anyway. Sometimes you may feel that the time limit of two hours was too much of an imposition on a film of this kind. Some issues could have been explored a bit more some characters developed some more. But I guess some compromises need to be made anyway. I am not sure what the verdict of the film Pundits of the world would be or even what criticisms would the “argumentative Indians” and Bengalees bring to their tea “adda” table but to me “The Namesake” will be one of my dearest films to date. http://ethnomediallc.com/wpress/wp-content/uploads/2007/08/nsake_web.jpg http://www.amazon.com/gp/product/1557047413?ie=UTF8&#038;tag=nnb-20&#038;linkCode=as2&#038;camp=1789&#038;creative=9325&#038;creativeASIN=1557047413 http://www.amazon.com/gp/product/1557047413?ie=UTF8&#038;tag=nnb-20&#038;linkCode=as2&#038;camp=1789&#038;creative=9325&#038;creativeASIN=1557047413 On the set On the set', '“The Namesake”: A Personal Experience sudipta Arts-Culture Reviews http://nynjbengali.com/archives/category/arts-culture http://nynjbengali.com/archives/category/reviews View all posts in Arts-Culture View all posts in Reviews'),
(71, 0, 'Trip to Calcutta: A Chiaroscuro Amitava Sen I could hardly see her behind the pile of sarees stacked on the shop counter nevertheless I recognized her and was pleasantly surprised to see Gouri of New Jersey at the Gariahat ladies tailoring shop. I confess that although not a customer I am a frequent visitor to this place during my not so long stays in Calcutta. My wife always carries a big order of blouses from her friends during our annual trip to Calcutta and then she has her own stuff. That calls for more than a few visits. From logistical considerations we found that we save time and gasoline if we could drop-in at the tailor shop on our way to other destinations. I inquired about Gouriâ€™s stay and travel plans. She is in India for a total of three weeks she discloses she has already been one week in Calcutta and three days each in Bombay and Bangalore. She does not have many relatives her both parents are deceased and she has a sister in Bangalore and a first cousin in Bombay. She informed that she was at the tailoring shop for hemming attaching fall and netting of the 25 sarees she purchased not to mention stitching 25 blouses matching each of them. I could see where the pile of sarees on the counter came from. On our way back from the shop I was wondering aloud how could she manage to buy 25 sarees during her one weekâ€™s stay in Calcutta My wife explained that these sarees had been purchased from three cities all resplendent with saree shops. I conjectured how could she not buy 8 and one third sarees per city especially when each of the sarees was unique one of a kind and at dirt cheap price of not more than100-150 dollars each My wife was clearly indignant at my insensitivity. Sure I immediately relented I should have understood the obvious reason behind the purchase of 25 sarees. Pleased with my remorse my wife confided Gouri bought five more which were not at the tailoring shop. Gouri did not like them after she brought them home. But never mind she will take them back to America and sell them to her friends at cost which will most likely include a reasonably hefty profit for herself call it service charge. And she can rightly recover her marketing and selling expenses which will include a dinner at her place. I made a mental note to excuse us from any dinner invitation from Gouri when we return. What brought Gouri to India Why do we keep on coming back Ostensively to see relatives or buy sarees more than Gouri can conceivably wear in a year or two. That could not be the major reason for many of us. It was not true for Gouri either and only partly true for the rest of us. I know of many amongst us who take the grueling 20 hours trip to Calcutta and stay in a hotel or a guest house or are sequestered in Ramkrishna Mission Institute of Culture at Golpark. They do not even have a place to stay with friends or relatives. A stay in Calcutta is arguably unpleasant. The place is polluted pot-holed noisy and not a pristine tourist attraction by any stretch of imagination. But donâ€™t we feel good Feel good about what Feel good about ourselves our inflated selves our larger than life selves. It seems like a power trip to establish and proclaim our new found power and self esteem for our old country to see. We grew up in a place where money muscle and connection mattered. Unless you were rich or Daoud Ibrahimâ€™s brother or Jyoti Babuâ€™s son you had no chance and you had no power. We have now found a way to the power we have adequate money adequacy measured by Indian yardstick. We expect that people at least back in our old country will be awestruck and will respect us for that. So why not flaunt our money or our power here in the United States where we live in our Diaspora But it is difficult to get noticed here by our compatriots who look at the mirror and only like what they see. It is easier in India where there is an aura of â€˜American mystiqueâ€™ around you. From being a no body when we have left our country we are somebody now and we want our old country to take note. Why otherwise do we call press conferences in Calcutta to announce upcoming events staged solely for the audience in the United States It could as well be held in Baghdad or Timbuktu cultural aficionados or the drama reviewers in Calcutta could not care less. It hardly will attract an audience or sell a ticket or even engender a mention in Calcutta press. I suspect lurking in our mindsâ€™ shadows is the urge to claim fifteen minutes of glory back in our homeland from which we are voluntarily severed yet we want to impose our glorified and often unreal images desperately seeking to be noticed. On another thought do we revisit our old country in search of happiness Are we unhappy here We ought to be by â€œMahabharatianâ€ definition. When Dharma asked Judhistir as to who were considered happy in life Judhistir answered that a happy person was the one who did not live away from home and who was not indebted. Think about our huge mortgage and credit card debts . By that yardstick we are probably unhappy. In the end some would relate to me when I say that I always feel happy as soon as the aircraft touches down at DumDum and I walk in to the dirty dusty and chaotic immigration hallway. I look around and discover that I am amongst my own people they look like me and act like me. It is not even a feeling which reflects looking forward to meeting many relatives or friends. Neither do I have plans to buy a saree or a punjabi. Why do I feel so much at home Is it all about getting touchy-feely I ask myself. Do I feel slight or less of a person in the midst of white folks back â€œHomeâ€ Am I happy to leave it all behind Suddenly I am very comfortable fitting-in I am completely home. http://ethnomediallc.com/wpress/?pp_album=1&#038;pp_image=pujor_saari_web.jpg pujor saari web pujor saari web', 'Trip To Calcutta: A Chiaroscuro amitavasen Arts-Culture Generic http://nynjbengali.com/archives/category/arts-culture http://nynjbengali.com/archives/category/generic View all posts in Arts-Culture View all posts in Generic'),
(72, 0, 'One of the key advantages of living in the United States was cheap gasoline and the joy of driving. But it seems that it will soon become a luxury of the past. Gas prices are going through the roof and we are all suffering. The trouble is the fundamental requirement to live in the suburbs is to be able to drive a car. We do not have a rickshaw stand nearby where we can walk to and hop into a human driven absolutely green vehicle and merrily coast to the local grocery store. It will be a major human rights issue if someone even dreams of such an entrepreneurial venture. Hence we have no other option other than trying to save on gasoline costs. This sort of motivated me to do some research on the web and I have come up with some interesting gas saving tips that are not always obvious. I hope you find them useful. They are not necessary in any specific order or category. If you have any such tips please share them with us all. 1.	Drive fewer cars: In this country our freedom has taken us to the extremes. We all need to drive our own gas guzzlers. However with a little compromise we may be able to share rides. I participate in a carpool myself and that saves me quite a bit for 82 miles of round trip commute every day . Sometimes within a family husband and wife use separate cars to the same destination since they cannot compromise on a schedule. “Can’t we all get along” and save some gas think money 2.	If you are an aggressive driver and have the sudden urges to beat everybody on the road to dust chances are that your gas bills are quite astronomical. Avoid flooring the gas pedal that often. Take the long view of the road and brake slow and easy. Tests conducted by Edmunds have shown an average of 31 savings by following this tip alone. If you slowed your 0-to-60-mph acceleration time down from your current 10 seconds to a more normal pace of 15 seconds you’ll feel the savings immediately. 3.	Edmunds website also suggests that slowing down your speed from 75-90mph to 60-65mph on highways can save you 12 on the average. 55mph is still the most economical speed limit. 4.	It has been a common belief that turning off the air conditioner saves gas. It turns out that is not the case as per Edmunds’ tests. Apparently the modern day climate control systems of cars are highly efficient and do not consume any alarming amount of extra gas. So stay cool in your slightly longer rides. 5.	Use cruise control whenever possible. Tests suggest that you may save up to 14 percent with an average savings of 7 . 6.	Do not idle excessively it can save up to 19 . The recommendation is that if your stop is over a minute turn off the engine. 7.	Avoid long warm-up periods 30 seconds should be enough even on cold mornings. 8.	Buy gasoline during coolest time of day - early morning or late evening is best. During these times gasoline is densest. Gas pumps measure volumes of gasoline not densities of fuel concentration. You are charged according to “volume of measurement”. 9.	Carefully choose your brand better quality gas gives better mileage. It is not necessary to use higher octane gas unless your car manual specifically asks for it. After filling up be sure the gas cap clicks 3 times. Improperly seated gas caps allow 147 million gallons of fuel to vaporize every year in the U.S. 6.	Finally buy gasoline from the station offering the lowest price. Several websites now offers gas prices of gas stations in your local area. One such website is http://www.automotive.com/gas-prices.', 'Saving Gas sudipta Generic Social http://nynjbengali.com/archives/category/generic http://nynjbengali.com/archives/category/social View all posts in Generic View all posts in Social'),
(73, 0, 'Kolkata has been always acknowledged as the theatre capital of India. The rich tradition of modern Bengali theatre that started more than two hundred years ago is still revered by the cultural elite of the country. Hence an invitation from Ganakrishti one of the top tier theatre groups of Kolkata to perform at their seventh annual theatre festival came to me as a major challenge. It was during the 2005 Bangasammelan in New York when Bratya Basu the then champion of Ganakrishti made me the offer. And I accepted without thinking too much about the consequences. It has been a dream for me as well as all serious Bengali theatre workers in this country to be able to showcase our work in front of the Kolkata audience. But we all know that when the rubber actually meets the road not too many rises up to the occasion especially when it meant taking leave from work and then travel to India spending your own money. Ganakrishti admitted that they will not be able to pay our air fares but they will take care of us and cover all our production related expenses the moment we arrive in Kolkata. I had some faith in my core group members and I knew that they will not pass this opportunity under any circumstances. I did not even have any play in mind that we can take to Kolkata. Although our repertory had couple of good short plays ready at hand Ganakrishti preffered a full length play. I had a full length play script ready and waiting to be produced but I thought I’d like to take something to Kolkata that is contemporary and truely reflects some of the fundamental conflicts that we encounter as immigrants to this country. The basic idea of “Ron” was in my mind for sometime and I thought why not develop this idea into a full length play I started working on it which involved quite a bit of research about the US Armed forces the Iraq war etc and by the end of 2005 I had the first draft ready. We had the first reading and Indranil is one of our key group members living room with most of our team members eagerly listening. The key decision we had to make that evening was to decide if we’d like to produce “Ron” it wasn”t even named then or to produce “Baanaprastha” the script that I had written earlier . The team chose “Ron” primarily because of its relevance in todays world. I asked the group to find a good title for the play and several suggestions started pouring in. It was only after few weeks when I read the play to Tarun Chatterjee the accomplished actor and director and he suggested finding a short name the name “Ron” struck upon me. Not only is my central character named “Ron” or Ronobir/Ranveer but also because “Ron” means war and that is what the play is about. The next challenge was casting for the characters. We had one primary requirement for any actor accepting our offer was that he or she has to travel to India during peak summer season spending his/her own money. Although most of the key group members had no problem with this many have been planning to go to India during that period anyway casting some of the characters became an issue namely those of “Nando” and “Bidisha”. We started looking for Nando and few interested fellows showed up. One Biswajit Das came all the way from Poughkeepsie New York to try for the role. Being from Bangladesh he was a perfect fit for the role. He was willing to come to the rehearsals all the way from Poughkeepsie although I was a bit sceptical. But soon he informed that he has a conflict in July and won’t be able to do the play. The search continued and after few disappointing auditions I reluctantly planned to take up the role myself. It was not the best option at all since directing and acting in the same play is a very difficult task. Then I met Kaushik Datta at Lili Majumdar’s house. Kaushik had some early acting experience and was planning to go to Kolkata during July for a family vacation anyway. After a quick and surrepticious audition I selected Kaushik for the role of “Nando”. The next task was to find Bidisha. To be continued…….', 'Staging Ron in Kolkata : Part 1 sudipta Arts-Culture Generic http://nynjbengali.com/archives/category/arts-culture http://nynjbengali.com/archives/category/generic View all posts in Arts-Culture View all posts in Generic'),
(70, 0, 'On 26th of March Kallol of NJ one of the major Bengali social and cultural clubs of this area will be holding their annual general body meeting. On this day the current executive committee will hand over the reigns of the club to the new committee who will be looking after the club activities for the next two years. In the larger scheme of things this may not seem to be a matter of any significance. But if we think a bit deeply few issues may surface and tickle your thoughts. If you come to the Kallol AGM on the 26th most likely you’ll see the following. 1. Poor attendance despite the promise of good food by the committee. Only few veteran members will be asking any questions and making any suggestions. 2. The new committee will consist of mostly members from the old committee with no election taking place. This clearly shows that not many of us are interested in participating in the club activities. A handful of members have to carry on the brunt of the responsibilities and activities all along. I am not singling out Kallol most of the Bengali clubs and organizations face the same situation. If we try to analyze this situation the first question we need to answer is do we need these clubs Do they add any value to our lives in this country Most of these clubs were founded to serve some very basic needs of ours - to get together and do some activities together for our social cultural and spiritual nourishment be it staging a play or be it holding a Puja. The problem however is that any such activity requires few people to work on the activity and few people to participate and enjoy. This creates two parties one who works and delivers and one who receives and enjoys. The people on the receiving end do contribute their dues in the form of subscriptions etc. but they do not fail to criticize the slightest inconvenience in any form. The workers on the other hand serve solely for the love of the activity and entirely on a volunteering basis. They too after a while get tired. But hardly do we see new people from the receiving end come up to join the serving end. We take it for granted that we will always be served and served to the best of our expectations. But we do not think that if the service providers give up we will no longer have the pleasure of enjoying such great events. One complaint I sometimes hear is that people are not given any opportunity to serve in these clubs that the committee members are not inclusive enough and they tend to keep out anybody who has the slightest interest in serving along with them. The allegation sometimes turn out to be true since in many cases these small club positions seem to become some kind of thrones of power that many fear to lose. The decision makers tend to fantasize that it is their sole right to decide on what who when and how But I think that this allegation is overrated. If one genuinely believes in a cause and is willing to work for it most of our organizations will give it a fair hearing. Please try to understand that they too have limitations both in terms of resources and free time. So if we think that these organizations do add value to our lives then we need to participate. We need to make ourselves heard at formal forums like AGMs and other meetings. Let the organizers know what we like and what we don’t. I am positive that we will be pleasantly surprised. 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(57, 0, 'Sudipta Bhawmik The phenomenon of job outsourcing has been the topic of discussion in all circles these days. The high tech and IT sectors are specially affected by the outflow of high paying jobs to India and China. Initially it was only the relatively low paying jobs like call centers medical transcription services were moving to India. But now highly skilled jobs like IT semiconductor chip design accounting and financial analysis jobs are also moving to India. But we all know that this is a natural phenomenon. High cost jobs will move to low cost areas. The laws of physics are equally applicable to economics and finance at least in this case. It is fruitless to try to resist this flow. My question is how we the so-called non-resident Indians are or NRIs are reacting this phenomenon Are we happy that after all these years the Indian economy and high technology sector is booming After all many of us have stayed back in this country with the excuse that India did not have the opportunities and challenges to justify our education and training. Many of us believed that our intellectual and professional capabilities were too superior to be wasted in India. But those excuses do not hold water any more. So shouldnâ€™t we be happy that after all these years we can now think about going back to our homeland Or are we feeling a bit threatened Maybe we are feeling that the comfortable and luxurious life that we have built for ourselves in this land of opportunity is suddenly under an ominous threat. Any day our employers may decide to outsource our jobs to India to be done efficiently at one fifth the cost. We may have to give up our high paying jobs for some low paying alternative. Besides the improving economy in India is also depriving us of our financial edge. The Indian professionals now earn enough to make them at par on purchasing power with any US employed professional. Moreover they enjoy many other amenities like house keeper cook chauffer etc. Do we sometimes feel a tinge of jealousy But neither can we go back so easily. Our roots have started to grow in this country. Our children are used to the American life. We have built our social lives here. Can we uproot ourselves once again I guess we are in a strange dilemma. How do you feel about this issue Send in your comments.', 'Outsourcing and Us sudipta Generic http://nynjbengali.com/archives/category/generic View all posts in Generic');
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(63, 0, 'Amitava Sen What does the word Biswa-kobi mean Poet laureate of the world World-class poet Universal poet Bengalees use this honorific or title in referring to Rabindranath Thakur. I have always wondered about it as I have as to why the championship of baseball is called World Series. How does a tournament of game played by less than 5 of the world population even after keeping other baseball playing nations such as Japan or Cuba out claim to be a world event Likewise the â€œWorldâ€ cup for the game of cricket played mostly by a few third world countries raises the same question. Americans are prone to use hyperbole in describing whatever comes their way and they get away with it because coming from the most overpowering nation the rest of the world accepts it with awe. Neither can their claim to the world title be dismissed as the arrogance of the novaeu rich for record the winner of the game played between just two teams as back as in 1884 was crowned as the â€œChampion of the worldâ€. And it continues to the day . For Americans the world stops at their shore and what the humanity beyond their world think does not count and realistically speaking does not matter. On the other hand a game of cricket can claim the distinction of most man-hours spent by the viewing public in daysâ€™ long game. Man-hours in this instance mean number of people multiplied by the number of hours spent watching a game . And I can understand that this number is unsurpassed by any other game in the world. The most countries playing cricket have an inexhaustible supply of unemployed and bored flocks attending the games lasting ten to forty hours. But should not the cricket championship be more appropriately called Third-World Cup But for me Biswa-Kobi still continues to be a riddle. Rabindranath have written profoundly of upper and middle class Bengalee society with deep Hindu spirituality and mysticism but universal he is not by any measure. His sonorous lyrics and songs are hugely popular in Bengal both east and west. But universally he has failed the test of time. He is largely forgotten in the west and the rest of the world. During Tagoreâ€™s life time Graham Greene famously wrote â€œAs for Rabindranath Tagore I can not believe that anyone but Mr. Yeats can still take his poems very seriously.â€ I wonder how many amongst the erudite lot in Bengalee Diaspora know Rabindranath beyond his songs and dances. However evaluating Rabindranath and his works is not the point of this piece easily carried-away and irrationally exuberant Bengali emotion is. In order to call someone our own great we tend to canonize the person we turn them into icons more to be garlanded and worshipped than understood. English speaking world did not call Shakespeare the â€œWorld-playwright. Someone at some point of time must have bestowed on Rabindranath the title of â€œBiswa-Kobiâ€ or anointed him to the position of Poet Laureate of the world. Recognizing Rabindranathâ€™s proclivity for self-aggrandizement it is not inconceivable that he himself may have done so. He was not shy about heralding his birth as a momentous event for the human kind Hey Nutan Dekhadik Arbar Janmero Prothomo Subhakhan or proclaiming his super-human stature Oi Mahamanaba Ashe and then staking his claim for a place among the greats Ami Jodi Janma Nitem Kalidasher Kale Hotem Tobe Dasham Ratna Naba Ratna Male . It would be interesting to find out where and when did Rabindranath referred to himself as Biswa-kobi. If he did not who did Amitava Sen', 'What is Biswa-Kobi amitavasen Arts-Culture Generic http://nynjbengali.com/archives/category/arts-culture http://nynjbengali.com/archives/category/generic View all posts in Arts-Culture View all posts in Generic'),
(64, 0, 'Sudipta Bhawmik This week one of our very close friends Siddharta Dutta passed away. Siddharta-da popularly known as Ashi-da was one of the most culturally and socially active Bengalees of this region. Many of us have seen him perform on stage sometimes as an actor sometimes as a singer and sometimes both. His performances in plays like Chhutir-Phande Byapika Biday Antony Phiringi Tulkalam Kenaram Becharam will be remembered by many theater lovers. He was a multi-talented person who besides acting and singing was also an excellent writer of short stories essays and plays. His wide knowledge base and refined taste in the arts was always reflected in his work. My acquaintance with Ashi-da was primarily through theater. We did several plays together plays like Ferari Fouz Tul-Kalam Kenaram Becharam and few others. He was one of the most sincere actors that I have worked with in this country. He always arrived on time at the rehearsals and he was always the first to memorize his lines when we all were struggling. A great team player Ashi-da never grudged to work under the direction of his juniors and gave his best for the success of the project. And his wit and sense of humour was something to be experienced. It was people like Ashi-da from whom I derived the inspiration to survive culturally in this country. He demonstrated that creative people can find their stage anywhere in the world all you need is few like minded friends. We all will be missing Ashi-da. On behalf of all of us I’d like to extend our deepest condolences to Banani-di and the rest of Ashi-da’s family. I pray that his soul rests in peace.', 'Goodbye Ashi-da sudipta Generic http://nynjbengali.com/archives/category/generic View all posts in Generic'),
(65, 0, 'Sudipta Bhawmik Originally published in AnandaSangbad January 2006 issue. We are getting old We maybe in denial but the fact remain true. Those of us who belong to the so called baby boomer generation that is born between 1946 and 1964 are quickly approaching the age about which we need to think and plan about. Yes financial planning like IRAs and 401 k s are important but I am talking about social and cultural planning. What are we going to do in our â€œgolden yearsâ€ Did we ever think about it Moving to Florida is out of the question admit it we wonâ€™t be able to move to an adult community in Florida and spent the rest of our lives with complete strangers. Some of us do dream about returning back to our homeland to India. Several times we have contemplated the thought that with our retirement benefits and social security paycheck we will live like kings in India more specifically in Kolkata. But is it true First of all when we return to India most likely many of our relatives like parents uncles aunts may no longer be there. Our relationships with our cousins and other friends will likely become too loose to re-establish. The India we left behind during our youth does not exist any more. We will be once again moving to a foreign land. The cost of living in India is growing too and it is doubtful how long we will be able to leverage our dollar advantage. Finally with our children and grandchildren in this country will we be able to live happily in India So if we rule out the above two we are left with the only alternative of living where we are. Maybe we will downsize our homes and move to smaller condos townhouses or maybe even to adult housing but what are we going to do We can however opt to blend in more with the mainstream and spend time at local senior centers playing Bingo and Pool. There is no harm in that but those of us who have been actively engaged in Bengali social and cultural activities it will be difficult to adjust to Bingo and Atlantic City tours. So I think it is high time we think about our future. We need to do something that will not only keep us happily engaged but will also be intellectually stimulating and satisfying. My uncle in India after he retired from his Government job started to edit and publish a unique magazine. Titled â€œPhire Dekhaâ€ Looking Back it is a magazine for the retired people and by the retired people. Currently in its twelfth year the magazine has grown a loyal following of hundreds of retired people from all around India. They write their own stories from their experiences some professionals like doctors lawyers accountants share their expertise some engage in social debates. The magazine has grown into a movement of sorts. The subscriber-members meet often just to discuss chat and have a good time. This is the type of activity that Iâ€™d like to be involved when I retire. But can we do it here in this adopted homeland of ours Anandamandir can effectively support such a movement and serve as the vehicle which can help us sustain in our old age. We need to get engaged more with the Anandamandir committee and help them develop a cultural center that can not only serve us now but can be our social and cultural retreat during our golden years. Letâ€™s give it a serious thought. P.S. Please send your comments to bhawmik@gmail.com We are getting old We maybe in denial but the fact remain true. Those of us who belong to the so called baby boomer generation that is born between 1946 and 1964 are quickly approaching the age about which we need to think and plan about. Yes financial planning like IRAs and 401 k s are important but I am talking about social and cultural planning. What are we going to do in our â€œgolden yearsâ€', 'Our Golden Years sudipta Generic Social http://nynjbengali.com/archives/category/generic http://nynjbengali.com/archives/category/social View all posts in Generic View all posts in Social'),
(46, 0, 'Amitava Sen No one can say that Raghav Chatterjee does not sing well. He does. He is an extremely talented and skilled singer and performer. But he came up short in delivering for the major and I stress major part of his audience at Kallol Puja. He was too loud and sometimes painfully screaming. His repertoire was too post modern and convoluted for our liking. He possibly was targetting relatively young Calcutta born crowd present but he definitely did not cater to the people who paid most for hiring him. The fault does not lie with him. The so called younger group of Kallol is ostensibly in control of the stage and what goes on there. Programs are chosen and directed by them with a trace of arrogance and a little bias. We heard Raghav at Banga Sammelan in New York and really liked his not so hip performance on the sober side. But his program at Kallol was disappointing to many and I dare say most of us. 50 people who danced with his singing at Durga Puja are not the final arbiters I am afraid. This is neither new nor an isolated instance. Larger question is: are we being culturally manipulated by a few Have we always been By we I mean people who have been here for two or three decades or longer. In the beginning we had amongst us a self proclaimed intellectual coterie the “better than thou” crowd. They fed us with all sorts of revolutionary cliche’d theatrical performances and obscure plays. We the intellectually challenged masses sat through them approvingly lest we were branded un-intellectual. Then there were literary seminars and classical musical soirees. We also suffered through them silently. While we prided ourselves of being in elite intellectual company they really needed an audience and mostly our money. Now there are friends and close acquaitances who consider themselves artistically gifted eager to present their wares in public at a price of course. Saying no to their entreaties to buy a ticket or two will not take you far. What is a friend in need if the most expensive tickets are not bought They also badly need a crowd. So attenedence is a must if you do not want to flush your relationship down the drain. I say where the culture is doled out wholesale as in Durga Puja we have to excercise our collective power in letting the organizers know what we want. In retail performance area we have to excercise our individual buying power in choosing what we like. Sitting through poorly presented and histrionically deficient plays listening to Rabindra Sangeet in Hindi or Sukumar Roy in English translation is ultimate undermining of our cultural sensitivity. We are not doing any favor either to our friends by encouraging them to hold on to their delusional views of their thespian and musical talents. Amitava Sen http://ethnomediallc.com/wpress/?pp_album=1&#038;pp_image=aastegaan_web.jpg Pujor Gaaner Ashor Pujor Gaaner Ashor', 'Entertainment Scene amitavasen Arts-Culture Generic http://nynjbengali.com/archives/category/arts-culture http://nynjbengali.com/archives/category/generic View all posts in Arts-Culture View all posts in Generic'),
(52, 0, 'Sudipta Bhawmik We Bengalis are fond of bargains. We feel insulted to shop at any store which do not allow bargaining. We are paranoid that the store owners and businesses are always on the lookout for ways to rip us off. And we would like to be on top of them. “Start your negotiation at one third the asking price” advised our elders who claim to be the greatest negotiators of all time “and be prepared to walk away but slowly. The shopkeeper is going to call you back with a better offer ” You need to be thick skinned too. Some of the savvy sales people will attack your pride and self confidence without any mercy. They will make you feel like a lowlife for having the audacity to make such an outrageous offer. Some will keep on playing with you your own game and finally both of you will agree on a deal which will appear like a big win for you and a big loss for the sales person. He will whine and cry and ask you for the last two bits that you can spare like “Dada aar duto taka diye din bounir somoy ” and you will gracefully oblige. After all you are the big winner You will walk away with your winning smile and the sales person will start dealing with his next customer hiding his own laughter. Many of us the hard bargainers snobbishly avoid those stores who conspicuously display the “Fixed Price” sign. What is the fun in shopping if we can’t get to play the bargaining game The online shopping scene has thrown a wrench to the traditional bargaining game. You no longer have to deal with a real person. You visit your favorite online store search through the catalog pick your product and pay for it. No more haggling. No more walking away with the hope that someone is going to call you back. But we all knew that no shopping can ever exist without bargaining and that too in America the bargain hunterâ€™s paradise. So soon we saw the arrival of eBay Priceline Hotwire and many others. Ebay is now a phenomenon it started out at as an online auction site but soon it has evolved into a major bargaining site where you can name your price. Priceline and Hotwire concentrate primarily on the travel business but I won’t be surprised if they diversify into other markets soon. But Ebay Priceline all have their caveats. You have to make some sort of a commitment and if the seller accepts your offer you cannot walk away. But if you make too small a bid you may not have a deal at all. This kind of turns me off. Rather I use the other form of bargain hunting coupons and rebates. If you can find the right combination of coupons and rebates you can manage to get great deals or at least you can have a feeling of a great deal . There are several websites that can help you find such bargains. They will tell you which manufacturer or seller is offering what kind of discounts in the form of rebates coupons special promotions etc. Companies like Dell Staples OfficeMax often offer great deals through rebates and coupons. Check out websites like hot-deals.org techbargains.com or deals2buy.com. I particularly like hot-deals.org for its simple interface and no nonsense deals. It will only list those deals that are â€œhotâ€ and not the regular discounts. I confess that it is one site that I visit once daily. Techbargains.com is a good site if you are looking for technical gadgets and stuff. These days I find it foolish to buy a product without any discounts of any kind. Even when I find a seemingly good deal I often feel cheated since soon enough someone will inform me that they found a better deal. Itâ€™s a lousy feeling even though the difference may be only a few dollars. Itâ€™s not the money but our pride that gets hurt the most. Letâ€™s admit we the bargain hunters have special tools and techniques that we guard as our greatest secrets. These are the skills that we have mastered over the years that make the difference between a winner and a loser. But again there are those amongst us who are more generous. They feel good to share a good tip with their friends. They feel happy when their friends are happy. I am sure you are one of those great souls. So please share a tip with us. Tell us how you made that great deal I am sure the readers of this site will bless you and wish you well. Best regards. http://ethnomediallc.com/wpress/?pp_album=1&#038;pp_image=baloon_travel_web.jpg http://ethnomediallc.com/wpress/?pp_album=1&#038;pp_image=joraburger_web.jpg The Great Bargain joraburger web The Great Bargain joraburger web', 'Bargains Bargains sudipta Generic Social http://nynjbengali.com/archives/category/generic http://nynjbengali.com/archives/category/social View all posts in Generic View all posts in Social'),
(55, 0, 'Amitava Sen If you are not reading or writing in Blogs you are completely out of touch you are totally un-cool you are ouside the intellectual landscape plainly speaking you have forfeited your claim to the membership of “Antel-dom”. Today blogs wield enormous power and influence over politics society and even literature and publishing rivalling network news and newspapers. The Blog derives its name from the word Web logs. The word Blog was coined in 1997 where you can post daily scribbings mostly critiquing anything and expressing any well formulated or stray thoughts. The idea caught on with lightning speed so much so that according to Technorati the blog tracking site 70 000 blogs are being launched every day worldwide. Technorati tracks over 20 million active blogs in real time. Most blogs turn out to be servicing specific subjects specific interests and specific groups specific may always not be in their contents but in their souls. So what is baring Bengali souls in North America But are Bengalees ready for entry into the Blogosphere Or for that matter any group of immigrants from a third world country Most people of current generation came here for making a better living period. Making money in this country is not difficult still easier is to look in to the mirror and see your larger than life image At that point most among us get somewhat delusional and forget reality self-check. We hanker for recognition by the peers some in art area as actors singers some in social domain as club presidents and secretaries. But let’s face it those skills can not be bought. So we end up performing out of tune songs as singers or delivering forgettable speeches as presidents. Most almost all of us left our country for acquiring worldly things we are the material types. We have not transcended hunter gatherer mode not yet. We are not ready for the stage. We are not ready for letters either. I remember a disastrous effort in Banga Sammelan of the year 2000 publishing an English magazine . So let’s get back to what we do well make more money. And occasionally get on to the stage for doing what we do not so well. Do not feel bad this is the way the country has been. Remember none of the founding fathers was a first generation immigrant. Blogs are modern day vehicle for thoughtful expressions. We specially the first generation immigrants have not had much time to think and still don’t. Then there is a problem with language that also is natural and expected. We are naturally shy putting our thoughts if we have any down on paper in an alien language. So expressing through writing in blog is not what Bengalees feel comfortable with. That may explain why you are having such a poor support in your admirable endeavor Sudipta.', 'Are Bengalees ready for a Blog Site of their own amitavasen Generic Social http://nynjbengali.com/archives/category/generic http://nynjbengali.com/archives/category/social View all posts in Generic View all posts in Social'),
(30, 0, 'img onmouseup  hl2l event  src  http://ethnomediallc.com/wpress/wp-content/bratya.jpg alt  Bratya Basu style  padding:10px background: black border: 2px class  right width 100 / Bratya Basu is currently one of the brightest young playwright and director of the Bengali stage in Kolkata. He is in USA now rehearsing and preparing his latest directorial venture covering the post independence era of modern Bengali theatre. The play will be staged at the 25th North America Bengali Conference on July 3rd at the Hammerstein Ballroom in Manhattan New York. I asked him few questions on how he conceived of this project and the challenges he faced in directing this show. Sudipta : NABC 2005 is celebrating 200 years of Bengali theatre through three plays covering the period. You have written the script and directing one of the segments. What part of this vast canvas are you covering in your segment Bratya : I have tried to cover the post independence era of modern Bengali theatre from 1950 to 2000. The play presents snippets from several plays covering this period including a play from Bangladesh. The plays are “Raktakarabi” “Raja Oedipous” “Tiner Talowar” “Sarater Megh” “Chak Bhanga Modhu” “Ebong Indrajit” “Winkle Twinkle” and “Eersha”. Sudipta : What was your criteria in selecting the play segments Bratya : I primarily used three criteria to select my play segments a Plays that were important as contemporary theatre during its time b it has a significant literary value c and is still relevant to our society in its fundamental message. Sudipta : What was your thought process in developing your segment Bratya : It was particularly challenging for me to figure out a method to develop the entire play such that it comes out as a whole entity even when the segments themselves stand out as an individual theatrical unit. Of all the three plays I am the only director who is working with actors from India as well as USA. I had to take special care to ensure that there exists proper synergy and balance between the segments acted by the different groups of actors and also to develop a relationship as a team. To work as a team they need to get familiarized with the acting style and patterns of each other build the mutual trust that is absolutely essential in producting a theatre. Since many of the actors whom I am working with in this play are new to me I was not sure whether I’ll be able to get what I want from them and stage a show where the proper balance is maintained. I am glad to say that I was able to achieve that. Sudipta : What can the audience expect to see in this segment Bratya : Primarily I expect the audience to experience the development and evolution of modern Bengali theatre. They will also exprience a modern theatrical approach and acting style that is rooted in Bengal but international in every sense. Sudipta : Is this your first visit to North America Bengali Conference If so what is your expectation Bratya : Yes this is my first NABC. My expectation is that I’d like to see that true cultural relationship and cultural exchange happen through this conference. I’d like to see that this conference bring to life the true international spirit of Bengali culture in all its glory. Bratya Basu is one of the brightest young playwright and director on the Bengali stage in Kolkata now. He is in USA now rehearsing and preparing his latest directorial venture covering the post independence era of modern Bengali theatre. The play will be staged at the 25th North America Bengali Conference on July 3rd at the Hammerstein Ballroom in Manhattan New York. I asked him few questions on how he conceived of this project and the challenges he faced in directing this show. Bratya Basu', 'An Interview with Bratya Basu sudipta Arts-Culture http://nynjbengali.com/archives/category/arts-culture View all posts in Arts-Culture'),
(34, 0, 'Many things have gone right and many things have gone wrong during our last NABC2005. The following letter from Chitra Divakaruni exemplifies one of the things that went really wrong. We understand that managing such an event of this scale is not trivial and especially for the volunteers I repeat volunteers it was indeed an arduous task to do their job and also keep their cool. However I only hope that this letter from Chitra helps us in improving our festival rather than turn out into a finger pointing exercise. Thank you. ————————————————————————————————————————– Dear NABC 2005 organizers: Thank you very much for inviting me to be a speaker/performer at NABC 2005. It was a huge event I cannot even imagine how you managed to organize such a large scale convention so successfully. Congratulations I enjoyed all the events I could go to and of course I particularly enjoyed the literary events. I could see there was a lot of interest esp. in the main stage events we did and I want to thank Goutam Dutta for working very hard to make all of these happen. The literary seminar discussions with the audience was very high quality as well. My thanks also for your care and hospitality in terms of my airport car rides hotel timely honorarium etc. I know how hard this is to arrange when so much is going on. I do want to share with you one negative experience I had–and I write this only because my hope is that if it is pointed out to the organizers perhaps it will not happen again to someone else. As part of my welcome packet I was given a letter from the hospitality committee saying that I was to take my meals on the 7th floor of the Manhattan Center. After my Saturday morning event at Hammerstein Goutam Dutta told us the speakers to go there for lunch. However when I went there I was treated very rudely by the 2 women in charge and told I should not be coming there for meals. They also referred very rudely to Goutam when I mentioned that he had sent me there. This event was very embarrassing for all of the speakers. I was made to feel as though I had sneaked in there to get a free meal to which I was not entitled. I would have left right away to buy myself a meal outside the hotel but the other speakers and Mohua one of the literary organizers requested me not to go as our next program was about to start in 15 minutes. She managed to get some food for me putting up with many insults herself to do that. I ate it But as you may imagine I felt very bad kind of like a bhikhiri in a biyebari. In my 15 plus years of doing events in this country and abroad I have never been treated like this. It will be unfortunately something I will remember for a long time. I know many NABC volunteers and organizers worked tirelessly behind the scenes to make things happen just right for the hundreds of performers and speakers that came to your event. Unfortunately most of them did not interact directly with us so we could not experience their warmth and sincerity. The volunteers/organizers who have the most impact on us guests are the ones who deal with us directly one on one such as the women in the meal room. Perhaps you could remind them of the importance of what they do–and the effect it can have on a guest’s overall memories of an otherwise wonderful NABC. thank you Chitra Divakaruni Many things have gone well and many things have gone wrong during our last NABC2005. The following letter from Chitra Divakaruni exemplifies one of the things that went really wrong. We understand that managing such an event of this scale is not trivial and especially for the volunteers I repeat volunteers it was indeed an arduous task to do their job and also keep their cool. However I only hope that this letter from Chitra helps us in improving our festival rather than turn out into a finger pointing exercise. Thank you.', 'An Open Letter from Chitra Divakaruni sudipta Arts-Culture http://nynjbengali.com/archives/category/arts-culture View all posts in Arts-Culture'),
(36, 0, 'What makes a Banga Sammelan successful Advancing the cause of Bengali culture literature and business sheer fun of meeting friends and late night Adda showing off of collection of Sarees and for a few basking in the reflected glory of Calcutta luminaries The answer is all of the above except anything to do with the advancement of Bengali culture literature and business. To claim that it is will be pretentious. By that yardstick the Banga Sammelan in New york has definitely been a success. Yarning for the lime light apart one has to recognize and admire the effort and hard labor of the organizers. It is no mean achievement that Banga Sammelan has come to being an institution serving the community in general. The name that comes in mind who is the undisputed leader is Prabir Roy. He not only deserves recognition and praise but our gratitude as well. In a way this meet was innovative in certain areas like involving the local talents recognizing the second generation young talents and in choosing the topics in the commemorative journal published on this occasion These are long due steps needed for establishing an identity for the Sammelan. It is also time to reflect on the charecter and nature of Banga Sammelan. Start with compilation of data as to: 1. What is the demography of the people coming to the Banga Sammelan their homes age income brackets etc. 2. At what point of the year they decided to come. 3. What kind of arena do they prefer as the venue. 4. How much they spend in all for the entire weekend. 5. What are the sources of fund for sponsors registration advertizement. 6. How much do the organizers spend under individual headings rent advertizement Calcutta artists. Calcutta writers their air fare hotel expenses their fees. 7. How many people attend literary seminars business seminars. 8. Why do people come Cultural performances of Calcutta artists talk to famous writers connecting to Calcutta for business. 9. How many people will like to see Bombay stars and at what cost. The questions above are not necessarily in order of importance These are sample questions I am sure there are many more relevant and revealing questions. Records of say last five Sammelans can be compiled and released. Now on every local organizer may be required to submit a report at the conclusion of the event. Of course there were lapses and glitches. I noticed some and I am sure others can point out to more. At the entrance of the arena a big banner with a wrong spelling was an eyesore. The word is OIKOTAN and not OIKYATAN. And then the national anthems both of them by a Bengalee poet of India and Bangladesh were disasters. Out of tune and pitch and even wrong words. Bangladeshi anthem was not even performed as an anthem. One of the most ballyhooed items the anthology of Bengalee dramas was poorly play written poorly directed poorly presented and poorly acted. It all could be due to the fact that the idea was ill conceived and from the start was designed to go no where. Bottom line: we enjoyed the meet like we do every year no more no less.', 'Banga Sammelan amitavasen Arts-Culture http://nynjbengali.com/archives/category/arts-culture View all posts in Arts-Culture'),
(39, 0, 'Cerebration a quarterly electronic journal is calling for submissions for its forthcoming issues. Cerebration is a trans-cultural magazine operating from NJ and Delhi and attempts at bridging academic and non-academic circles Cerebration strives to provide a space for critical discussions and creative expression across cultures and is sponsored by Drew University NJ. The editorial advisory board consists of eminent academics critics journalists and filmmakers from US and India including Gayatri Chakraborty Spivak Bapsi Sidhwa Barkha Dutt Subrata Sen amongst other well-renowned academics from US www.cerebration.org/board.html . Cerebration is currently accepting submissions in the categories of essays fiction columns poetry photography and art work. Please visit Cerebration at www.cerebration.org http://www.cerebration.org', 'Call for Submissions Amrita Ghosh Arts-Culture Generic Social http://nynjbengali.com/archives/category/arts-culture http://nynjbengali.com/archives/category/generic http://nynjbengali.com/archives/category/social View all posts in Arts-Culture View all posts in Generic View all posts in Social'),
(45, 0, 'Sudipta Bhawmik Finally 2005 Pujo is here. In this Garden State of ours Kallol has started their celebration yesterday Friday evening and GSCA will start theirs from today. Are you all ready to hit the doors of Ukrainian Community Center or Plainfield High School As you attempt to enter the doors you’ll encounter few somber looking gentlemen sitting behind a linen covered desk with few preprinted stationary and scattered ball point pens. Yes you now need to pull out your check book and be ready to shell out few dollars from your savings. The question is how much The gentleman behind the desk will point you to a preprinted piece of paper with a heading which reads something like â€œSuggested Donation”. For few moments you will struggle with the word “suggested”. It may occur to you that the shocking amounts below those lines are mere suggestions only. No one is forcing you to pay that amount. However after some deep contemplation and few tacit exchanges finally you will succumb to both internal and external pressures and write that check for the full amount that was asked for. For the next few minutes this episode will keep on pinching you. Soon enough youâ€™ll forget the unpleasant feeling and get involved in the festivities until next year when this issue will again surface at the parties and get-togethers. The debate undoubtedly will be that why these Pujo organizers can charge such astronomical amounts After all what do they offer Letâ€™s think about this issue for a moment. Is it justified for the organizers to demand the contribution they are asking for For the past few years these two major Pujos of NJ are celebrating their festivals on the same weekend breaking a long tradition of having them on separate weekends primarily to manage the logistics. First of all reservation of these venues on specific targeted weekends is a difficult task. Secondly this simultaneous celebration divides the crowd which has grown over the years to such an extent that the fire marshals of the respective towns would be forced to shut down the event if the crowd skews to any particular direction. However this division of crowd has caused some financial strains on the organizers. The cost of organizing these festivals is also shooting through the roof. The venues are demanding higher rent every year. To accommodate the increase in crowd we need to set up tents outdoors. Only few years ago we remained quite satisfied with the entertainment programs presented by our local artists and performers. Now we demand the top performers from Kolkata maybe even Mumbai. This translates to increased expense. Then comes the question of food. Goat curry seems to be consistent debate. Just check out the price of a pound of goat meat in your local halal meat store. Now you do the math. Think about it just to attend a show of these performers that we get to watch during the Pujo will cost much more than what we pay as chandaa. Then factor in the food and fun I think youâ€™ll find that you are coming out much ahead. Please join in the debate. Send me your comments and your thoughts on this issue. Wish you a great Pujo. Sudipta Bhawmik http://ethnomediallc.com/wpress/?pp_album=1&#038;pp_image=niramishasi_web.jpg http://ethnomediallc.com/wpress/?pp_album=1&#038;pp_image=goatmeat_web.jpg niramishasi web goatmeat web Niramishasi goatmeat web', 'Pujor Chandaa sudipta Arts-Culture Generic http://nynjbengali.com/archives/category/arts-culture http://nynjbengali.com/archives/category/generic View all posts in Arts-Culture View all posts in Generic'),
(25, 0, 'Learning lines All 9 messages in topic - view as tree loobyloo May 24 9:47 am show options Newsgroups: rec.arts.theatre.plays From: loobyloo - Find messages by this author Date: Tue 24 May 2005 14:47:15 0100 Local: Tues May 24 2005 9:47 am Subject: Learning lines Reply | Reply to Author | Forward | Print | Individual Message | Show original | Report Abuse Hello everybody I’m an almost complete newbie to all this and I wanted to ask your advcie about learning lines. This summer I’ll be performing a one man show in Edinburgh and I need to learn a script that with pauses and so on will last about 40 minutes. I know it’s not Hamlet but it’s quite a lot for someone who hasn’t tackled something like this before. I wonder if anyone knows how more experienced actors go about doing this and what methods have proven effective for learning big chunks of text – Cliff Laine The Old Lard Factory Lancaster http://www.loobynet.com * remove any trace of rudeness before you reply * —————————————————————————————- Reply Jim Beaver May 24 1:06 pm show options Newsgroups: rec.arts.theatre.plays From: “Jim Beaver” - Find messages by this author Date: Tue 24 May 2005 17:06:59 GMT Local: Tues May 24 2005 1:06 pm Subject: Re: Learning lines Reply | Reply to Author | Forward | Print | Individual Message | Show original | Report Abuse “loobyloo” wrote in message I’ve done several one-man shows of this length or longer. I just learn them paragraph by paragraph: learn a line learn the next one learn them together add the next line till you’ve got the first paragraph down cold. Then start the next paragraph. Once you’ve got it down go back and do both paragraphs together when you’ve got those two paragraphs down solid start paragraph three. Then you can either just keep adding paragraphs or learn each new one in conjunction with the previous one. Either method makes sure that you learn each new paragraph as a connected part to the previous paragraph which helps you maintain the flow of thought. But at least once or twice a day run through the whole thing as far as you’ve learned it and then read aloud the remainder. I’ve never had a very hard time learning a long one-man show this way. Of course the better the material the easier to memorize. Jim Beaver Reply Christopher Jahn May 24 6:50 pm show options Also it’s better to work on your lines while on your feet than sitting down. You will be SPEAKING them while you’re moving around after all. It also keeps your blood pumping and prevents you from sloooowly fading out. A trick I have used for really difficult patches or when I have only a short time to learn them I transcribe the words from the script onto a pad of paper in my own handwriting this forces my brain to process the words on a slightly deeper than simply reading them. Then copying the transcription in your own hand forces you to translate your own handwriting and re-process it as you write it out again. This can be extremely effective. This is how I learned a 5 page monologue in five hours for a production in KEELY AND DU when I was picked to be the understudy after the actor injured himself during the matinee. – :- Christopher Jahn :- http://home.comcast.net/~xjahn/Main.html Ven Hawkins May 25 3:17 pm show options Newsgroups: rec.arts.theatre.plays From: “Ven Hawkins” - Find messages by this author Date: 25 May 2005 12:17:12 -0700 Local: Wed May 25 2005 3:17 pm Subject: Re: Learning lines Reply | Reply to Author | Forward | Print | Individual Message | Show original | Report Abuse I’ve used three methods: Method One: Record all the lines on tape. Use a small recorder with a pause button. When it comes your time to deliver a line hit the pause button say the line then listen. Of course since you’re doing a one man show it will always be your turn to talk so just take a chunk of dialog at a time. Method Two: Backwards. Memorize the last line. Then the previous line then the one before that. One each iteration go all the way to the last line. This way the lines you’re least familiar with are the first ones you say. Do it in managable chucks. I don’t use this method alone I still use the tape when I’m driving or some other activity that won’t allow me to use the script. I used this method when I had two weeks to memorize lines for a 2 1/2 hour show in which I played the lead character who was on stage the whole show. Method Three: I don’t try to memorize them at all. This actually works for me in some shows. We”ll have a week or two of blocking with scripts in hand to take notes. I’ve found that quite often I’ll have memorized the script without trying. It’s still a good idea to use the tape method to reinforce your lines to avoid paraphrasing. Good Luck Ven Hawkins Reply Cassiusw90s May 25 9:19 pm show options Newsgroups: rec.arts.theatre.plays From: “Cassiusw90s” - Find messages by this author Date: Thu 26 May 2005 01:19:57 GMT Local: Wed May 25 2005 9:19 pm Subject: Re: Learning lines Reply | Reply to Author | Forward | Print | Individual Message | Show original | Report Abuse Cliff: One suggestion by which you can kill two birds with one stone is this: Go through your scenes a couple of times and break up the “lines” into units of intention…that is “What does the character want ” “How is he trying to get it ” “What obstacles are in his way ”. Afterwards take an hour a day..or more if possible.. and work through each scene with an index card covering all your lines except the one you’re currently on. As a result of the work above you’ll have memorized stuff without knowing it. And you’ll be memorizing the lines as part of understanding ways in which your character is moving moment to moment through the play.. It may sound pretentious but honestly it works brilliantly. Regards CassiusW90s Jim Beaver May 25 9:34 pm show options I’ve found this method to work very well myself. And not just for monologues. Jim Beaver Reply Mark Cipra May 26 6:50 am show options Newsgroups: rec.arts.theatre.plays From: “Mark Cipra” - Find messages by this author Date: Thu 26 May 2005 06:50:26 -0400 Local: Thurs May 26 2005 6:50 am Subject: Re: Learning lines Reply | Reply to Author | Forward | Print | Individual Message | Show original | Report Abuse “Cassiusw90s” wrote in message news:1v9le.14501 IX4.2961@twister.nyc.rr.com… Cliff: One suggestion by which you can kill two birds with one stone is this: Go through your scenes a couple of times and break up the “lines” into units of intention…that is “What does the character want ” “How is he trying to get it ” “What obstacles are in his way ”. I wouldn’t say this to a veteran but since you say you’re a newbie … This is very important advice. You’re not memorizing the multiplication tables you’re learning a role. The words arise out of wants actions etc. It’s more akin to learning how to rebuild a carburator than memorizing the phone book. - Hide quoted text - - Show quoted text - loobyloo May 28 4:07 pm show options Newsgroups: rec.arts.theatre.plays From: loobyloo - Find messages by this author Date: Sat 28 May 2005 21:07:54 0100 Local: Sat May 28 2005 4:07 pm Reply', 'Learning Lines sudipta Arts-Culture http://nynjbengali.com/archives/category/arts-culture View all posts in Arts-Culture'),
(28, 0, 'RSS Feed is a great way to receive news and information from a variety of websites directly on your desktop without having to search for them or visit their websites. News and information can be delivered through email or web sites as plugins to your web browser as well as stand-alone news readers and feed aggregators. This article will give you a brief overview of how to avail of this great piece of technology. You must have seen those small orange ‘XML’ or ‘RSS’ buttons beginning to spread across some of your favourite web sites. Perhaps you have clicked on one out of curiosity only to be faced with a barrage of angle brackets and undecipherable code. But once you click on that button - what do you do then This article will show you exactly what to do. RSS It’s actually “Really Simple Stupid” or “Rich Site Summary” or “Really Simple Syndication.” But no matter what it’s called RSS is a new way to publish information online. The first thing to do of course is click that button. It may be an orange button with ‘XML’ or ‘RSS’ written across it or you could see the word ‘Atom’ or less commonly it could be blue with maybe the initials ‘RDF’ or it could be a simple link with something like ‘Grab My Feed’ or just ‘RSS Feed’. Gets confusing doesn’t it But what the acronyms like XML and RSS actually stand for is less than important - what to do after clicking the button is the important bit. After clicking the button you will see all that code - if you have ever viewed the source code to a web page it looks a little similar. RSS is just another language of the web but you can actually completely ignore the code itself and only care about the end product. In the case of RSS that end product is up to date news on the topics you are interested in. For example if you want to keep up to date with the latest information on financial markets or growing marigolds or your favourite “NY NJ Newsletter” and you see a feed on that particular topic you can ’subscribe’ to it and receive messages via the feed each time the publisher of the feed updates it. So how do you ’subscribe’ to an RSS feed The important bit is what is in the browser address or location bar after clicking the feed button i.e. the bit at the top of your browser window that usually starts with ‘http://…’ and tells you the web address of the page you are visiting. For this newsletter it is - http://ethnomediallc.com/wpress/index.php/feed/ After clicking the RSS or XML etc. button you need to copy that address - it’s that address that you need to ‘plug’ into what is generally known as a ‘news reader’. News readers allow you to keep updated with the feeds that you are subscribed to. There are several to choose from - some involve downloading some software some involve visiting a web site some are free and some require a small investment. Once you have chosen a particular news reader you simply take that address that you have copied and following the instructions provided with the news reader to subscribe to or add a new feed simply paste it in - the reader will take care of the rest and keep you updated with your new feed. Once you have done it once you will see just how simple it really is. Here are some news readers you can choose from in approximate order of recommendation under each category: Browser-Based: My Yahoo BlogLines http://www.bloglines.com AmphetaDesk http://www.disobey.com/amphetadesk/ NewsIsFree http://www.newsisfree.com/ Software For Windows: NewsGator http://www.newsgator.com/ - integrates into Microsoft Outlook FeedDemon http://www.bradsoft.com/feeddemon/ Awasu http://www.awasu.com/ SharpReader http://www.sharpreader.net/ FeedReader http://www.feedreader.com/ NewsWatcher http://www.newswatcher.com/ NewsRanker http://egofile.com/newsranker/ - claims to learn from your news reading to prioritize the feed items you receive Novobot http://www.proggle.com/novobot/ - extracts headlines from feeds and also web sites that you are interested in Radio Userland http://radio.userland.com/ - blogging tool with an integrated news aggregator For FireFox browser you may use the active bookmark click orange button on lower righthand corner or download SAGE plugin. Thunderbird email client can also receive RSS feeds. It’s useful to spend a few minutes researching some appropriate choices - once you’ve decided on one that you believe to be suitable you can start picking up new feeds straight away. It’s Really So Simple you won’t look back. RSS Feed is a great way to receive news and information from a variety of websites directly on your desktop without having to search for them or visit their websites. News and information can be delivered through email or web sites as plugins to your web browser as well as stand-alone news readers and feed aggregators. This article will give you a brief overview of how to avail of this great piece of technology.', 'How to Receive RSS Feeds sudipta Generic http://nynjbengali.com/archives/category/generic View all posts in Generic');
INSERT INTO `wp_search` (`post_id`, `comment_id`, `content`, `priority`) VALUES
(29, 0, 'Ashok Mukhopadhyay an eminent theatre personality from Kolkata is visiting the United States to direct a play at the 25th North America Bengali Conference to be held in New York during July 1 -4 2005. I asked few questions to Askok-da as I fondly call him on how he approached towards developing this play. Sudipta : NABC 2005 is celebrating 200 years of Bengali theatre through three plays covering the period. You have written the script and directing one of the segments. What part of this vast canvas are you covering in your segment Ashok : I have not actually written any script for my part of the production. I have selected scenes from some of the great plays written during the time-span and I am trying to link them with song-and-dance sequences to produce a theatrical collage. I am covering the period 1870 to 1944. Sudipta : What was your criteria in selecting the play segments Ashok : I selected scenes from some of the major plays by some of the major playwrights of the time. I wanted them to be various in appeal and approach ranging from the high satire of Buro Saliker Ghare Roa Modhusudan to the solemnly tragic note of Balidan Girishchandra from the comedic romanticism of Chirakumar Sabha Rabindranath to the musical rhythm of Alibaba Khirodeprasad and thus to the historicity of Chandragupta Dwijendralal to the garbed mythology of Karagar Manmotho Roy and finally reaching the agony and protest of Nabanna 1944 . Sudipta : What was your thought process in developing your segment Ashok : The basic thought grinding the selection of plays concerns the belief that theater provides the finest documentation of time and its flow. Theater intrinsically projects the truth about social transition placing human beings and their values against the correct perspective. I hope our production of the play-pieces will provide a commentary on the theater of the time as also on the social milieu producing the theater. Sudipta : Is this your first visit to North America Bengali Conference If so what is your expectation Ashok : This is my first visit to North America Bengali Conference. I am looking forward to a great week-end when Bengali culture will shine proudly in America projecting the multi-dimensional character of this dear and glorious tradition of ours. Ashok Mukhopadhyay an eminent theatre personality from Kolkata is visiting the United States to direct a play at the 25th North America Bengali Conference to be held in New York during July 1 -4 2005. I asked few questions to Askok-da as I fondly call him on how he approached towards developing this play. Ashoke Mukhopadhyay', 'An Interview with Ashok Mukhopadhyay sudipta Arts-Culture http://nynjbengali.com/archives/category/arts-culture View all posts in Arts-Culture'),
(21, 0, 'NY NJ Bengali Newsletter June 3 2005 Dear Friends As we move towards summer all eyes I mean Bengali eyes are looking towards Manhattan New York with great expectations. The 25th North America Bengali Conference is gearing up to greet Bengalis from all parts of the world. Are you joining them Today’s events list includes two very specific events to be held at the NABC 2005 the classical music sessions and the literary seminars. Classical music and Literature are two very fond subjects of any Bengali intellectual. This year however the NABC committee has opened up the classical music event to non-regsitrants also who may be interested to listen to these wonderful musicians without having to register for the full conference. See you all in Manhattan on July 2nd to July 3rd. Many of you have been sending me event listings as long attachments even pdf files . It is vey difficult for me to extract the text info from those files.So here are your two options: 1. Send me a text file similar to my email listing give who what why when where and howmuch information. I’ll cut and paste it to my email. OR 2. Visit http://ethnomediallc.com/wpress register yourself log in and write in your announcement and mark it as a event category. You can post to other categories too like classified reviews etc. All my emails will refer to this site and my email will contain a summary of this entry too. Please help me out. Wish you all a very happy weekend. Regards Sudipta Bhawmik', 'NY/NJ Bengali Newsletter June 03 2005 sudipta Generic http://nynjbengali.com/archives/category/generic View all posts in Generic'),
(2, 0, 'Well this question has been answered several times by many experts. My intentions are perfectly clear. I would like to use this channel to express my thoughts and to let people know what’s happing in the e-media field especially the ethnic fields. So please stay tuned. Share this article Close   Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML:  input readonly  readonly onclick  this.select  type  text value  Why Blog  size  84 title  Copy this HTML to create a link to this page /   If you like this then please subscribe to the RSS Feed . 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Save to CiteULike Save to co.mments.com Save to Connotea Save to del.icio.us Digg It! Save to diigo Save to DotNetKicks Save to DropJack Save to dzone Save to Facebook FarkIt! Save to Faves Save to Feed Me Links Save to Friendsite Save to folkd.com Save to Furl Save to Google Bookmarks Save to Hugg Spot It! Save to Jeqq Save to Kaboodle Save to kirtsy Save to linkaGoGo Share on LinkedIn Save to LinksMarker Save to Ma.gnolia Save to Mister Wong Save to Mixx Save to MySpace Save to My Web Save to Netvouz Seed Newsvine Save to oneview Save to OnlyWire Promote on PlugIM Submit to Propeller Reddit Save to Rojo Save to Segnalo Shout It! Save to Simpy Slashdot It! Sphere It Sphinn Save to Spurl Save to Squidoo Stumble It! Add to my Technorati Favorites Save to ThisNext Save to Twitter Discuss on Webride Save to Windows Live Save to Worlds Movies Save to Yahoo! Bookmarks Copy this HTML to create a link to this page Save to Ask Save to blinklist Save to Bloglines Save to BlogMarks Save to Blogsvine Save to del.icio.us Digg It! Save to Facebook Save to Google Bookmarks Share on LinkedIn Reddit Stumble It! Add to my Technorati Favorites Save to Twitter Save to Windows Live Save to Yahoo! Bookmarks Email this to a friend See more bookmark and sharing options...', 'Why Blog sudipta Generic http://nynjbengali.com/archives/category/generic View all posts in Generic'),
(5, 0, 'From Pamina Bagchi In Edison New Jersey a Korean American is running for mayor in an upcoming primary race. An April 25th article in the New Jersey Star Ledger reported that both the Korean American candidate and his opponent are hoping to receive votes from the Asian American community. On April 25th the “Jersey Guys” show broadcast on 101.5FM reacted to the article. In doing so the deejays used racial and ethnic stereotypes to characterize Asians in New Jersey as “un-American.” The broadcast also implied that Asian ethnic groups have taken over businesses and neighborhoods in New Jersey and have contributed to the region’s economic failings. For a copy of the letter that has been sent by organizations please email saalt@saalt.org and visit saalt.org for more info. Please call email and/or write the manager and parent company of the station to protest against this irresponsible broadcast. In addition you could also send a message to the station’s sponsors. - First introduce yourself and your connection to the community if you are a NJ resident make sure that is clear - Express your feelings about the broadcast in a respectful manner - Ask the station to meet the following demands from the community Whom do I contact Send a copy of your correspondence to saalt@saalt.org Eric Johnson Station Manager New Jersey 101.5 FM Radio P.O. Box 5698 Trenton NJ 08638 Ej1015@nj1015.com 609 771-8181 Xenophobic comments on New Jersey Radio Show Warrant Response from South Asian Community MAY 2 2005 - From Pamina Bagchi', 'NJ 101.5 Comments on Asian Americans sudipta Generic http://nynjbengali.com/archives/category/generic View all posts in Generic'),
(14, 0, 'Dear Friends In my last week’s newsletter I had mentioned about “Radio Bangla” the Internet radio station. Did anyone of you get a chance to listen to it I’d like to hear your comments and suggestions. Today I’d like to introduce you to “NY/NJ Bengali” Blog site http://www.ethnomediallc.com/wpress . I have set up this site where I can post our blogs i.e. blogs from any registered user . Blogs can be anything on any subject you’d like to share your thoughts on. Just register log in and post your writings. However your blogs/articles will be posted only after I approve them. This is just to prevent spam and offensive postings if any. Blogs can be posted on few different categories. Following are few of them. Please don’t forget to check the appropriate category box when you write and post your article. Categories: Social : Articles pertaining to social/political issues Arts-Culture : Article on arts and culture Reviews : Reviews of shows books films etc. Classified: If you’d like to give away donate sell or announce any service or product you may post it in this category. Note that this category postings does not show up on front page. This is FREE. Need Help: If you or someone you know needs any help from any community member you may feel free to post it here. You never know who can help you when you need it the most. Posts on this category does not show up on front page. Generic: All other categories Note that neither I nor Ethnomedia LLC has any means of verifying the authenticity of any posts and hence bears no responsibility for any consequences that may result from their usage. This is offered only as a public service. Please use responsibly and at your own risk. Note that you can set up the RSS feed from this site to be fed to your RSS news reader like yahoo or others . Next time I’ll discuss about RSS news feed in more details. I wish you a happy and enjoyable long weekend. Regards Sudipta', 'Issue: May 26 2005 sudipta Generic http://nynjbengali.com/archives/category/generic View all posts in Generic'),
(366, 0, 'North America Bengali Conference NABC 2009 kicks off at the San Jose Convention Center on July 2nd. The biggest Bengali event of the year will run till July 4th and will feature some of the best performers from India Bangladesh and USA. Urhalpool editor Goutam Datta will be awarded the “Distinguished Service Award” at NABC 2009 on Friday July 3rd at 6:45PM in “Banga Mancha”. The award is given by the Cultural Association of Bengal the umbrella organization of NABC for helping the cause of propagating and nurturing Bengali culture in North America. URHALPOOL www.urhalpool.com had been chosen by NABC2009 as their internet media partner. URHALPOOL in association with NABC2009 will be presenting extensive coverage of the event for all 4 days from July 1st to July 4th. Catch up with all the NABC excitement at URHALPOOL www.urhalpool.com . On June 26th Anandamandir hosted their monthly “Sahitya-o-Alochona” meetings where the attendees discussed the celebrated Bengali poet Joy Goswami. The attendees read Joy Goswami’s poems discussed the artistry of his work and shared their personal experiences with the poet. Tauryatrika 2009 the annual cultural program of Bharatiya Kala Kendra - BKK was a mega success. The event started with an excellent and highly interactive seminar followed by screening of a movie on Ustad Bismillah Khan directed by Goutam Ghosh . In the cultural program students of BKK put an excellent presentation. At the end Bappi Lahiri was on top of his form. 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(515, 0, 'New Jersey Durga Puja Committee of Kallol Cordially invites you with your family and friends to participate in our 2010 Durga Puja Celebration Durga Puja will be held on October 15 16 17 2010 At the Ukranian Church and Cultural Center in Somerset New Jersey Registration Information Over the last several years we have had a large increase in the number of people attending Kallol’s Durga Puja which we are very happy about.  Unfortunately as you know the Ukranian Center Hall has limited accommodation in the main hall.  We have had to restrict entry in the main hall in the previous years in compliance with township rules and fire codes. So like the last few years we are introducing an online registration system to provide you with an opportunity for pre-registration which will guarantee entry.  We may not be able to admit you without pre-registration if we reach capacity. Online registration will begin on September 20 2010 at  http://www.kallol.com Suggested Donations Kallol Member’s: 60.00 Non- Member’s: 65.00 Student with ID: 40.00 Children 12-18 YRS : 30.00 Children Below 12 YRS : Free Patrons: 200 includes 2 badges Sponsors: 500.00 includes family bagdes upto 4 Grand Sponsors: 1000.00 includes family bagdes upto 4 complimentary 2 nights hotel room Reserved seating area for Patrons Sponsors Grand sponsors Program Schedule Friday October 15 2010 Mahasasthi and Mahasaptami Puja: 2:00 p.m. Anjali: 5:00 p.m. Dinner: 6:30 p.m. Cultural Program: 8:00 p.m. Saturday October 16 2010 Mahaashtami Sandhi Puja: 10:30 a.m. Anjali: 2:00 p.m. Dinner: 5:00 p.m. Cultural Program: 6:00 p.m. Sunday October 17 2010 Mahanabami Mahadashami Puja: 11:00 a.m. Anjali: 2:00 p.m. Dinner: 5:00 p.m. Cultural Program: 6:00 p.m. Saturday October 23 2010 Kojagori Lakshmi Puja Puja: 3:00 p.m. Anjali : 4:00 p.m. Vijaya Sammelani Cultural Program : 6:30 p.m. Dinner : 9:00 p.m. Cultural Program Highlights* Fri Oct 15 2010: Parthasarathi Desikan ~ Classical Vocal Sat Oct 16 2010: Jolly Mukherjee from Bolloywood and Koel Mukherjee of Sa Re Ga Ma Pa Fame Sun Oct 17 2010: Anirban Dasgupta Sasha Ghosal *Subject to change Venue Directions Venue Ukranian Cultural Center 135  Davidson Avenue  Somerset  NJ 08873 Directions From Interstate 287 North Take exit 10 Rt. 527 / Easton Avenue Go right towards Bound Brook and turn left at the first traffic light onto Davidson Avenue The Ukranian Cultural Center and parking will be to your right From Interstate 287 South Take exit 10 for New Brunswick / Easton Avenue Turn left onto Easton Avenue and go underneath the highway I-287 Turn left at the first light onto Davidson Avenue The Ukranian Cultural Center and parking will be to your right From Route 18 Take Route 18 from Rt 1 towards New Brunswick past the Raritan River and after the bridge make a left at the first traffic light onto River Road Go to the junction of I-287 and enter onto I-287 North Then follow directions from above Hotel Information Kallol of NJ’s official partner for Durga Puja 2010 is Madison Suites Hotel. The hotel is located at about 5 minute driving distance from the venue and features spacious rooms with microwave and refrigerators in all rooms and the rate below also includes free continental breakfast. Follow details below to make your reservations with the hotel directly. In order to get Kallol’s discounted rate you will need to mention “Kallol DP 2010” during reservations and show them a copy of your registration during check in. Madison Suites Somerset NJ 11 Cedar Grove Lane Somerset  NJ 08873 www.madisonsuitesnj.com Official Hotel of Kallol’s New Jersey Durga Puja 2010 For reservations please call 732 563-1000. Be sure to mention “KALLOL DP 2010” in order to receive this discount. You can visit them on the web at http://www.madisonsuitesnj.com Special Rates: Oct 15 16 2010 60 tax Standard rooms 80 tax Bi-Level Suites Oct 14 17 2010 55 tax Standard rooms 75 tax Bi-Level Suites Share this article Close   Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML:  input readonly  readonly onclick  this.select  type  text value  Kallol Durga Puja 2010 size  84 title  Copy this HTML to create a link to this page /   If you like this then please subscribe to the RSS Feed . 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(511, 0, 'Ananda Mandir for the seventh year in a row will present “MAHISHASURA MARDINI” the famous musical show live on October 10th at 4.30am. This show has become synonymous with the celebration of “MAHALAYA” in Bengal and around the world for decades. Written by Bani Kumar and produced by All India Radio includes some of the most popular Bengali songs composed by Pankaj Kumar Mallik. On 10th October morning some of our most talented local musicians will present Mahishasura Mardini in its full glory. PLEASE COME AND ENJOY THE SHOW. Share this article Close   Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML:  input readonly  readonly onclick  this.select  type  text value  Ananda Prabhat at Ananda Mandir size  84 title  Copy this HTML to create a link to this page /   If you like this then please subscribe to the RSS Feed . 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Save to CiteULike Save to co.mments.com Save to Connotea Save to del.icio.us Digg It! Save to diigo Save to DotNetKicks Save to DropJack Save to dzone Save to Facebook FarkIt! Save to Faves Save to Feed Me Links Save to Friendsite Save to folkd.com Save to Furl Save to Google Bookmarks Save to Hugg Spot It! Save to Jeqq Save to Kaboodle Save to kirtsy Save to linkaGoGo Share on LinkedIn Save to LinksMarker Save to Ma.gnolia Save to Mister Wong Save to Mixx Save to MySpace Save to My Web Save to Netvouz Seed Newsvine Save to oneview Save to OnlyWire Promote on PlugIM Submit to Propeller Reddit Save to Rojo Save to Segnalo Shout It! Save to Simpy Slashdot It! Sphere It Sphinn Save to Spurl Save to Squidoo Stumble It! Add to my Technorati Favorites Save to ThisNext Save to Twitter Discuss on Webride Save to Windows Live Save to Worlds Movies Save to Yahoo! 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(226, 2926, 'Durga Puja 2010 Bengali SMS Good ones http://www.bhalobasa.in', NULL),
(506, 2920, 'Bonani Dutta Thanks aton fo all the info about the Pujo 2010 and the events associated…truly a Good effort to link all the bengalies in Jersey and surrounding who look forward all year long for to celebrate these 4 days….:', NULL),
(512, 0, 'Few minutes ago an old friend of mine called to wish me for the upcoming Durga Puja festivals. He said “It’s Mahasasthi in Kolkata today ” I wished him back but it occurred to me that it’s Mahasashti everywhere not only in Kolkata. When I reminded him he laughed and said “Yes indeed. But our Sasthi starts on coming Friday ” And he is absolutely right. Our Pujo in New Jersey I am referring to the Kallol Durga Pujo which we both attend starts on October 15th Friday evening and that’s our Mahasasthi. The thought does give me some consolation that Pujo is yet to start and we have few more days to look forward too. But my friends and family in Kolkata have started enjoying their Pujo. They have started posting photos of their favorite idols on Facebook and Orkut sending Pujo greetings through emails and expressing their joy and merriment. ETV Bangla is taking us through the streets of Kolkata and the online newspapers and magazines giving us day by day commentary of the Pujo happenings. And we cannot deny that this does cause a bit of a tinge in our hearts. I did not grow up in Kolkata hence I don’t miss the city festivities. In fact the few times I have been to Kolkata during the Pujo I didn’t enjoy the crowd the hustle and bustle and the inconveniences of daily civic life. The only excitement was drifting from Puja Pandal to Pandal and watching the Pratima and the other pleasant visuals especially of the opposite sex around. I grew up in Hijli Kharagpur IIT Campus where we had only three very homely Puja’s. We spent all four days of Puja hanging around the Pandals tasting savory snacks at the make shift food stalls participated in various events. During the evenings we gathered around the Pratima where the priest performed the arati while the dhakis and the dhunuchi dancers danced to the intoxicating beats and the perfumed smoke from the dhunuchis. I still remember our favorite “Dari Kaku” you can see him standing on the right side in the picture above the bearded compounder from our campus hospital drumming to his hearts glee and once in a while pulling in one of us kids to play the “kashar ghonta” And at the end of the arati came the prasad that we all waited for. Later in the evening cultural programs plays music and dance livened up the pandal. Our favorite of course were the movie shows old black and white Bengali movies like Dhuli Ashite Ashiona or Neel Akasher Niche with frequent breaks due to changing on the film spools on a singe projector. Late night when the movie concluded the grounds looked like a battled field strewn with bodies of children and grown ups sleeping happily under the open sky. Another attraction of the campus puja was the burning of the Ravan effigy or Ravan Dahan. During the Puja afternoons me and my friends were assigned the task of building the Ravan using huge bamboo baskets and colored papers. On Dashami afternoon the 25 feet high Ravan effigy was installed on the island in our campus lake. The pyro-technicians from Kharagpur town came and installed the bombs and other fire works inside each of the ten heads and the torso. During the evening the idol was put up on a truck and taken around the campus before the immersion ceremony. Dari-kaku would pull us up onto the truck and we accompanied Maa Durga while dancing to the drum beats and yelling “Bolo bolo Maa Durga ki Joy Ashchhe bochhor aabaar hobe ”. After the immersion of the Durga idol in the lake and some glorious display of fireworks an arrow mounted on a wire-guided missile was launched from the banks of the lake. The arrow flew across and hit right on target - the heart of Ravan and a series of controlled explosions soon brought down the effigy into a pile of ashes. But the fun did not end with the Pujas. The Bijoya celebration was another great attraction especially to us the kids who went from door to door touched the elders feet and waited for the plates to appear from the kitchen filled with sweet and salty treats. This continued till Kali Puja came knocking at the doors. For me the Puja’s here more resemble the campus days - a meeting place with friends to share a laugh and some happiness to enjoy our kids running around to appreciate the beautiful ladies around in their wonderful saris enjoy those not-too-perfect presentations on stage and just reminisce of the good old days. Happy Puja to all of you my friends. May Maa Durga fill your lives with happiness and joy Share this article Close   Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML:  input readonly  readonly onclick  this.select  type  text value  Durga Puja - Here and There size  84 title  Copy this HTML to create a link to this page /   If you like this then please subscribe to the RSS Feed . 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(364, 2556, 'sudipta We always welcome criticism. Without criticism we cannot improve our work. http://', NULL),
(378, 0, 'On July 4th Saturday night the curtains came down upon the NABC 2009 at the San Jose McEnery Convention Center. But as the NABC lights faded out in the West Coast Kallol of New Jersey got into full gear to herald in the NABC of 2010 to be held at the Atlantic City Convention center from July 9th to 11th 2010. Although I was not able to attend the San Jose NABC but judging from the excellent coverage on Urhalpool it seemed that it was a successful one from an overall perspective. It seemed that the shows ran on time which was unthinkable even a few years ago NABC seems to have fixed that vexing problem and made this cartoon irrelevant they were entertaining and dazzling food was good as were the long adda sessions. The second generation kids also seemed to have enjoyed themselves some made new friends and some met old ones they met at previous NABCs. However the editor of Urhalpool Gautam Dutta who also has received an award from the Cultural Asso. of Bengal at the NABC 2009 for his contribution to Bengali literature wrote an editorial on the NABC proceedings which echoed some of the frustrations of the past.  Gautam’s grievances about the treatment of domestic artists and performers neglect of  literary guests and their seminars lack of care for Bengali literature as a major component of Bengali culture has been voiced time and again but to most of the organizers those are of lower priority. After all Shantanu Shan from Mumbai can pull in more registrants than Sunil from Kolkata. Although I wrote about some of these issues in a past article I think I’ll re-iterate some of them once again. Since the 2010 NABC will be held in our home turf organized by our club “Kallol” I can hope that our hopes and wishes will find some compassionate ears.  So here goes my wish list: 1. Cut down the number of artistes from India Kolkata Mumbai . Inviting a large number of artistes and performers from India is counter productive. It not only boosts the NABC budget but to the audience members it becomes a major hassle to co-ordinate between other shows social meetings literary seminars films theater etc. etc. I have nothing against the professional performers from India. My point is to give some room to the audience members to enjoy and appreciate the other programs.  How can we expect audience at a literary seminar when it runs parallel to “Shan” “Shreya” or “Srikanto”   And hence during the local performances they take their breaks for meals addas and shopping.  Please give them a break. 2. Introduce new and upcoming talents from India. Aren’t we tired of watching and listening to the same performers again and again Srikanto Acharya is a great singer but think how many times we have heard him in the last five years. We wouldn’t have attended his concert this many times even if we had lived in Kolkata. Same goes for many of the other artistes whom we see at each and every NABC gathering. Why not introduce some of the new and upcoming artistes at NABC With the proliferation of Indian and Bengali TV channels in USA we are now familiar with many of these artists. One name comes to my mind is “Sahaj Maa” – her renderings of Sufi and folk music is simply mind boggling. Stand up comedians like “ Mir ” or “Kanchan” can be an excellent addition to the usual repertoire and they can double up as anchors/emcees. 3. Special events for second generation. Although this sounds like a cliché but the fact remains that we mostly ignore our next generation at the NABC festivities and get too involved with ourselves. Mind you when we talk about second generation we are talking about a wide range of age groups. “Speed Dating” introduced at NABC 2009 I presume is nice for the youths but may not be that attractive for the younger kids. We need to be innovative about getting them engaged – be it quiz contests or spelling bees Bengali Idol NABC idol was introduced in 2009 music contest children’s drama competition   dance competition – anything that  can engage them.  How about mini-workshops on arts and crafts music acting or film making And let our second generation kids organize manage and run them. I have more wishes and I’ll list them in the coming weeks. I also welcome comments and suggestions from the readers and listen to their wishlist. However the bottom line is that we need to rethink the objectives of Bango-Sammelon aka NABC and act accordingly. 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(379, 0, 'A unique concert of Tagore songs with the accompaniment of Indian and Western musical instruments is planned for Saturday July the 18th 2009 at 6-30 P.M. at the fabulous sanctuary of the futuristic Saint Peters Church in the heart of New York City at 619 Lexington Avenue corner of 54th Street New York City. Rezwana Choudhury Bannya the famed Tagore singer will be the solo vocalist. Among the instruments will be Piano Violin Saxophone Harp Cello Veena Sitar Flute Tabla Mandira etc. The musicians who will play these instruments are all accomplished artistes in their respective areas. This is the first time that such a concert is being offered where so many Western instruments will be played with Tagore songs or any other Bengali song genre for that matter at the same session. As planned Ms. Bannya will sing an average of two songs with each instrument individually. At the end two or more songs are expected to be offered with all the  instruments playing together. Suggested donations for the concert has been set at 100 50 and 25 to defray the costs for the concert. Guests are requested to arrive on time and take their seats by 6-30 pm so that the session may start on time. The entrance is through the 54th Street south side doors less than 50 feet from Lexington Avenue while walking towards Third Avenue. Discount parking is available at Metropolitan 51 Parking 569 Lexington Avenue south side of 51st Street between Lexington and 3rd Avenue 15 for upto five hours .. For getting the discount the tickets have to be endorsed by a seal at the reception desk at the church entrance. Those interested to attend the concert and collect tickets are requested to ontact: 347-570-7787 917-770-0146 718-414-9743 or send email at following adresses: email:  smullah41@yahoo.com   sarwarharun@gmail.com Share this article Close   Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML:  input readonly  readonly onclick  this.select  type  text value  Bannya Concert in New York size  84 title  Copy this HTML to create a link to this page /   If you like this then please subscribe to the RSS Feed . 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(380, 0, 'On the Occasion of its 20 th Anniversary Celebration Mrittika Inc. of New Jersey-A South Asian Language and Heritage Center formerly known as Bengali Learning center Cordially Invites You to Attend the First  “South Asian Heritage Day” Celebrating “Unity in Diversity through the Arts” Co-Sponsored by Monmouth County Library Headquarters On August 1 2009 Between 11:00 AM 3:30 PM at  Monmouth County Library Headquarters 125 Symmes Drive Manalapan NJ 07726-3249 The  day-long cultural program includes Exhibition Performing Arts Documentaries Author Presentations Art Workshops The  Exhibition “My Roots” contains three areas of display which includes: Desire within boundaries: The Earth friendly handed down ritualistic traditional painting  art form by women from Three generations of the Bengali Community features Alpana works “Vanishing Earth”: A special display of miniature clay art form of Bengal “South View”: An assorted display of folk artworks articles and jewellaries from South Asia The Performing Arts will include Music and Dance programs by community artists “Enchanting tunes of South Asia”: A multimedia musical composition featuring flags and costumes of South Asia: Research Compiling and composition by Alumni and other Mrittika members from the community. The live section will be presented by community celebrities “Mother Earth-Father sky”: A performance of Indian Lyrics and tunes written and composed by world famous writers poets and composers Co-ordinated / directed and sung by: Arundhati Mullick with a group of local community celebrities  along with a specal dance segment by “Rhythms of dance and Music Artistic Director: Mitra Purkayastha performed by Mitra Purkayastha and Orchi Dutta “East meets West”- A performance of classical Indian Kathak Bharata Natyam  and Western Dance Ballet Flamenco by “Kalamandir” of New Jersey Artistic Director: Malabika Guha performed by Brinda Guha and Ariana Dasgupta The Documentaries contain “The treasure hunt from the past”: Learn about the disappearing clay art form of Bengal Bengali with English Subtitles Directed by: Sanjiban Guha and produced by Mrittika “A Journey”-Glimpses of Mrittika’s twenty years Art workshops include “Building the bridges”: Guest Artists share techniques in South Asian Art Forms in the prticipatory programs for children and adults which includes Face art and Mehendi and there will be a   Author presentation Two Books: Two authors Mothers for Sale: Women in Kolkata’s Sex Trade by Indrani Sinha Shamita Das Dasgupta. Author Shamita Das Dasgupta shares this sharply intelligent and compassionate exploration of an East Indian social reality. Red Oleanders Raktakarabi by Rabindranath Tagore 1861 – 1941 . A new translation and adaptation of the renowned Nobel Laureate Tagore’s drama by Nupur Lahiri. Dr. Lahiri will present. The program co ordinator: Dhriti Bagchi on behalf of Mrittika Co-Sponsor: Monmouth County Library Headquarters Light refreshment will be served This program has been made possible in part by the Monmouth county Arts Council through funding from the Monmouth County Board of Chosen Freeholders through the County Historical Commission and the New Jersey State Council of the Arts/Department of State A Partmer Agency of the National Endowment for the Arts For further information pleae visit :  www.mrittika.org For Library  direction: phone number: 732-431-7220 Website:  www.monmouthcountylib.org Address: 125 Symmes Drive Manalapan NJ 07726 Share this article Close   Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML:  input readonly  readonly onclick  this.select  type  text value  20th Anniversary Celebration Mrittika Inc. size  84 title  Copy this HTML to create a link to this page /   If you like this then please subscribe to the RSS Feed . 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(373, 0, 'By Amitava Sen The derivative meaning of the word “Jayanti” in Bengali is an occasion to acclaim and praise linguistically speaking. But the word really means a Jubilee celebration of certain anniversaries. More often it means celebration of birthdays of famous persons usually dead than alive. In our case the dates of these anniversaries could be an amalgam of many calendars. Saints and spiritual gurus are observed according to lunar calendar Sri Ramakrishna is celebrated on the second day of the new moon on the eleventh month Falgun of the Bengali era. Poets and littérateurs have their assigned days in accordance with the dates of Bengali calendar as in 25 th of the first month Baisakh of the calendar for the poet Rabindra Nath Thakur and for some the ones dealing with science politics sports etc. as per the Christian calendar January 23 rd for Subhas Chandra Bose for example. Bengalis worship their heroes. The modality of hero branding has changed somewhat. Now a foreign recognition is deemed necessary for getting up there. There was a dry period after Satyajit Ray till Amartya Sen arrived. Both are internationally recognized. Though Bengalis made Mother Teresa a hero she was not really their kind. Then there was Saurav Ganguly whose virtual beatification for a period of time seemed destined to make him a candidate for Jayanti of his own. That he is still alive should not be a problem. We have precedents. Biggest of all our Jayantis one for the poet Tagore had been happening long before he died. Indeed he was an enthusiastic and willing participant. In addition he saw to it that celebrators did not run out of songs and poetries for his anniversaries for longest time to come after he was gone thousands of them compare this with only 154 sonnets that Shakespeare wrote. As we like to live in our past present is dreary and the future is bleak we need anniversaries lots of them. The ways of celebrations differ. That was January twenty-third a taxi traveling in a side street in Calcutta was stopped at the entry by a group of youngsters. In the middle of the street a portrait of Bose was installed in a makeshift platform duly garlanded. They objected to the taxi proceeding. The passenger reasoned that this was the only way the taxi could reach its destination but that pleading fell in deaf ears. He was accused of being unpatriotic. The taxi driver got involved but he soon came to the conclusion that discretion was better part of valor and promptly retreated when some one threw a stone aiming at the windshield of the taxi causing a small crack realizing that the violent outburst was probably the way the young fellows in the street intended to uphold Subhas Bose’s valiant legacy of armed resistance to the intruders. Saints and gurus have a peaceful way. Their affairs are usually confined in the temple and other places indoor except for when Bharat Sevasram Sangha and the likes decide to bring out a big procession blaring loud music stopping traffic for hours. But disrupting traffic back in West Bengal is everyone’s revolutionary right. Almost everyday can be called an anniversary of some sort. Poets and writers especially ones with songs to their credit usually do better because their anniversaries have a monetary potential as it can attract a fare paying crowd of aficionados of their songs and poetries performed by celebrity artists and movie stars. Closer to home here in New Jersey we love our Jayantis too as long as it has a cover of culture. We consider only the poets and writers for the honor. On a recent evening there were three portraits somewhat worn out from many years of use two of them were instantly recognizable the third though a familiar name the face still remained a little unknown to the crowd who gathered there. Anyway the display of three pictures was all we needed for their Jayanti celebrations. What followed had nothing to do with the subject poets and their contribution to the Bengali literature. They are dead anyway who will care how they feel. Turning in the grave does not pose a threat of any consequence. One of the organizers made an announcement that the Jayanti celebration was the major annual cultural program of the club. Demonstration that followed the announcement did not appear to promise a very bright future for the state of Bengali culture or for that matter even for the three Kobis adorning the arena. The poor Kobis could not even get up on the stage their pictures looking forlorn were planted below the main podium while some variation of go as you like was going on up on the stage. There is plenty supply of Kobis in Bengali. There is no reason that we have to have Jayanti for same three of them year after year after year. Could it be because we have no other framed portraits available readily But we can act as Romans while in Rome. . Here in America we have a day earmarked for President George Washington but it really is a Presidents’ Day for all 40 dead presidents. It is closer to the first president’s birthday in February that’s all. In the same vein we can have a Kobi day for all the dead Kobis. Assigning a day closer to the most famous of them will be fitting. We can do away with the three faded pictures and celebrate Jayanti for all of them. As they are too many in number we will not be expected to sing and dance for any particular one. We will celebrate our culture in whatever shape and form we want. That will be liberating. 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(381, 0, 'A translation company specializing in voice-overs and subtitling are looking for native speakers of Bengali for lip-sync/dubbing of a video series for the City of New York We are New York . They need approximately 10 –12 speakers teenager to senior male and female. Is this something you’d like to get involved in   Experience is preferred by not necessary. Contact: Lindsey InterNation Inc. 299 Broadway Suite 1400 New York NY 10007 toll free: 800.222.8799 phone: 212.619.5545 fax: 212.619.5887 info@internation.com www.internation.com Share this article Close   Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML:  input readonly  readonly onclick  this.select  type  text value  Bengali Speakers Needed size  84 title  Copy this HTML to create a link to this page /   If you like this then please subscribe to the RSS Feed . 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(510, 0, 'SKN Foundation Proudly Presents: “Sangeet Sandhya” “An Evening of Classical and Semi-Classical Songs” “A fundraiser for the preservation of Hindustani Classical Music” Date – Oct. 2 nd 2010 – Time – 4 PM to 8 PM Venue – Stonecrest Community Church Auditorium 1 1 Technology Drive North Warren NJ – 07059 Hindustani Vocal Classical by – ANASUA ROY And Semi-Classical Vocal and with a touch of Fusion by – NIRMALYA ROY From Kolkata Semi-classical music with touch of fusion: Vocal by Nirmalya Roy Kolkata a scholar in classical music from SRA and disciple of Pt. Arun Bhaduri is equally talented in light classical Ghazal and Filmi songs. He has released number of CDs and has been performing in TV Radio and abroad. Performed with Ravi Shankar-ji. Currently involved with Z-TV Bangla SaReGaMa show as composer. www.nirmalyaroy.com. Sitar By Abhisek Mallick disciple of Pt. Shyamal Chatterjee and Pt. Manilal Nag is a recipient of President Award for first position in AIR music competition 2003. He has been performing in TV Radio and abroad. Tabla By Shivalik Ghoshal disciple of Pt. Swapan Chaudhuri. Resonance Band Satyajit Bhattacharya on Keyboard Atish Mitra on Guitar and Anil Das on Percussion For More details pl. visit www.sknfoundation.org or call 732-310-3617 Cell. 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(383, 0, 'Subrata Ghosh an emiment theater critic from Kolkata recently reviewed Theater Workshop’s production “Jadiyo Galpo” in Desh patrika.  The play is directed by Ashok Mukhopadhyay. “Jadiyo Galpo” is the play that we had staged last year as “Satyameva”. Check out this review and tell your friends and family in Kolkata to watch this play at their latest opportunity. 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(509, 0, 'Raag-Rang presents for the first time an Informative interactive and intimate session on different styles Gharana in Hindustani Music. A Lecture-Demonstration by Dr Mohan Deshpande. Dr Deshpande a musician and musicologist will talk about different styles of Indian music and how it is in use in today’s context. Date– 3rd October Sunday. Time– 3 pm. Donation– 5.00 for members and 10.00 for non-members. RSVP will be appreciated. Contact– 732 -296-1865 908 -429-1120. Email –raagrang07@gmail.com Venue–At Sunil Nair’s residence 36 Pine Ridge Drive East Brunswick NJ 08816. From New Jersey Turnpike -Take Exit 9 - Exit left after tolls to Route 18 South towards East Bruswick - After you pass Eggers St make the next U-Turn to get on 18 North - Immediately get to the right most lane on 18 North - Turn right on S Woodland Ave - Turn right at Serviss Ave - Turn left at Messler - Take the 2nd right onto Pine Ridge Dr Destination will be on the right 0.3 mi 36 Pine Ridge DrEast Brunswick NJ 08816 From Route 1 Take Exit to Route 18 South and follow signs above. 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(388, 0, 'Recently I was in the market to buy a used car for my son. It has been quite a long time since I bought a used or should I say “preowned” vehicle. Even when I had bought couple of “pre-owned” cars during my early days in this country I bought them through my colleagues and friends. The first car I bought was a Dodge Aries wagon that was sold to me by a colleague of mine when I was desperate to get a car that had four wheels and could take me from my home to work and maybe some shopping. Hence I ignored several of its “minor” blemishes - like the rear passenger door which was disabled permanently. A previous accident had bent it awkwardly and  my colleague warned me that if I attempt to open the door from inside it may swing out violently and injure a bystander. I never opened the door. But the car served me very well. It was the time when minivans were just appearing in the market and station wagons were in high demand to haul luggage to the airports. My friends loved the car. It could sit six people quite comfortably and the huge trunk could pack in a whole apartment. My second car was a Nissan Sentra - a cute little car with very low mileage. A friend of mine who was a grad student at Rutgers helped me find this car while I was searching through local newspapers.  Since then lot of things have changed - the internet revolution happened - social networks and blog sites came about and people stopped reading newspapers - old relations faded and new ones formed. I too avoided getting into the hassles of  used car shopping and stuck to buying new cars just to avoid the stress. When my son became eligible to drive pressure started to mount on me. He wanted a car of his own. I tried to hold off for a while but finally gave in and started looking for a “pre-owned” vehicle - a reasonably reliable vehicle that would have reasonable number of miles on it and would have a reasonable read low very low price tag. The problem with used vehicles is that you typically do not have a model in mind rather you move with a dollar amount in mind. Maybe you can also setup a mileage target and age of the vehicle too - but my primary objective was to find a good deal The next problem was where do I start my search My friends and colleagues suggested I should look up CraigsList and I did just that. Soon  I identified few cars in my area central Jersey that I liked and contacted the sellers.  The cars were very attractively priced and I was eager to close a great deal. The sellers soon responded with tales of their own. Some were going through a nasty divorce some lost their jobs some had to leave the country but the common theme was that everybody wanted to ship their car to me. Most wanted to transact through eBay or similar service and ensured that if I am not satisfied with the car I can return the car and the money will be returned to me promptly. I was literally thrown aback - I never heard of used car salesman shipping cars via UPS or FEDEX and that too for free I smelled a rat and sure enough I discovered the warning posted on craigslist - any offer to ship a car is fraud   I found some genuine sellers too and checked out couple of them but none were satisfactory. In the meantime I discovered CARFAX and AutoCheck . Both these services provide you with a detailed history of the car as to whether it had any reported accidents whether the car was salvaged or whether the odometer was tampered. It also contains reports of each and every title change and registration renewals and in some cases inspection and service records. Autocheck by Experian   even provides a Autocheck score which helps you tally the car against similar cars in the same category. For example for the same model year a car with less mileage would have a higher score than one with higher mileage. Both companies offer buy back guarantees if the car later is proven to be a salvage or have title or odometer discrepancies that were not reported. Hence I subscribed to CARFAX and Autocheck to arm myself with enough information before negotiating a deal. I was always hesitant to go to a used car dealer mainly because of the stigma associated with this class of businessmen. I heard so many horror stories I thought that the moment I step into a used car dealership I’ll me coerced into buying a junk. But with CARFAX and AutoCheck I felt that maybe I can outsmart them in their game. But soon I discovered that the used car sales people have changed their strategy. I met three sales people and none of them were pushy.  They showed such a calm and disinterested demeanor that at times I felt that they must be in the wrong business. They all have their websites with the details about their inventory and even before I could mention CARFAX they pulled out a report for me. Maybe the current state of our economy has been good to the used car business and hence they really didn’t mind losing a customer or too but it kind of turned me off.  Maybe my ego was hurt since they were not begging me to sell their cars. As I was getting tired of searching for that great used car and even contemplated the idea of buying a cheap new compact from Japan or Korea a friend of mine pointed me to Sulekha classifieds.  And it was indeed a gold mine. Almost all sellers are of Indian origin and most cars posted are the Indian favourites - Toyotas Hondas and Nissans. Very few American cars.  I started shortlisting them and contacted the sellers  for their VIN numbers ran them through CARFAX and AutoCheck and soon I was able to find my car - a ‘98 Nissan Altima with low mileage and good AutoCheck score   Now let’s see how long it lasts. Share this article Close   Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML:  input readonly  readonly onclick  this.select  type  text value  Buying a Used Car size  84 title  Copy this HTML to create a link to this page /   If you like this then please subscribe to the RSS Feed . 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(389, 0, 'August 22 at the Woodlot Park in Kendall Park NJ. Contact Nilotpal Paul at nkpaul@gmail.com Share this article Close   Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML:  input readonly  readonly onclick  this.select  type  text value  Jadavpur University Alumni Picnic size  84 title  Copy this HTML to create a link to this page /   If you like this then please subscribe to the RSS Feed . 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(390, 0, 'IIT KGP Alumni – East Coast Summer Picnic 2009 Hi Alumnus – Our 12 th annual picnic is scheduled for Saturday September 12 2009 rain or shine at the same park as last year but different pavilion . Please join us and bring your family/significant other. Invite your group of friends and bhaat play and chill. When: Sat Sept 12 2009 11am-4pm Where: Oak Grove Pavilion within Duke Island Park Old York Road Bridgewater NJ Park Contact: 908-722-7779 http://www.somersetcountyparks.org Cost: 20/adult 16yrs and above 5 6-15 yrs Cost goes up after Sept 1 Catered Indian lunch will be served at 12:30pm. Please bring along any games or sports equipment e.g. soccer volleyball cricket baddy . To register and pay by credit card please click on paypal links below you don’t need to be paypal members : 1 Adult 20 : IIT KGP Picnic - Early Registration - Single 20 2 Adults 40 : IIT KGP Picnic - Early Registration - Double 40 1 Child 5 : IIT KGP Picnic - Early Registration - 1 Child 5 2 Children 10 : IIT KGP Picnic - Early Registration - 2 Children 10 If you prefer to send a check please send to: Ajit K Agrawal 315 West End Avenue 8B New York NY 10023. KGP ka tempo HIGH hai See you on Saturday Sept 12. Ajit Agrawal ajit k agrawal@yahoo.com Subhodev Das subhodev@att.net Websites: http://iitkgpny.community.officelive.com/ http://www.iitfoundation.org/chapters/ Share this article Close   Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML:  input readonly  readonly onclick  this.select  type  text value  IIT KGP Alumni – East Coast Summer Picnic 2009 size  84 title  Copy this HTML to create a link to this page /   If you like this then please subscribe to the RSS Feed . 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(392, 0, 'Join the OFA Health Care Forum with the President on August 20th at 2.30pm. http://my.barackobama.com/page/s/aug20web Share this article Close   Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML:  input readonly  readonly onclick  this.select  type  text value  Health Care Forum With The President size  84 title  Copy this HTML to create a link to this page /   If you like this then please subscribe to the RSS Feed . 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(393, 0, 'Bengali Associations of NJ are gearing up for the biggest festival of the year - Durga Puja. This year the festival starts quite early around 25th-26th of September. Kallol GSCA and Anandamandir will be celebrating their Durga Puja during that weekend.  And just like last year we should expect that the registration to start soon. GSCA has already opened their online registration and Kallol is expected to open theirs in early September. Last year 2008 was the first time when Kallol of NJ started their online pre-registration process and it caused quite a bit of furor amongst the Kallol regulars who failed to register early. The registration window was closed as soon as the guest count limit was reached and that left many people with a bad taste.  Some people were able to get in at the last moment I don’t know how but several people had to go back. I think Kallol needs to do something about this. I suggest that Kallol retain a limited number approx 200 to 300 of reasonably priced daily tickets. These tickets should be released only on the day for which they are designated.  For example a Saturday tickets should be sold on Saturday only and not earlier. The price of these daily admission tickets when totalled should be higher than the combined 3-day registration fees  and they can have different rates based on the key attractions of that evening.  This process has several advantages: 1. People who want to attend only on a specific day at Kallol can do so. They do not have to be tied to Kallol puja for all three days. 2. Many people including non Bengali speaking would like to come to the Puja to watch their children or other family members perform in a show on a particular day. It would be unfair to charge the full 3 day registration from them.  Even if they purchase the 3 day package and come only for one evening Kallol will lose out a spot for the other three days. 3. The daily tickets which from our past experience can be expected to be sold out will fetch more revenue for Kallol than 3-day registrations. This is a win-win situation. These are my humble suggestions to the committee for consideration. However other organizations can also follow this process. I hope the 2009 Puja festivals will bring in joy and happiness for all. I am looking forward to it just like any other Bengali. 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(394, 0, 'Indian Community Center of  Garden State ICC-GS cordially invites you to the  Durga Puja celebration on 19th and 20th September Saturday and Sunday at  Roxbury High School located at  One Bryant Drive Succasunna NJ 07876. The biggest attraction is the cultural program with an exciting line-up featuring famous artists from  Kolkata . Amit Paul the India Idol Runner-up will perform on Saturday Sep 19th. Jagannath and Urmimala Bose from Kolkata are the pioneers of ‘Shruti-Natak’ or talk theater. They will perform on Sunday Sep 20th. There will be special Bengali community dinner both the days. For further details please visit  www.icc-gs.org Share this article Close   Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML:  input readonly  readonly onclick  this.select  type  text value  ICC GS Durga Puja size  84 title  Copy this HTML to create a link to this page /   If you like this then please subscribe to the RSS Feed . 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(409, 0, 'I have been trying to avoid writing about the current health care issue on this blog. The key reason being that if I start writing I won’t be able to stop. I have been discussing this issue with my friends on my facebook page and the discussions often became quite passionate and sometimes quite heated too. The rumors hear-says myths and speculations on the healthcare bill have risen to a level that I doubt if ever happened before in American social and political life. Multiple bills have been floating in the Capitol and today Senator Baucus unveiled the so-called bipartisan bill which apparently only one Republican Sen. Olympia Snowe is likely to support which has no option for a public-option requires families to contribute 13 of their income for health insurance premiums and imposes fines 3800 per family on those who do not purchase insurance. The bill does however impose some restrictions on insurance companies to prevent them from rejecting people with pre-existing conditions or from increasing the rates for people with serious illnesses. This bill if accepted would cost 856 billion over 10 year time. I would say that this bill is kind of a disappointment at least for me. Thirteen percent of one’s income as health insurance premium is far from what we call affordable. Secondly the bill does little to encourage competition. Without any public option the insurance companies will have a field time to set their own rates. The so called exchange or market place can do little when each state has only a handful of  insurance companies to select from.  Health co-operatives as proposed in the bill can hardly compete with the insurance companies. In New Jersey the state imposes some regulatory measures for individual and small business health coverage. The standard plans for individuals are community rated. From late 1993 through 2008 this has meant that a carrier must offer a standard individual health benefits plans to everyone at the same rate regardless of the applicants’ age gender profession health status or geographical location in the State. In 2009 carriers may offer standard individual health benefits plans using community rating that considers age. The ratio of the highest rates for a standard individual health benefits plan to the lowest rates for the same standard individual health benefits plan cannot be more than 3.5:1. Although this is far from being perfect but at least it ensures one aspect of health coverage is that the premium rate cannot be adjusted based on health status. And this is one of the aspects of the Baucus bill – something which is already available in NJ and I am sure in many other states.  This bill seems to me as a huge compromise with just a light slap on the insurance companies palms which I presume was worked out as a deal. What I fail to understand is what does this bill and similar bills like this can do to reduce or contain the health care cost   Insuring everybody or almost everybody can only reduce the risk for the insurance companies and possibly improve their profits which unless the insurance companies share with their policy holders will do little to reduce the premiums. But premiums are only part of the story. What about deductibles and out of pocket expenses   What about insurance companies policing the doctor’s decisions What about inflated hospital bills What about doctor’s and hospitals practicing defensive medicine to shield themselves from potential malpractice suits Without public participation I don’t think any reform can help control healthcare costs.  People should not go bankrupt or lose their homes or die just because they cannot afford medical insurance. One suggestion I have is for the Government to provide a supplementary insurance for major medical costs like chemotherapy or other expensive treatments or surgeries that insurance companies are reluctant to cover. Currently Medicare does pay for patients requiring dialysis for kidney failures even if they have not reached the Medicare qualifying age. Why not expand this coverage for other life saving expensive treatments like chemotherapy or transplant surgeries or similar conditions This may require a minor adjustment of social security taxes or other taxes but it would significantly reduce the cost of general health insurance and hence the potential savings in premium can cover for the increase in taxes if any. 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(395, 0, 'I mean Vishal Varadwaj’s latest film “Kaminey”. I liked it a lot I was pleasantly surprised when I saw his previous film “Omkara”.  So I went to the theater with high hopes. And Kaminey exceeded my expectations. I can say that it is the best Bollywood gangsta movie ever made.  It is a treat to watch how this talented film maker has blended in violence with humor The story telling style the high paced and intelligent editing the mood photohraphy and lighting the music and the exemplary acting by the cast members reminds us that Bollywood film making has evolved a lot from the days of Ajit Pran and Prem Chopra Vishal Varadwaj is the Quentin Tarantino of Mumbai - he can create visual poetry with violence he can create characters that get tattooed in your brain and he can create wonderful music with Gulzar’s lyrics If you have seen the movie let us know how you liked it. And if you haven’t seen the movie - don’t sit there Go to the nearest theater that’s screening “Kaminey” Share this article Close   Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML:  input readonly  readonly onclick  this.select  type  text value  Did You Like Kaminey  size  84 title  Copy this HTML to create a link to this page /   If you like this then please subscribe to the RSS Feed . 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(506, 2898, 'Bengali SMS Good efforts Keep up the good work http://www.bhalobasa.in', NULL);
